Some people have done research on why the paintings of the ancients are becoming more and more valuable, on the one hand, because things are rare and expensive, because of the words antique cultural relics. Another most important aspect is that the deep understanding of traditional culture by the ancients is presented in ancient paintings and calligraphy, so it is not simple to be an antique, because it represents the collision of ancient culture and modern civilization.
Good works must be deeply popular, loveable, and even for modern people to study and appreciate together. In works like this, there must be something deeply liked behind the general work, whether it is the fun of traditional pen and ink, or the embodiment of cultural heritage.
Below we are talking about a Ming Dynasty "Magnolia Map", the work is treasured in the Palace Museum in Beijing, belongs to the museum of fine paintings, the ancients for the cultural embodiment of painting, the elegance of painting is hidden above the work.
A magnolia flower, but worth more than 5.8 million, what flower is so expensive? Is it so well drawn? Strictly speaking, if you go back to the time of clarity, this magnolia flower is not the most beautiful, but it can appear more than 600 years ago today, it is worth this price.
In the Ming Dynasty, this "Magnolia Map", a magnolia flower is worth 5.8 million, graceful and colorful like a beauty!
Someone has carefully counted the magnolia flowers on this work, and there are 15 magnolia flowers that bloom on the branches, and 10 flowers that are not fully bloomed, not counting these small branches and leaves, as well as the small flowers behind this painting. There are a total of 25 magnolia flowers, each worth more than 200,000 yuan, which belongs to the sky-high price of magnolias.
Going deep behind the painting, we first look at the composition of the work by the painter, which captures the quality of different objects and then paints, and the composition is very clever and interesting. The entire vertical axis work depicts the whole magnolia, and it occupies the whole width. In addition, red flowers and strange stones are painted as a contrast, and the depiction of this contrast is very clever.
First of all, it reflects the independent and tall quality of magnolia, and then there is a strange stone next to it, which is carved by it exquisitely clear and rigid, and the tall magnolia tree and orchid graceful bloom next to the strange stone, soft but very strong, which is admirable.
The color of the whole work is bright and gentle, and the painting of magnolia flowers is also delicate and delicate. The changes in the small brushwork are subtle but aesthetically pleasing, especially on paper.
Painting is not about how prominent the ink is, but it is accurate and soft, and the brushwork is not rigid. Such a masterpiece, the ancients are really too powerful, admiring such traditional paintings.