No, no, no!
There won't be anyone who hasn't seen "Spring Warm Sun"!
When you chase dramas over the years, all the grievances against domestic entertainment film and television dramas can have a big end here!
All the chaos you hated is also fiercely cursed here!
It's kind of funny, but it's not rootless and blunt.
It's a little sad, but it's not irretrievable.
First, the current situation of internal entertainment monsters
"Spring Warm Sun" is really a walking "internal entertainment slot".
What our audience hates, tickles, and is tired of, and the people in the bureau who are being coerced, suppressed, or even excluded, are probably even more "bitter and chaotic for a long time".
Spit it out, that is called a bitter hatred.
The core theme of the eleven episodes that have been broadcast so far is "a group of people who have artistic pursuits, style and ability for drama", and worry when they are struggling step by step in the face of various chaos.
Song Yang, played by Huang Zitao, "won the award" as soon as he was launched.
The troll army brushed the award, causing great controversy.
What about acting? It didn't work in the first place, and it kept regressing.
What about works? No.
What about traffic? That's a big drop there.
Always speculate CP to speculate the heat, fart big and small things have a large team of people and horses publicity and marketing hot search.
The agent (played by Yu Mingjia) fought for him for the role without lines in international blockbusters, and the words are clear: there is no problem with fewer lines, first, he can't speak English, and secondly, in terms of our Songsong's acting skills, can he play against the actor and queen? Do I hold him or hurt him?
The former mentor of the drama troupe commented that he could not catch the play.
The master mother is more direct, crackling and leading to things, this child used to not even run well in the regiment.
But it can't stand the red of people.
(I think this drama is still polite at this point, the real situation is that some traffic has no acting skills, even the face is not good)
Because he was popular, the head of the repertory troupe, Baba, wanted him to rehearse the play.
With him, you can sell tickets in minutes, and it doesn't matter if your acting skills are good or not.
Without him, the project would have been yellow, and this painstaking work could be dismissed in minutes.
Ironic, right?
From "insisting on finding traffic that can't act", to "robbing the male protagonist" to "changing roles" and other links, "Spring Warm Sun" is a whole "history of bitter blood and tears of art workers".
Ding Kemang, played by Wu Gang, has a very good play.
But for a long time, he only acted in dramas, and most of the audience did not know him at all.
There is no fame, in the context of "traffic is king", it is extremely passive.
Jiang Ye, played by Liu Bei, has won the Best Actress Award several times.
It's a pity that "it went out of gas".
In the crew, there is a conflict with the heroine who is young and good-looking, not dedicated, who can't act and only reads one, two, three, four, five, and also takes the screenwriter into the group to change the drama.
The result? The director and screenwriter who did not dare to offend Xiaohuadan, directly wrote her role to death.
After watching eleven episodes, it is very in line with the spit of "our internal entertainment is finished".
Of course, "Spring Warm Sun" is not a death lament, laughing and scolding in a complaining and ridiculing way, pointing to all kinds of chaos, but not despair.
The main thing is "a group of hard bones to fight with chaos".
Second, the dual source of pain and pleasure behind the complaint
1. Parallel the production end and the receiving end
While unfolding the main line of "chaos", "Spring Warm Sun" is also analyzing and tracing the origin: why is this so?
This drama "Son and Father", when the final rehearsal was made, the A version of the male No. 1 Song Yang and the female No. 1 He Shui, neither of whom could act.
In the whole regiment is probably the bottom level.
The performance was so bad that there was even a rare situation of "letting Group B demonstrate to Group A".
How sarcastic.
Why is that?
Songyang can't act, but there is traffic.
He Shui's acting skills are not good, but he was beautiful when he joined the group.
More importantly, she wanted to blackmail the group leader and shake off the private affairs of the two if she didn't.
Originally, this was nothing, but the group leader could not prove that he and He Shui had a relationship after the other party's divorce, and he was very afraid.
You see, with appearance, fame, relationships and other tangible and intangible extra-theatrical factors, all mixed in, squeeze out the "unknown people" who can really act in minutes.
Can this play still be good?
The audience suffered for a long time.
In the past, the suffering was to directly face the mess at the end of the result and face the bad film.
The suffering this time is to start from the creator from the source to see "whether it is possible for them to stop the bad film".
The content of the play is not new.
How many times have I scolded round after round.
But when a drama specifically focuses on "this broken thing", talking about the original intention and ups and downs of a play, it undoubtedly puts the creator and receiver on the same port.
Merge the unanimous appeal of "want to do a good show/want to watch a good show" about a good show.
The core crux of the contradiction when writing drama reviews in recent years is how I should deal with myself.
