Mainland actresses are not as good as Hong Kong and Taiwan? Who defines aesthetics? They just lost out on fashion

The most common post about your circle on the Internet is Bimei Sticker, whether male stars and female stars, they will always be consciously and unconsciously put together for comparison.

Especially the old stars, people often compare the mainland with Hong Kong and Taiwan after comparing perfection in a small area, and in all the comparison between the mainland and Hong Kong and Taiwan, Hong Kong and Taiwan stars almost always win a big victory.

It seems that the mainland has the strength of the whole country, and it cannot pick out a few people whose appearance can compare with Hong Kong and Taiwan stars.

Why is this the case? Is Hong Kong rich in beauty? Taking actresses as an example, Hong Kong and Taiwan randomly find a few out, it seems that they are all great beauties, Lin Qingxia, Maggie Cheung, Wang Zuxian, Guan Zhilin, Zhong Chuhong, Zhao Yazhi, Qiu Shuzhen, Zhang Min, Li Jiaxin, Cai Shaofen, etc., the list is endless, but on the mainland side, it seems that there are few actresses who can compete with these beauties.

Insert: Qiu Shuzhen is actually very serious.

Almost the vast majority of people believe that mainland actresses lose to Hong Kong and Taiwan actresses mainly in temperament, mainland actresses look rustic, have no temperament, and do not have the confidence and ease on Hong Kong stars' faces in their eyes and expressions.

This is true, but shouldn't aesthetics be multi-faceted? Although mainland actresses are rustic, their facial features are beautiful, the same bright eyes and teeth, the same eye waves, the same smile like a flower, the same charm and moving. Is foreign qi more beautiful than rustic? Who defines this aesthetic standard?

It can be seen that aesthetics, in fact, has always been linked to the economy.

Aesthetic standards, in the final analysis, are also decided by capital. What kind of hairstyle is popular, what kind of clothes are popular, what kind of makeup should be worn, and the standards vary with the times, who is leading this trend? It is a large group of big designers who master the fashion vane, and they need to continuously introduce new fashion concepts and trends to the market, so that people can continue to follow and consume.

The so-called foreign beauty of Hong Kong and Taiwan was also determined by the prosperous Hong Kong economy at that time, their aesthetics were more Westernized, and they were still in the hinterland of the agricultural society, and the aesthetics were still stuck in the simplicity of agricultural civilization, so the fashion industry of the Hong Kong film and television industry that mastered the capital, they had the right to define aesthetics.

It is not that mainland actresses are not beautiful, but those who hold the right to aesthetic discourse are not biased towards mainland aesthetics.

Aesthetics, to a large extent, also has the phenomenon of Muqiang. The mainland is not without beautiful women, but their beauty does not meet the aesthetic standards defined by capital. To this day, our aesthetic is defined by them.

Temperament this thing, you can measure from the perspective of fashion, can also be measured from the perspective of intellectuality, I want to say that mainland actresses compared to Hong Kong actresses, in fact, just lost in fashion, because fashion is the most affected by the economy and society, and in terms of costume, mainland actresses not only did not lose, I think they are better than Hong Kong stars.

Their fashion loses in the backward costume road and photo style, and the overall feeling loses in the environment in which they grew up, they do not have the confidence and domineering of the Asian four tigers like Hong Kong Star, and the overall feeling lacks a confidence and freedom from the inside out, and there is always a feeling that you can't let go.

Many Hong Kong stars actually passed from the mainland, and after their packaging and creation, they immediately opened an aesthetic gap with mainland actresses.

But I still think that mainland actresses are just as beautiful, but the right to define aesthetics is not in our hands.

Since it comes to temperament, let's find an actress with the best temperament from mainland actresses to argue my point.

1. Pan Hong

This chicken nest-like hairstyle, it can be said that the soil is not wanted, even if Lin Qingxia combs this hairstyle, she is not high-class, but despite this, it still cannot cover Pan Hong's beautiful and atmospheric beauty.

Pan Hong is a rare actress among the veteran actresses in the mainland, an actress without a local atmosphere, she is cold and noble, and her facial features are stretched and atmospheric.

Once there is a good stylist and makeup artist, Pan Hong can be beautiful to fashion and not lose to Hong Kong stars, her short hair style, fresh and refreshing, the whole person looks lean and noble, I think that even standing in front of Lin Qingxia is not losing style.

Pan Hong's shortcoming is that there are some old appearances, and the lower jaw is a little square, at that time, our mainland has not yet formed the concept of maintenance and beauty, and many mainland actresses who were shocked when they were young are aging rapidly.

Pan Hong's height of one meter and seven plus, coupled with her cold temperament, even if she stood with Zhang Aijia and Gong Li, the focus was all on her.

Proper C position, but she lacks a good team to pack.

Bibi Gu costume knows, a Du Shiniang, directly killed the horse-faced Li Jiaxin.

