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Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

The whole story of "dropping the bag" is the largest story in the forty times after the Dream of the Red Chamber, and it is also the largest story in the entire Dream of the Red Chamber. It starts from the 84th time and ends with the 98th time, and continues to as many as 15 times (of course, not every time it is completely involved, but it is a main line in the fifteen times, and the content is mostly related to this), which is unique in the whole Dream of the Red Chamber.

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Dai Dunbang painted Baoyu to become a relative

Not only is the length unique, but it is also second to none in terms of its importance. First of all, it is a big ending of the main line of the whole book, Bao Dai's love tragedy, and it is also a general collection of the contradictions and entanglements of Bao Dai in the whole book. In addition, in terms of character portrayal, theme performance, etc., it is also the most important story in the whole Dream of the Red Chamber, without the big story of "dropping the bag", a series of important characters will not be fully presented, and the profound theme of the Dream of the Red Chamber cannot be fully displayed.

Unfortunately, because the understanding of the forty times after the Dream of the Red Chamber has always been under the shroud of the "High Continuation Fallacy", it naturally leads people to preconceived notions that "dropping the bag" is Gao Osprey's clumsy means, and even becomes the focus of the most widely publicized tart in the entire last forty times.

The author searched for the keywords of "drop bag meter" or "package adjustment meter" on the China Knowledge Network, and only about 10 articles were obtained, all of which proved how bad Gao Osprey was and how clumsy the "drop bag meter" was. Searching on Baidu, although the number has risen sharply, its evaluation is no different. Such a situation cannot but be distressing. Therefore, the author intends to go deep into the "drop bag", find out its ins and outs, explore its artistic characteristics, and justify its name.

Below, we intend to discuss the plot direction, legendary characteristics, character portrayal, thematic performance (which may be included in the character analysis), and the interpretation of related issues (mainly based on the connection between the plot and the interpretation of the last forty authenticity questions).

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

The whole storyline of the "drop bag" is very long, involving a lot of content and characters are very complicated, the following for the convenience of narration, we roughly divide its plot into several stages to narrate, counted as: first, the origin, two, the momentum, three, the incident, four, the climax. At the same time, when we comb through the plot, we will inevitably involve other artistic issues, and sometimes it may inevitably exceed the plot itself. In the first part we only talk about the origin of the "drop bag":

After the Dream of the Red Chamber enters the second half, that is, after the 80th time (Note: after the 80th time, it is repeatedly called "the rear", "the lower part" and the "lower half" by Li Yanzhai and the Deformed Wat Sorcerer. For details, see the author's "Forty Times after the Dream of the Red Chamber", Baoyu's marriage has become the central event of the Rongguo Mansion.

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

"Analysis of the Authenticity and Falsity of the Last Forty Times of "Dream of the Red Chamber"", by Tan Dejing, Baihuazhou Literature and Art Publishing House, January 2020.

We will all remember that in the 28th of the first 80 times, when Yuan Chun gave gifts to the daughters and Baoyu of the Grand View Garden, the dudu Baoyu was the same as Baochao's, and at that time, it also caused Baoyu's strangeness and Daiyu's jealousy. Later, when Yuan Chun sent a message from the palace to let the daughters move into the Grand View Garden, Yuan Chun was the first to mention Baochao.

From this, it can be seen that Yuan Chun's favorite girl is Baochao. From the general narrative logic, Baoyu's marriage should later be Yuan Chun's efforts to promote the marriage of Baoyu and Baochao, thus forming an opposition to Baoyu Daiyu's "wooden stone marriage", thus causing tragedy.

However, later the Dream of the Red Chamber was not written in this way, and the obvious possible reason was the death of Yuan Chun in the 95th and the illness before. However, although the author may not attribute the main cause of the tragedy of Bao Dai's love to Yuan Chun's designation according to general narrative logic due to his loyalty to the truth of life (assuming that the last forty times is really written by Gao Hu, he will certainly write the main cause according to the prompts of the first 80 times because Yuan Chun's fate is difficult to violate.

In fact, the reason for Bao Dai's love tragedy is not completely written as due to the designation or interference of Yuan Chun, and the attribution of its main cause to the will of the parents is deeper and more convenient to unfold the plot and more flexible. Details below).