If you bring in the perspective of the creator, you know that there are many difficulties in each link, and you will lament that it is not easy to have all kinds of unsatisfactory finished products;
If it is still only the perspective of the audience, it will be very disgusting to one, two, three, four, five all/excuse: the audience just wants to see a good work, and they really don't have to be sympathetic to how cold the creative ecology is.
"Spring Warm Sun" is a collection of "subjective will, horizontal and vertical axis cutaways", which brings the audience into the perspective of the creator: if you want to do a good job, it is difficult to go to the sky.
2. The long-suffering "common hatred"
The "can't act" passage appears many times in the play.
I love watching it all.
Ding Ke Mang wanted to give Song Yang a chance to try his play.
He crackled after talking about his father's desperate content such as witnessing his mother's suicide, and the other party was very wooden.
There are also words "Oh, I'm done with my lines, the script is really gone here."
Good one "there is no more".
Ding Kemang disassembles the prescribed situation corner "The despair and helplessness of the father witnessing the suicide of the mother".
What about your reaction?
This is the helplessness of the actors, and it is also the heart words of our audience who have been paralyzed all year round.
Please! Stones! Facial paralysis! Half of the face that has been reshaped by plastic surgery! What about your reaction!
Similarly, Jiang Ye pointed out the problems in He Shui's acting, pointed out that she should not "stomp her feet", pointed out her stiff and false limbs and other problems, and the viewing experience was also very cool.
This is this "Spring Warm Sun" play-within-a-play, and the real experience of watching many film and television dramas in the past coincides with the similar landing point.
"Mouth replacement" in the true sense.
In the previous competitive variety shows, strange people who could not act contributed famous scenes, and the instructor pointed out the performance, which to a certain extent has a similar effect to the "performance teaching" here.
However, under the influence of various factors such as variety show hot spots, black and red are also red, and controversy may have more communication value, the gimmick of "excellent actors teach acting well" quickly existed in name only.
The module of "scolding bad drama and teaching performance" appeared in "Spring Warm Sun", which shocked people's hearts.
Why do we love to watch this kind of content?
Casually complaining about so-and-so's poor acting skills will have to endure the siege of fans for a long period of time and from multiple angles.
In the above content in the play, there is not even a fear of "being seated".
There are more people with this common symptom, and it is completely too right.
The slogan "The play is bigger than the sky" is not our turn for the audience to shout.
However, in the complex and turbid chaos of Yanmei's beauty and ugliness, seeing "right is right, good is good, and scolding is to scold" is not only a joyful relief, but also an unspeakable earnest expectation.
Third, the vivid group image, constantly compromising the complex situation of rheology
Interestingly, Spring Warm Sun is not a one-size-fits-all model of "a group of elegant niche artists" and a "vulgar market".
The character relationship has a general camp, and the character attributes have a general position, but it is not a blunt axe cut.
Pursuit and interests are inherently changing.
Positions and camps may change every minute.
What's more, the relationship between art and the market is not a hostile model of "you die, I live and die", but a complex trade-off change between you and me.
For example, in the play, Songyang's agent made a very unreasonable request.
Song Yang fought hard to get the opportunity to go back to acting in dramas.
The first is to repay the favor and have feelings for the teacher in the group.
The second is to plan for himself, and he knows that his acting skills are not good.
The company develops new people one by one.
His "downhill traffic" could be replaced at any time.
At first, the broker only agreed to a maximum of ten days of rehearsal time.
Later, he put forward a very excessive condition, "We Songyang cannot play the male second according to the original script, we must play the male first".
Such an unreasonable and unprofessional bastard request, why did Songyang, who seemed to be less wolf-hearted, agree after resisting?
The agent persuaded him that if you want to be recognized, you have to play the male one, and the lack of male second roles is not enough to prove it.
Such a sentence poked at Song Yang's mind to plan small calculations for his own interests.
So, he began to insist on the male one.
(Of course, in the follow-up plot, Song Yang was moved, honestly faced his shortcomings, and no longer insisted on not wanting a male one)
So, the male second changed to the male one.
"Father and Son" will be changed to "Son and Father".
The agent also requires that the contract state that Song Yang's scene is not less than 80%?!
(Big brother, really you play a solo show)
Very ironic.
Ridiculous and funny.
Of course, we also know that behind this dramatic absurd story, there are more absurd and extreme cases.
You see, Songyang had good intentions, but sometimes he did not hesitate to hurt the play and mentor for his own interests.
From this point of view, the group portrait in the play is very interesting.
Jiang Ye's acting skills are very good, but she does not fit the template of an excellent old artist in the usual sense of virtue and art.
Temperament, knife mouth.
Shh
Big and small problems, but make this less "standard" drama bone image appear more layered.
