Whenever a Korean movie comes out, there will always be a "very daring to shoot" argument.
However, sometimes they don't care whether a certain Korean film is good because they dare to shoot, just blindly follow, step on domestic movies, and hold Korean movies.
Korean movies do dare to shoot, which is worthy of recognition, but they only dare to shoot.
In the movie, punishing rape and eliminating evil, punching inaction, kicking and messing around, making the United States bow down and Japan become a subject.
But in reality, it was eavesdropped by the United States, and after protesting, it got a sentence of "just get used to it" and disappeared, so many actresses in the Korean entertainment industry died of jade, on a hot search, and then it was gone, this is the current situation of Korean movies.
In the film, violence is eliminated and good and harm is eliminated for the people, and in reality, the water is hot, and there are many complaints, which is the case with "The Next Suxi".
"The Next Suxi" only mentions the part (system) that is really touched, compared to films such as "The Defender" and "The Ministers of Nanshan", this is not a daring to shoot at all, and there is not much depth.
If this kind of dragonfly water can be blown into the sky, and can become a masterpiece by stepping on it, then it is too easy for a movie to get a high score.
Dark to the end, extremely gray, some events are said in the movie through the mouth of the character, and finally a simple deconstruction, the high score comes.
The real beauty of "The Next So-hee" is not what dares to be filmed on the Internet.
Instead, the director used the method of analysis, from bottom to top, from the inside to the outside to show the plight of the current young people, and comprehensively exposed the reasons for Suxi's death, so as to call for a voice.
This is the real beauty of "The Next Suxi", because of this dilemma, this justice that needs to be spoken, this imminent vent, this status quo that urgently needs to be changed, regardless of nationality, everyone can empathize.
Su Hee is a student who loves dance and has hope for the future.
But after leaving school and stepping into society, after a severe beating by society, low and negative occupied all her emotions, and she was no longer passionate about everything.
Who made Sohee like this? It's the school, the company, colleagues, friends, parents, the system, and herself.
The system only depends on the high or low percentage, and the subordinate departments can only implement it according to this set of standards, otherwise it is impossible to allocate educational resources, and it will become worse and worse in the industry, and the law is useless.
From top to bottom, schools will treat students in an almost humiliating manner if they are dismissed during the internship period, regardless of whether they want them or not, and if they are dismissed during the internship period, resulting in a decline in the school's employment rate.
The company signed a yin and yang contract with the school, desperately squeezed the interns, deducted employees' salaries and commissions, often worked overtime without adjustment and salary, changed business indicators at will, and did not treat employees as people.
Colleagues refuse to involve, their workload becomes larger, and they cannot get commissions to blame colleagues with outstanding performance, they will only lose their temper between the same class, but they dare not solve conflicts across classes, and they dare not be the first birds.
Suxi was assigned to work in the customer service center by the school, and her insatiable company exhausted her physically and mentally.
She was accused by her colleagues of not getting paid for her hard work, she couldn't bear the pressure, she committed suicide by cutting her wrists, and asked the school to withdraw her internship, but the school was humiliated because of her.
Talk to your parents and hope you can agree to quit your job.
But the family's constraints made the parents pretend not to hear what she said, or simply remain silent, even though Suxi should be comforted shortly after cutting her wrists.
Dinner with friends, eager for someone to listen to her, help her enlighten, and advise her.
But what I got was that every friend was in trouble, struggling to carry it, and no one wanted to have time or listen to the suffering of others.
So So-hee can only buy drunk alone, she no longer asks for help with a stubborn personality, the curve in her heart does not turn, her road has always been tortuous, until Kim Joon's phone is not answered and it becomes the last straw that crushes the camel.
These experiences that happened to Sohee are playing out to every young person.
When I was on campus, I dreamed full of vitality, and after walking out of the school, I was beaten by reality, and any dreams and justice were grinded into passableness.
The courage of the past has disappeared, the previous spirit has disappeared, society has made speech human, and let the relationship distinguish between near and far by the number of benefits.
The older you get, the more worries you have, intentionally or unintentionally blowing out a lamp lit by the speaker, Suhee seems to be the story in the movie, but in life, the next Sohee is playing out somewhere, and endlessly.
In addition to the movie, it can also be seen from the online reviews of "The Next Sohee" that Han Ying has indeed been difficult in the past two years.
Even a movie like "The Next Suxi", which is obviously being analyzed, began to blow the so-called dare to shoot by the head, which shows that they can't find other angles.
2019's "Parasite" is a highlight moment for Korean movies.
The Palme d'Or in Cannes, the Oscar for Best Picture, and Best International Film all make people feel that Korean films have begun to rise around the world.
But in just three years, the Korean film industry has plummeted, in 2021, eight of the top ten Korean box office films are overseas films, and in 2022, only eight of the hundred local films released in South Korea will be profitable.
By 2023, all local films released in South Korea will lose money, and the two highest-grossing films are Japanese anime, Slam Dunk and Suzuya Journey.
Han Ying hoped that he could recover after the epidemic ended, but the current situation was not as good as it was at the time of the epidemic.
After Netflix entered, the blow to Korean movies was very big, especially after the fire of "Squid Game", newcomer actor Jung Ho-yeon's fans quickly exceeded 20 million, making many Korean actors yearn for it.
Compared with local films, they are more willing to shoot Netflix works, so that they can use international platforms to enter the international vision faster, and investors also tend to make TV series and no longer favor movies.
Some Korean film production companies are even pessimistic that there may be no Korean film in 2025, and large companies like CJ and Lotte do not have several films that are sure to be on the industry, and they all have a negative attitude towards the industry.
When Hollywood conquered the world, only four countries, China, South Korea, Japan and India, held their moats.
Now, after South Korea opened up to Hollywood upstart Netflix, the local film and television industry has been severely impacted, and local films have lost the ability to confront.
Not only did the Hollywood movie "Fast Chase 4" easily win the championship, but Japanese anime was also able to form a destructive trend in South Korea, and Korean Shadow had little power to fight back.
From Han Ying's current predicament, it can be seen that while connecting with the world, how to protect local films is the top priority.
We can't let the local roots of decades be destroyed for the sake of temporary interests, so those who say that too few foreign films are introduced, the film quota system, and the domestic film protection month make bad films unscrupulous cognition somewhat one-sided.
The consequences of comprehensive liberalization will not be able to withstand several waves of offensive for domestic films with a weak foundation, if all domestic films are Hollywood, then ideology and values will be completely speared by others, but we have no shield to defend.