Chen Zhirui's circle of friends updates the calligraphy creation almost every day, diligently and earnestly, which makes the author sigh. Every time I see his works, the author is extremely hungry, rigorous rules, dignified knots, broad pens, the more I look at it, the more I hope to take it for myself, even if I have one of them, it is like a treasure, satisfied.
Chen Zhirui, Xi Xingshu, Xingcao, is good at Calligraphy, especially good at Yan Kai. Chen Zhirui's calligraphy is attributed to yan body, xingshu love belongs to Qi Gong body, wide collection and knowledge, touch class bypass, fame is in Yan Kai, and the avenue is in Yan's and Qi's brilliant xingshu.
Chen Zhirui, born in 1963, is a native of Linhe, Bayannaoer City, Inner Mongolia Autonomous Region. He not only wrote a beautiful pen, but also loved brush calligraphy since childhood. Chen Zhirui's interplay of pen characters and brush characters is strictly following the law of "calligraphy has a law", gradually cultivating, gradually enlightening, and gradually changing, thus realizing the transformation of "calligraphy art", "calligraphy has a law" is a brand that invades his bone marrow, and "calligraphy art" is a gene flowing in the blood. This is fundamentally different from those who are beautiful "public characters" and who think of themselves as "brush characters" in the style of "public characters". Chen Zhirui is a bit like a series of series, written with great charm; Chen Zhirui is also a bit like Tian Yingzhang, who has been practicing a certain family for decades, devoting himself to calligraphy, not seeking fame and fortune, but refining his entry and gaining real merit.
"Yang Zhuangwushi : First Acquaintance with the Gobi " Tang Luoyin Ju "
Qi Baishi's paintings, qi gong's words, elegant and customary appreciation, this "elegant customs and common appreciation" let the professional see the academic height, see the artistic connotation, non-professional see the freshness and cheerfulness, see the pen Jian Yunsheng. Taking this as the standard, elegant and orderly, the atmosphere is thick, majestic and lush, this must be Chen Zhirui's first feeling to the viewer, carefully taste, Chen Zhirui's calligraphy, in the pen, is full of Yan body's bones, Park Mao, JianJin, the layout of the chapter is full of Yan's majestic, the words are full of Yan's rhyme, even if Chen Zhirui's writing, although the Qi Gong body is used as a yeast, stretched, majestic, quiet... They are also full of Yan Kai's style, and they also carry the spirit of "Sacrifice Nephew Manuscript".
If you have to use professional visual stripping to interpret Chen Zhirui's calligraphy, then Chen Zhirui's calligraphy, in terms of chapter layout, is dense, simple and complex, fat and thin, and bones, both with the encounter, but also unique and ingenious, both reflecting the overall charm, but also taking into account the details of the change; in the structure of the font, the work is stable and dignified contains the ancient humble and humble, the broad and thick contains the arrogance, the ancient meaning is thick, and it gives people a surging and vast atmosphere; in terms of brushwork, peace and strangeness, ingenuity and clumsiness, light and heavy, thick and thick, dry and moist, Letter pen shape, vigorous and simple Mao, square and round, line rigid and ink soft, pen and pen have a degree of law, everywhere show spirit, fine into detail, radiant.
From Chen Zhirui's letters, it can be seen that he deliberately maintains the accuracy of "in place", for example, he has deeply studied Yan Lugong's "Yan Qinli Monument" in recent years, from a stroke and a painting copy to a word-in-one analysis, Chen Zhirui chases the hand, works very diligently, uses a lot of emotion, over and over again, he uses the greatest skill to enter it, strives to be down-to-earth, the words are exquisite, and the accumulation of habits, thus forming a muscle memory, the pen can point to where to play, the word can be both divine and physical, at the same time, Chen Zhirui has also practiced a pair of fire eyes and golden eyes , see accurately, write in place. Chen Zhirui is the forging of hundreds of steel, is a solid kung fu, such as Deng Shiru's perseverance in writing seal books, Wu Changshuo's persistence in writing stone drum texts, and contemporary Lu Zhongnan's perseverance in writing Ou Kai.
"Lin Huiyin Si But No Words", "Three Poems of Li Bai"
Chen Zhirui has liked traditional culture since childhood, especially love calligraphy, his calligraphy road and many calligraphers, copying and learning a lot of famous inscriptions, such as Wang Xizhi, Sun Guoting, Zhao Mengfu, Wang Duo, etc., systematically studied the laws of many families, such as Liu Gongquan, Ouyang Qing and other famous calligraphy, but also learned from many modern books, such as Qi Gong, Yan Gongda's calligraphy concept, the difference is that once Chen Zhirui identified a certain handwriting, or identified a certain family of penmanship, he learned very devoted, very effective, for example, He immersed and wandered for several years in Liu Gongquan's book, in Yan Zhenqing's "Many Pagoda Steles", reached the point of being pen-to-paper, and his heart was both smooth, and he also had a period of time when he reveled in the font of Qi Gong, learning, copying, day and night, until he approached the original work, and even in a false way, to this day, Chen Zhirui's writings, cool, strong, and firm, can still faintly see the shadow of Qi Gong, however, the most obsessive chen Zhirui is Yan's "Yan Qinli Monument", which has been like a day for decades. Ecstatic to find that along with the confusion of the mountains and rivers, the glue that could not extricate himself was accompanied by the determination to "want to compete with the Heavenly Examination", he was determined and persevering, poured his heart and soul, and finally found artistic elements that matched his own heart in the treasure of "Yan Qinli Monument", built a foundation, and raised a tall building.