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

New Year Painting "Baoyu Becomes a Relative"

However, the initial origin of the "drop bag meter" is still related to Yuan Chun, and such a distant and inseparable connection really shows the variety and ingenuity of Cao Xueqin's "grass snake gray line" method.

In the 84th time, (this is where we judge the beginning of the "drop bag plan"), the novel narrates that Yuan Chun fell ill, Jia Mu and others entered the palace many times to "ask for diligence", and once When Jia Mu and Jia Zheng talked, they mentioned Yuan Chun's concern for Bao Yu, and Jia Mu first said this:

Here Jia Mu suddenly remembered, HeJia Zheng smiled, "Niangniang is very worried about Baoyu in her heart, and she asked him about it." Jia Zhengpai smiled: "It's just that Baoyu is not willing to study, and he has failed to live up to Niangniang's good intentions." Jia Mu said, "I gave him a good son, saying that he has done all the articles in recent days." Jia Zheng smiled and said, "Where can you be like the old lady's words?" ”......

Jia Mu said, "Speaking of Baoyu, I have one more thing to discuss with you: Now that he is also older, you should also pay attention to a good child and set him up." This is also the great event of his life. Regardless of relatives near and far, who are poor and rich, as long as they know that the girl's temperament is good and her appearance is good, it will be good. ”

In the conversation between Yuan Chun and Jia Mu mentioned above that Jia Mu "really remembers Bao Yu", did Yuan Chun mention Bao Yu's marriage in the end? Explicitly, only things such as "reading" and "writing poetry" are mentioned, which is the same concern she cared about when she was provincial.

But logically, in addition to reading, she should also mention Baoyu's "personal affairs", and even mention the Baochao she likes in her heart. However, the author does not explicitly mention it here, or the author deliberately obscures this issue here, or believes that if the role of Yuan Chun is said too directly and too clearly here, the development of the story, the sublimation of the theme, and even the implementation of a big legend in Cao Xueqin's plot, "Dropping the Bag Plan", will bring damage (will simplify the contradiction and reduce the theme expression).

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Baoyu Cheng's pro in the TV series "Dream of the Red Chamber"

However, we should note that although we do not know whether Yuan Chun mentioned Baoyu's lifelong events in the end, Jia Mu's words to Baoyu to "set" "a good child" were precisely caused by Yuanchun's "very really worried about Baoyu" conversation, and Jia Mu's words were also the original source of the whole big story "drop the bag plan", after Jia Mu's words, all parties, including Jia Mu Jia Zheng, began to say kiss Bao Yu.

In the 84th time, in addition to this passage mentioning that Yuan Chun "really remembers Baoyu" and is far related to the "drop bag meter", there is also a thing that can be said to be more closely related to the "drop bag meter". It was when Jia Mu and Aunt Xue often mentioned Xiangling and mentioned the disputes in Aunt Xue's family, the topic was naturally pulled from Xiangling Xue Pan to Baochao, so Jia Mu praised Baochao in front of Aunt Xue (during which Lady Fengjie Wang was also present), and what was particularly surprising was that in this same scene and the same conversation, Jia Mu naturally compared Baochao and Daiyu:

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Lin Daiyu and Xue Baochao in the TV series "Dream of the Red Chamber"

...... According to my advice, my aunt actually took them (referring to Xue Pan and Xia Jingui. Citation) don't take it to heart. In addition, they are also a new couple, and it will be natural to be fine after a while. I see that Bao Yatou has a gentle and peaceful personality, although he is young, he is several times stronger than adults. The little girl came back the day before yesterday and said, "On our side, we all praised him for a while." They are all as open-minded and temperamental as Bao Yatou, which is really one of the best in a hundred! It is not that I am saying a rash word, then I have made a daughter-in-law to others, how can I tell my in-laws not to be in pain, and the family up and down is not obedient?

……

Here Aunt Xue asked Daiyu again about her illness. Jia Mu said, "Lin Yatou's child is just a little heavy-hearted, so his body is not very big and strong." To gamble on the spirit monster, and the treasure girl is not bad, to gamble on leniency in people, but not to help his treasure sister has to wait, there is a way to give up. Aunt Xue said two more idle words, and then said, "The old lady is resting, I also have to go to the house to see, only Bao Yatou and Xiangling are left." Hit so with the aunt to see Sister Qiao' er. Jia Mu said, "Exactly."

