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Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one in full bloom, one for the lotus, next to the glory

author:Painter Cai Jianming

Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one blooming, one xie as a lotus canopy, next to the withered glory; the main scene is a huge lotus leaf, which is for the "afterglow"; a long and short reed grass is accompanied by left and right, which is the background.

Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one in full bloom, one for the lotus, next to the glory
Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one in full bloom, one for the lotus, next to the glory
Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one in full bloom, one for the lotus, next to the glory
Cheng Shifa painted "Lotus Pond Diagram". In his early years, he was fond of Chen Hongshou's pen, which is still faintly recognizable in the old lotus technique, and the composition is simple and bright. Two flower heads, one in full bloom, one for the lotus, next to the glory

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