The acting head played by Han Tongsheng has an unclear relationship with the actress.
For this reason, they are held hostage and do not distinguish between public and private.
It was said that he and Ding Kemang were friends, classmates, and neighbors for thirty years, but after learning that "Ding Kemang was about to be replaced with a super bowl of Chen Jiange", he was full of joy and only cared about the interests of the play, regardless of the fact that his old friend was about to be miserably changed in his hard work.
A little slippery, a little prodded, a little greedy, a little utilitarian.
Very vivid city characters.
There are many shortcomings, but it is cute.
The heroine played by Sun Yi, Ding Kemang, played by Wu Gang, is very idealistic for both father and daughter.
His father is a drama performance artist who is indifferent to fame and fortune, and he is impeccable in his art.
The daughter is smart and capable, can write scripts, still works in investment banks, and can bring in big money owners in minutes.
As soon as he turned into a big deal.
This pair of father and daughter with too many halos of advantages, the former because of the market snub, the environment bullying and the industry to live up to the sad color, diluted a bit of "god" talent halo.
The role of the latter is to ease the "open-hanging" color through many bumps on the work road.
The agent played by Yu Mingjia is a typical representative of profit maximization.
Previously, I did not agree with Song Yang to go back to acting in dramas, thankless and no money to earn.
After hearing that the famous performance artist Chen Jiange was interested in the script and was willing to star (there are also rich conditions such as big IP packaging and film and television versions), the company stopped all advertising shooting arrangements in Songyang and devoted himself to making dramas.
The same play has completely different values for her.
In addition, what is interesting is the unique language rhythm of this drama crunchy.
Although "Spring Warm Sun" is no longer the old Beijing old hutong story often filmed by director Liu Jiacheng, there is still that familiar energy in many details.
Especially the roles of Wu Gang, Han Tongsheng, and Liu Bei, who played the three teachers of the previous generation of dramatists, in the play.
This servant is especially typical of ginger leaves in public.
Shhh
(Although this character is really a bit noisy)
This is not so much the unique charm of the rhythm of the language, but the relevance and vividness of the expression of the big truth and the small daily dialogue.
Fourth, a few regrets
The advantage of "Spring Warm Sun" is that it uses drama to scold dramas, focuses on various chaos in domestic entertainment film and television dramas, and laughs and scolds the whole "strange status quo in your circle for twenty years";
The shortcoming lies in "solving".
It has been a long time since the environment changed, and it takes time.
The story structure in the play is to solve the problem after denouncing the problem and throwing the problem, and since the context cannot be changed, it can only be promoted through personal efforts and coincidences.
This results in a mismatch between the level at which the problem is pointed out and the problem is solved.
And, in pursuit of dramatic conflict, some bridges overemphasize coincidence and drag the rhythm.
In the play, the drama is in a difficult situation, how to break through the brokerage company that holds Yang Song's powerful voice? The practice in the play is to quickly arrange for the heroine to become the "gold master" representative of Yangsong's brokerage company.
The speed of this opening and hanging is more goldfinger than writing the agent to death.
(Of course, you can say that the line of the heroine becoming the gold host later derived new problems, diluting the imaginary color of "goldfinger solves all")
For another example, Jiang Ye did not understand that "the regiment leader and He Shui have something" and misunderstood that "He Shui and his husband have something", from his daughter to her husband, they did not give an effective explanation.
It can be said that there are so-called "reasons" for their previous deaths, but this is all a deliberate and rigid practice of "hard concave character behavior in order to forcibly create contradictory results (Jiang Ye misunderstanding).
For example, Ding Kemang may lose the role he values the most and has invested a lot of effort, and the 11 episodes of the play repeat and stack expressions from multiple angles such as "wife talks with trainee girl", "wife talks with the group leader", "daughter talks with Yang Song", "daughter wants to talk several times", "trainee talks with daughter" and other angles.
Although each paragraph has a different amount of information, there is too little valid information overall, and the emotions are too full of intentions.
The picture of Teacher Wu Gang kneeling on the stage has also appeared many times.
If it is accurately and appropriately broadcast at the right time, this is the love for performance and the original intention of the work;
Due to excessive frequency, it is the sensational technique of the play.
You see, although there are many drawbacks such as goldfinger, dog blood bridges, rough and sensational techniques, but in the final analysis, in the point of scolding "they are particularly sick", "Spring Warm Sun" is funny and relieved.
It may not be completely true, but the core of "scolding" and "loving drama" is very full.
This is not so much "Spring Warm Sun" as it is the "winter mirror" of the current situation of internal entertainment monsters.
The first step starts by ripping off the fig leaf, which will always really warm up.