Chen Zhirui wrote "Yan Qinli Monument", written in depth, written in a subtle and realistic way, through the study of "Yan Qinli Monument", he extended his tentacles deep to other Inscriptions of Yan's family, such as "Oriental Shuo Painting Praise", "Self-Confession", "Yan Family Temple", "Guo Family Temple" and other inscriptions, and then re-copied the "Duo Pagoda Stele" loved in his youth, and even Yan's life legends and wind and bone integrity, Chen Zhirui also tasted and chewed with relish, trying to capture the bits and pieces of nourishing brushwork from it. It is based on the speculation and search for Yan's brushwork for many years, Yan's temperament and character gradually invaded into Chen Zhirui's bloodline, over time, when Chen Zhirui wrote the letter, one stroke and one painting, all of them were secretly in line with Yan's, and the spiritual temperament was also inadvertently revealed, this kind of secret combination is carved into the bones of the mark, presumably, he also knows its reason, so he relies on his deep Yan body skills, consciously to open up his own spiritual homeland, to excavate his own calligraphy method and calligraphy art.
Undoubtedly, Chen Zhirui has put a lot of effort into the Yan body, but how to write his own appearance, he has also done in-depth thinking, this must be a process of struggle and transformation, although there is confusion, there is confusion, but the joy of the willow dark flowers, must also be his motivation to highlight the siege, he enjoys it, accumulates knowledge, knowledgeable and knowledgeable, he also naturally composes a lamentable chapter.
Looking at Chen Zhirui's calligraphy, the knot is wide and plump, dignified and gorgeous, giving people a solid and harmonious feeling; he uses his pen to be tough and introverted, calm and thick, with a temperamental temperament, and the pen is visible; in his chapter layout, the ink color is rich, the opening is loose, and the gas is heavy, giving people a shocking power. It can be seen from this that Chen Zhirui integrated Yan Kai into one, integrated into a subtle, and has reached the realm of transformation.
"Why only allow Spring to go back, but I am not allowed to be a teenager again" "Riding the wind and soaring horses, rejuvenating the country and dancing the dragon"
Looking at Chen Zhirui's writings, the texture is clean and beautiful, pleasing to the eye, such as autumn water, gorgeous and outstanding, elegant and eternal, such as spring breeze with sweetness. The "side" has the grace of "two kings", the "thread" has Zhao Mengfu and Dong Qichang's xiurun, and the "joint" has the posture of Wang Duo and Wen Zhengming, and the press, lines, and dot paintings are full of "Qi's" style. For example, Chen Zhirui's circle of friends' recent works such as "First Acquaintance with gobi - Yang Zhuangwu Poem", "He Groom - Su Shizi" and other works, free and ethereal, with a strong sense of literary popularity, rhythm and rhythmic sense of interplay, but also full of strong visual power, whether it is a fine taste, or inadvertently glanced at, instantly can attract the viewer's eyeballs, and constantly tap the subconscious aesthetic instinct, so that the viewer involuntarily lingers in it, taste, touch, meaning endless, wonderful.
Chen Zhirui's writings, when absorbing hundreds of schools, are more of an organic combination of the Qi Gong body and the Yan body, which must be his conscious exploration of the direction, because the style has suddenly appeared. Qi Gong body, Yan body, Chen Zhirui has long been in the chest, brushwork, he can call at will, without any sense of stagnation. In the course of decades of exploration, Chen Zhirui first built a foundation with Yan's "Duo Pagoda Stele", and also learned the Qi Gong body, the god form is realistic, and traced the Liu Gongquan from the Qi Gong, and then deeply studied the Yan Qin Li Monument. Chen Zhirui took the Yan body and the Qi Gong body as the basis, looked at the strengths of the families, and then, took refuge in the Yan body and the Qi Gong body, and stayed persistently, gradually entering a better state. This exploration process, seemingly unintentional, has formed its own appearance, which should be the gradual path of Chen Zhirui's ascetic calligraphy, and it should also be his lifelong calligraphy pursuit.
Vows not to enter the flow of time, learning will be super dust, this era calls for sincere calligraphers. Undoubtedly, Chen Zhirui is one of the purest calligraphers I have ever met in so many years. When the heart and mind flow at the end of the pen, Chen Zhirui cannot be measured, has the law and comes out of the spirit, dashing and sprinkling, free and cheerful, and the author gushes endlessly and cannot restrain himself.
(Text/Sangan)