On the evening of April 27, the TV series "Long Season" updated the content of episode 8 and the plot trailer of episode 9. So far that the show has been broadcast, I have become more interested in things other than the crime suspense content itself - in this TV series, there are many characters that have rarely appeared in previous film and television dramas. These characters, in literary works and literary criticism, are called "marginal people".
In the field of serious literary works and literary criticism, the people who are in the marginal position in the literary intention are called marginal people, these people are not heroes, or even the heroes of the entire literary work, in life, they are in the marginal position, in the literary work, they are also on the margin. And it is these marginal people who always inadvertently sting readers and viewers.
The reason why the TV series "Loading Stage", which premiered on CCTV, is considered to be a top-quality work by many fans is because, in this drama, many marginalized people who are ignored and cannot be seen are successfully created. This time, in "The Long Season", this phenomenon of marginal people reappears. It can be said that there is such marginal character shaping and story shaping, making "The Long Season" worthy of the audience's supreme praise score of 9.2 points.
In the content of episode 8 of "The Long Season", the two characters Yin Hong and Li Qiaoyun are typical marginal people. In the main plot line, they are not the protagonists, not even supporting roles. In the scene of life, they cannot become the protagonists, cannot stand in the spotlight, and can only become the group of people who are ignored and "not seen". And it is characters like Yin Hong and Li Qiaoyun that inadvertently stung us.
In the plot, Yin Hong is a female practitioner accompanying alcohol in the dance hall venue. And Li Qiaoyun, a cashier at the steel mill, is also a part-time escort in this place. In the plot of episode 8, the two characters have a rivalry scene. When Sister Li Qiaoyun accompanied the wine, she quietly spit out the wine on the white towel. This move was discovered by the male consumers of the nightclub, and in this way, they deliberately embarrassed Sister Li Qiaoyun. Yin Hong came out at this moment to help drink to solve the siege.
In the plot content of episode 8, he did not drag mud and water, but cleverly explained the background of the two people. Sister Li Qiaoyun is an employee of the factory and is responsible for the registration of the doorman and cashier, but the factory can't send money when it sees it, and the child is waiting to use the money. Therefore, she can only go to the dance hall and make money by accompanying wine inside. It is also in this episode that the eldest sister calls the child and hums the song of Little Star, which is estimated to move many viewers. Sister Li Qiaoyun will make many audiences gain emotional resonance.
Yin Hong, on the other hand, has a similar experience. She used to be a naïve student, and after school, she helped her mother sell fried rice together. But who knows, the inferior liquefied gas tank exploded, and the mother's body was blown up without a piece of good meat. Because of the high cost of hospitalization, my mother had to choose to drink pesticides. This matter made Yin Hong see the "omnipotence" of money. That's why there will be follow-up to these stories. In the subsequent story, what I expect is still the supreme goodness of human nature, not Yin Hong's harm to Shen Mo.
Sister Li Qiaoyun and Yin Hong appeared in "The Long Season", giving the entire TV series a realistic texture. Why should such a character appear in literature and film and television works? This actually returns to an old topic of literary theory. Literary and art theory believes that film and television literary works, only by caring for marginalized people, can they trigger the attention of healing through the stories of marginalized people, and the attention of healing itself triggers a sense of universal compassion of the era and society, and then stimulate the purity and perfection of the entire era.
For example, classic literary works such as Hugo's "Les Misérables" and "Notre Dame de Paris" care for marginalized people, and behind this care, what will eventually rise is the emotional resonance of all readers' compassion. The compassion brought by literature and art must teach people to be good. I don't think any reader who finishes Les Misérables or Notre Dame de Paris says they want to be the evil guy in it.
Film and television drama works also have the same effect. It is through the rise of this sense of compassion that realistic TV drama works realize the positive value of social development. At the same time, realistic works also have a very good spiritual appeal, especially when the audience encounters setbacks in life, this kind of work provides everyone with the strength to face difficulties. The sublimation of the value of literary works and film and television works can often be achieved through marginalized people and a sense of compassion.
If so, "The Long Season" deserves a high score of 9.2. Its audience rating still has room to rise. (Text/Ma Qingyun)