<h1 class="pgc-h-arrow-right" data-track="1" > preface</h1>
Speaking of the greatest poets of the Tang Dynasty, it is nothing more than Li Bai Dufu, but when it comes to the best poems of the Tang Dynasty, it is often impossible to avoid Cui Hao's "Yellow Crane Tower".
However, this great poet who wrote the "First Seven Laws of the Tang Dynasty" had three bad problems and was once humiliated because of a beautiful poem.
<h1 class="pgc-h-arrow-right" data-track="1" ></h1>
When Cui Hao wrote poetry as a teenager, he was light and flashy. Later, he had the opportunity to travel in Biansai, so his Biansai poems were quite distinctive, which in turn affected his overall poetic style.
In particular, his "Yellow Crane Tower" was evaluated by Yan Yu's "Canglang Poetry" as the first of the Seven Laws of the Tang Dynasty.
According to the Yuan Dynasty Xin Wenfang's "Biography of Tang Caizi", Li Bai traveled to the Yellow Crane Tower, and after seeing Cui Hao's poem, he left without writing a poem:
After traveling to Wuchang, climbing the Yellow Crane Tower, sighing and poetry. And Li Bailai, who said: "There is a scene in front of you, and Cui Hao's inscription poem is on the top." "Nothing to do. Collect hands for the philosopher.
Cui Haoshiyun:
The people of the past have gone by the Yellow Crane, and the Yellow Crane Tower is empty here. The yellow crane is gone, and the white clouds are long in the air. Harukawa calendar Hanyang tree, yerba buena parrot island. Where is Nippori Pass? The Smoke Wave River is sad.
After Li Bai left, he did not bow to the wind because of this, and later wrote poems such as "Dengjin ling phoenix platform" and "Parrot Island".
Parrot Island Poetry Cloud:
Parrots have come to Wujiang water, and the name of parrots has been passed on to Jiangshangzhou. The parrot flew west to Longshan Mountain, and the tree of Fangzhou He Qingqing. The smoke open orchid leaves are fragrant and warm, and the shore is full of peach blossoms. At this time, the relocation is extremely blind, and the lonely moon of Cheung Chau is clear to whom.
As for whether Li Bai really said that "there is no way to see the scenery in front of you", it may not be true. However, whether it is Parrot Island or yellow crane tower, it is actually modeled on the "Dragon Pond Chapter" of the Shen Period.
<h1 class="pgc-h-arrow-right" data-track="1" > marry Wang Chang in the second and fifteenth</h1>
What most disgraced Cui Hao was Li Yong's evaluation of him. Li Zhao's "Supplement to the History of the Tang Dynasty" of the Tang Dynasty wrote:
Cui Hao has a good name, Li Yong wants to see it, and opens the museum to wait. And Hao Zhi, Xianwen, the first chapter reads: "Fifteen married Wang Chang." Yong Ling said, "The boy is rude! "But not.
Cui Hao was in the "eleventh year of the new century yuan Shaoliang and Jin Shidi", according to the evidence, Cui Hao at that time was only about twenty years old. Thirty old Ming Classics, fifty young scholars. Twenty-year-olds and the first belong to the young talents.
Li Yong (678–747), courtesy name Taihe, was a Tang Dynasty minister and calligrapher who served as the Taishou of Beihai and was known as Li Beihai in history. He often wrote inscriptions for others. The fees used to help others are often used to help others. Both Li Bai and Du Fu had been appreciated and entertained by Li Yong, but this time Cui Hao touched the nail because he had selected the wrong poems he had dedicated to Li Yong.
Legend has it that Meng Haoran's poem dedicated to Tang Xuanzong has the sentence: "Do not know that the Lord abandons", so he lost a once-in-a-lifetime opportunity. And Cui Hao's "Young Woman of the Wang Family" dedicated to Li Yong also caused Li Yong's unhappiness, and his poem Yun:
Fifteen married Wang Chang, Yingying into the painting hall. Since the least years of self-esteem, the re-reliance on the son-in-law as a lang. Dance love before the green, song pity the night long. Idle to fight hundreds of grass, live a day without makeup.
After Li Yong read the first sentence, he scolded: Xiao'er is rude. The other poems didn't even look at it, so they drove Cui Hao away
<h1 class="pgc-h-arrow-right" data-track="1" > three, Cui Hao 3 bad problems</h1>
Cui Hao has 3 problems, love gambling, love to drink, love beauty. The Biography of Tang Caizi writes:
However, he is slightly inferior, good and drunk. Whoever marries a wife and chooses beauty, if he is not comfortable, he will abandon it, and he will be easy to three or four.
Bao Bo, a kind of ancient bo play, later also referred to gambling; in addition to good gambling and good wine, Cui Hao also began to give up and specially selected beautiful women as wives, but slightly dissatisfied, he liked the new and tired of the old, and changed his wife several times and three times.
In the "Biography of Tang Caizi", it is said that Cui Hao: "The youth is a poet, the meaning is flashy, and the trapping is light. There is a saying: Poetry is like its person. His life is reflected in his works, and it is inevitable that there are flashy and light works.
<h1 class="pgc-h-arrow-right" data-track="1" > concluding remarks</h1>
Li Bai once joked with Du Fu: Don't be too thin and raw, and always write poetry for the past.
Cui Hao is also a bitter bard, and once when he got sick, a friend joked with him: You are not thin because you are sick, it is because the bard is too bitter and thin. Soon after, Cui Hao died.
@Old Street Taste
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