"The Long Season" has risen again, from 9.0 at the beginning of the score to 9.2 at the end of the seventh episode, as a full-cast acting online, full of humor, people are reluctant to fast-forward life suspense, the three leading actors are indispensable, and the five young people are wonderful.
As a TV series with a total of twelve episodes, it has reached a high score of 9.2 in more than half of the broadcast, and if it continues at this pace, as long as there are no accidents, the final score must be greater than 9.2.
Another suspense drama "Hidden Corner" directed by Xin Shuang has a score of 8.8, and the well-known "Silent Truth" is 9.0, it can be said that "Long Season" is the highest rating of domestic suspense dramas in the past five years.
Stream-of-consciousness expression of multiple emotions
The work is based on the theme of crime and suspense, in which the plot of life occupies a fairly important part, and is described in a stream-of-consciousness manner.
However, this technique does not only emphasize consciousness itself, but slowly unfolds the bittersweet and bitter of life.
This treatment guides the viewer's imagination and also draws the viewer's attention to consciousness itself.
"The Long Season" perfectly combines life and suspense elements, allowing the audience to experience the expression of multiple emotions in laughter and tears, while also completing the perfect unity of the main suspense plot and the ordinary rhythm of life.
Interpret the extraordinary with the most mundane
The perspectives of Fan Wei, Qin Hao and Chen Minghao drive the advancement of all plots, and three different lives are also interpreted from them.
The characters played by the three of them have a strong symbol of region and era, and they do not make people feel the sense of violation of the characters at all.
Wang Xiang, an enthusiastic "citizen", used to be a walking birch steel scanner and made the factory his home.
Wang Xiang in middle age, all kinds of warm-hearted outside, at home in a variety of small language to scare his wife, in old age Wang Xiang became silent, this quiet acting skills slowly into people's hearts.
He changed from a spirited man to a depressed old man, and Fan Wei performed the sadness of an old father after losing his son and lover.
Little language master Gong Biao, no matter what the scene, no matter who he faces, there is never a lack of various refined small languages in the place where he is.
Qin Hao has evolved from the "personable" of his youth to the "pot-bellied" of middle-aged and old age, and what has not changed is the character of good face and oil noodles, and he has become just a personal character image.
Qin Hao's own breakthrough when playing this role is great, as a native of the Northeast, he restores his true colors with his true colors and sublimates nature with nature.
What can be seen is his increasingly "strong" body, and what cannot be seen is his literary art with illusions about life.
Show master Ma Desheng, when he was young, he had bone momentum, did not give in to anything, seriously handled the current affairs, and stubbornness and persistence gave him the greatest spiritual strength.
In the blink of an eye, the old Ma Desheng became a happy little old man, the little Latin jumped, the puppy hugged, the character became bright, and the old man and the previous criminal police captain were completely out of touch.
Chen Minghao's interpretation is relaxed, he covers up the melancholy depression of the characters with joy, and from the attitude towards Wang Xiang and the thinning hair on his head, there are stories and Easter eggs hidden everywhere.
The performances of the three actors are natural and transparent, showing their professional standards and talents, and there is a sense of transparency and naturalness, returning to the basics.
The success of this drama is inseparable from the dedication and efforts of the directors and actors. Although ginger is still old and spicy, intentions actually occupy a more important part.
The path of youth should have shone brightly
Li Gengxi, Liu Yitie, Jiang Qiming, Shi Pengyuan, and Wang Xiaoyu performed a variety of young people's growth states, they either fell into endless pain due to family misfortune, or due to parental distrust caused by temporary choice deviation, on the road to growth, in their own so-called correct way to complete themselves and others.
Each of their roles is outstanding, Shen Mo's forbearance and black belly, Wang Yang's simplicity and persistence.
Fu Weijun's heart is cruel, Sui Dong (Xiao Bangba) hides a knife in his laughter, and the four of them form a strong contrast with the children of "other people's families" like Wang Bei.
Using young actors to play young roles is the best respect for the characters, they dare to break through and sacrifice, and deeply understand the character labels of the characters, so that the whole play is free of flaws.
Three "old actors" laid the foundation of "The Long Season", five young actors injected vitality into it, the logical plot built a complete framework, all supporting roles added bricks, and finally presented an excellent domestic film and television work.
Which character do you think impressed you the most?
How do you predict the final rating?