Article original Wenbo circle
New Year's Day
The cultural circle gives everyone a New Year greeting!
The Spring Festival Gala that just ended was very exciting
There are many national treasures and cultural relics Easter eggs hidden
The editor of the cultural circle read the whole process
Comb carefully
I don't know how many pieces you saw
Temple bottom ditch element pattern
Baping Spring Festival Gala stage
The top installation of the Spring Festival Gala stage is an evolution and reconstruction of the four-petal flower structure, and its creativity is based on the iconic "petal pattern" of the temple bottom gou faience 6,000 to 4,800 years ago. Mr. Su Bingqi, a famous archaeologist, once proposed that floral pattern painted pottery may be the origin of the name of the Chinese (that is, the Chinese nation).
The pattern at the top of the stage occupies the C position, running from head to place.

Dunhuang Three Rabbits Common Ear Mural
The three-rabbit co-ear pattern on the opening dance children
The motif comes from the Dunhuang Mogao Grottoes murals
According to statistics
There are at least 21 "Three Rabbits with Common Ears" in the Mogao Grottoes
More than 90% of them are found in the algae wells at the top of the cave
The pattern is elegantly colored and beautifully drawn
Some were created in the Sui Dynasty, and some were created in the Tang Dynasty
The most famous of them
It is the "Three Rabbits with Common Ears" algae well in Cave 407 of the Mogao Grottoes
Shaolin Temple murals
On the north wall of the White Clothes Hall of Shaolin Temple is the "Martial Monk Performing Martial Diagram" painted in the late Qing Dynasty
On the north wall of the Baiyi Hall, there is a "Martial Monk Performing Martial Diagram" painted at the end of the Qing Dynasty, which depicts the hand-to-hand fighting scene of the martial monks of the Shaolin Temple in front of the Daxiong Treasure Hall, divided into 16 groups and a total of 33 martial monks. The scene depicts the eighth year of Daoguang (1828) of the Qing Dynasty, when the Manchu ruler Lin Qing Dynasty inspected Yangmeiliang to sacrifice to Songshan Zhuolin Temple, and the temple monks performed martial arts for it.
The mural "Martial Monk Performing Martial Drawings" is 3.47 meters high, 5.36 meters wide, and covers an area of 18.599 square meters. The composition of the picture is quite different from the murals made by previous dynasties, the composition of the mural has a very strong sense of perspective, scattered in all directions from the center of the picture, with the center of the picture as the origin scattered in all directions, with great visual depth and sense of space, quite like the style of Renaissance Western murals.
The Forbidden City Divine Beast Xiao Lu Duan
There are shadows of divine beasts everywhere in the Forbidden City, and next to the palace throne, it is common to see divine beasts. "甪 (lù)" is a hieroglyph, and the meaning in the Ci Hai is a variant and different reading of the character "jiao". Luduan is a mythical beast in Chinese mythology and legend, traveling 10,000 li a day and 8,000 miles at night, fluent in four languages, quick and keen, and a symbol of auspicious rui. Lu Duan, created based on Ming Wanli cloisonné enamel aromatherapy, has the reputation of "Forbidden City Study Committee", is a messenger of cultural exchange, and represents the self-confidence and self-improvement of traditional Chinese culture.
From more than 1.86 million pieces/sets, the Palace Museum selected the Ming Wanli cloisonné enamel Luduan aromatherapy of Shoukang Palace to create a cartoon image of Luduan. The image design retains the basic characteristics of the cultural relics prototype, with a unicorn on the head, thick and powerful limbs, and a swollen body that makes it look cute. Coupled with thick eyebrows and cute little tiger teeth, Lu Duan holds his head high, confident and cute. The color is more colorful and bright, with free and fresh blue as the main color, supplemented by passionate and lively red, fashionable and dynamic orange, brilliant gold, lovely and warm pink and pure and flawless white, the whole shape is flexible and lively, loved by parents and children.
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Five stars out of the Oriental Lee Chinese brocade
October 1995, under the Kunlun Mountains. In a Han Dynasty tomb at the Nya site in Minfeng County, Hotan Prefecture, Xinjiang, the Sino-Japanese Nya Ruins Academic Expedition found that one of the people in the tomb had a brightly colored brocade tied to his right arm, and between the colorful patterns of the brocade, eight Chinese characters in the seal body jumped out - "Five stars out of the East to benefit China". This is the earliest word "China" found in Xinjiang so far, born in the Han Dynasty, more than 2,000 years ago.
The texture of the "five-star out of the East to benefit China" brocade arm guard is Shujin, and Shujin is known as "inch of gold and gold", and only Chang'an and Chengdu were capable of producing at that time. This brocade arm guard represents the top level of silk weaving technology in mainland China and even the world at that time, and it is an out-and-out precious product.
A national treasure in recent spring evenings
2022 Spring Festival Gala
A program inspired by the famous painting "A Thousand Miles of Rivers and Mountains" from the Northern Song Dynasty
"Only This Green Green"
Word of mouth exploded!
Sanxingdui explosive cultural relics
Large bronze mask
Detonate the Spring Festival Gala!
"Only This Green Green"
Inspired by the famous painting "A Thousand Miles of Rivers and Mountains" of the Northern Song Dynasty
It's just beautiful!
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2021 Spring Festival Gala
The head of Tianlongshan Buddha returns
On the evening of February 11, 2021, on the Chinese New Year's Eve night of the Lunar New Year, the head of the Buddha on the north wall of Cave 8 of the Tianlongshan Grottoes, which has been lost overseas for nearly a century, as the 100th lost cultural relic returned to the motherland in 2020, appeared at the Spring Festival Gala of China Central Radio and Television Corporation, welcoming the New Year and celebrating reunion with the people of the whole country.
The head of the Buddha on the north wall of Cave 8 of Tianlongshan Grottoes Courtesy of the State Administration of Cultural Heritage Luo Zheng/Photo
2018 Spring Festival Gala
"Silk Road Landscape Map" returns
At the 2018 Spring Festival Gala, Zhang Guoli, as the docent of "National Treasure" No. 001, went to the scene of the party and Shan Jixiang, then president of the Palace Museum, introduced the "Silk Road Landscape Map" donated by Mr. Xu Rongmao to the Palace Museum.
▲《Silk Road Landscape Map》
▲"Silk Road Landscape Map" (partial)
The Silk Road Landscape Map, also known as the Mongolian Landscape Map, is painted on silk, with a width of 0.59 meters and a total length of 30.12 meters, which is a green landscape scroll painted in the middle and late Ming Dynasty and should be used in the inner province. This landscape map, influenced by the Wumen School in the middle of the Ming Dynasty, mainly depicts green landscapes and tall mountains and rivers. Experts such as Lin Meicun deduced that the map's painter should have been Xie Shichen, a Wumen painter in the middle of the Ming Dynasty.
▲Jiayuguan drawn at the beginning of the "Silk Road Landscape Map"
Cultural relics have appeared on the stage of the Spring Festival Gala again and again
It fully shows the importance that the country and the program group attach to traditional culture