Li Jiaxin is more suitable for fashion, the same Du Shiniang, she is less charming and less flexible than Pan Honglai, and she doesn't look as good as several young ladies in group performances.

The second, of course, must have our daughter King Zhu Lin.

The so-called good temperament of Hong Kong Star is actually nothing more than a strong sense of fashion, but the temperament of this dongdong is not a single point to fashion, it should also cover intellectual beauty.

The bookish qi on Zhu Lin's body can't find a single one that can compare with her among all the Hong Kong stars. Atmosphere, calmness, gentleness, tranquility, these are all things that are lacking in Hong Kong stars who only pursue fashion, sexiness, brightness and moving.

Zhu Lin's beauty is very oriental classical beauty, full, calm, subtle, restrained, elegant, generous, her ancient costume shows the beauty of Chinese women.

The king of the daughter country, even if he rebelled against the Tang monks (love at first sight), was just as dignified as to make people feel that he was deeply affectionate.

Gu Panshenghui is like a magnificent peony, and when lying on the bed, it is like a water lily on a summer night, which is so beautiful that it is intoxicating.

Zhu Lin's beauty is intellectuality and elegance from the inside out, which is a beauty that is not found in all Hong Kong stars, and it is also an inner beauty higher than sexy and feminine and bright fashion.

The third place, Gong Xue.

She is very watery, like a hibiscus out of the water, and her deficiency is that this self-curly hair is very rigid.

As long as she covers her hair a little, she can be impeccably beautiful.

Gong Xue is a beauty with no shortcomings in her facial features, and every piece of facial features is impeccable.

If you have to pick her faults, you can probably only speak with temperament, her eyes are very watery, but lack of confidence from the inside out, which is also a common disease of mainland actresses, there is no self in the eyes, no content, just to take pictures for the sake of taking pictures.

The fourth place, like Gong Xue, Fu Yiwei, whose eyes can speak.

She is a goddess in the minds of many post-eighties.

Her eyes are really good-looking, smart and clear, and her facial features are perfect.

With such a thick and earthy makeup, but it is still incomparably beautiful, I am afraid that only Fu Yiwei is afraid.

Fifth place: Zhang Yu

At that time, a "Lushan Love" opened the precedent of mainland movie kiss scenes, Zhang Yu resisted the huge controversy all over the country, her appearance is beautiful, gentle and delicate, and has everyone's show-like inner show.

She can benchmark Zhao Yazhi, the same problem, or fashion, but Zhang Yu is not obvious, if the makeup is good, it can be tied with Zhao Yazhi, but our hairstyle and makeup technology at that time were too backward.

This photo, proper Hong Kong flavor, you will not see the lingering rustic atmosphere of the mainland actress from Zhang Yu, she does not, very fashionable, very delicate, and very beautiful.

Come to see her Republic of China makeup and antique makeup, it's beautiful, isn't it? I don't think she is inferior to Zhao Yazhi, she is really beautiful, but she has not caught up with the good times, and there are no classic works like Zhao Yazhi's "On the Beach", "Jinghua Smoke", and "The Legend of the New White Lady".

Her beauty is undeniable.

Even if you are old, you are just as beautiful.

Sixth place: Shen Danping

In the old photos of the eighties, it is rare to see photos like this one that do not have an obvious sense of the times, it can be said that Shen Danping's photo is a plain beauty.

As long as you abandon the big wave perm head in the eighties regardless of face shape and non-distribution, the appearance of mainland actresses can be upgraded a lot at once, can you say that this short hair Shen Danping is rustic? A very pure and beautiful little beauty.

Seventh place: Liu Xiaoqing

To be honest, I can't get Liu Xiaoqing's beauty very well, but she was really good-looking when she was young, but her face was a little bigger, and she was too open.

With almost no makeup, it is already very good to have such a level of appearance:

In addition to his big face, Liu Xiaoqing's facial features are still very beautiful, and it is already very good that he can have such a level without makeup.

A little makeup, it is incomparably beautiful, and her big face plate is especially suitable for playing emperors and noblewomen.

Eighth place: Lin Fangbing

One Yang Guifei is enough to kill everything in seconds. Graceful and noble, captivating the country.

The fashion is also beautiful, with smoked eyebrows, well-defined facial features, and no shortcomings.

Such a rich and gentle Yang Guifei really answered the poem: The waiter lifted up the delicate and weak, try to ask which actress in Hong Kong Star can win over Lin Fangbing?

The Republic of China makeup is subtle and restrained, shy and moving, and it is just as beautiful.

Of course, there are more than these old beauties in the mainland, Chen Hong and Da Zheng Shuang were not put into today's article because they became popular in the nineties, and I still insist on my point of view: they just lost in fashion, lost in the growth environment and backward service road, once separated from the influence of these factors, they are even more beautiful than Hong Kong stars.