Although this passage of Jia Mu's words is only purely family routine, and does not directly involve the affairs of Bao Yu and Dai Yu, we can see that in Jia Mu's eyes, the standard for finding a granddaughter-in-law is better than that of Dai Yu.

Specifically, (in this passage), Dai Yu is inferior to Bao Chao mainly in two aspects, one is that "the heart is a little heavy", so "the body is not very strong"; the other is that bao Chao is not as generous as Bao Chao, "has a burden", and "has everything to give", in a word, according to the traditional standard of gentle and generous female morality, Bao Chao is the most standard, but Dai Yu is "not good".

So are these two evaluations of Jia Mu contradicting the first 80 times? In fact, there is no contradiction at all, it is precisely Jia Mu's views and language, even the tone is the same. Let's first look at Jia Mu's praise for Bao Chao, and the 35th time Jia Mu also said in front of Aunt Xue:

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Xue Baochao in the TV series "Dream of the Red Chamber"

Jia Mu said, "When I mention my sisters, it is not that I flatter in front of my aunt's wife: it is true, from the four girls in our family, they are not as good as Bao Yatou." Aunt Xue listened and smiled busily, "This is what the old lady said." Madame Wang was busy and laughed: "The old lady often tells me behind my back that Bao Yatou is good, but this is not a hypothesis." Bao Yu hooked Jia Mu, originally wanting to praise Dai Yu, did not want to praise Bao Chao, but also out of sight, he looked at Bao Chao and smiled. Bao Chao had already turned his head to talk to the attacker.

Yes, in the first 80 times, Jia Mu did not directly evaluate Dai Yu, one is because Dai Yu is Jia Mu's most beloved granddaughter who lost her mother, and then Dai Yu was still young at that time, she and Bao Yu were two little guesses, and Jia Mu did not mind at all.

However, we can still see from some other plot languages that Jia Mu's choice of ethical values is a standard orthodox traditional value, so she must not agree with Daiyu's personality with modernity, and she must not agree with Baoyu Daiyu's kind of love based on personality liberation.

The plot that revealed this news appeared in the fifty-fourth "Shi Taijun broke the old set, and Wang Xifeng played the colorful clothes". At that time, Jia Mu rose up to celebrate the birthday of her most appreciated Fengjie, and during the banquet, there was a storyteller's female xian'er who introduced and recommended a story of "FengQiu Luan", and after the introduction of the first child:

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Jia Mu, Wang Xifeng and Lin Daiyu in the TV series "Dream of the Red Chamber"

Jia Mu said busily, "The strange way is called "Feng Qiuluan". Needless to say, I had already guessed: naturally it was Wang Xifeng who asked this young lady to be his wife. The female ancestor laughed and said, "The old ancestor heard about this book before?" Everyone said, "The old lady hasn't heard anything!" I didn't hear it, and I guessed it. ”

Jia Mu smiled: "These books are just a set, Zuo is just some beautiful people, the most boring." Say that people's daughters are so bad, and say that they are 'beautiful'! There are no more even pictures. The openings are all squire men, and the father is either Shangshu or Prime Minister. A young lady must love like a treasure. This young lady must be well-read, know everything, and is actually a 'beautiful woman', only to see a clean and handsome man, whether it is a relative or a friend, remembering her life's events, her parents have forgotten, the books have forgotten, ghosts are not ghosts, thieves are not thieves, that little bit like a beautiful person? It is full of articles, and doing such a thing is not a beautiful person. ......

……

When the crowd heard this, they all laughed and said, "The old lady's remarks are all out of the way." ”

Jia Mu smiled and said, "There is a reason: the people who compile such a book have first-class jealous people who are rich and wealthy, or have the heart to ask for it, so they make it up and collapse the family." There was another kind of person, he read these books himself, saw the evil, and thought that a good person would be good, so he made them up for fun. How could he have known the truth of the eunuch's reading family! - Don't talk about the big people in that book, now that we are talking about it, there is no such thing. Don't tell him to take off his chin. So we are never allowed to speak these books, and even the servants do not understand these words. In the past few years, I have been old, their sisters live far away, I accidentally bored, say a few words to listen, as soon as they come, they are busy stopping. Both Li Xue laughed and said, "This is exactly the rule of the big man." Even our family didn't have these gossip for the children to hear. ”

From this, it can be seen that Jia Mu is fundamentally opposed to the kind of love that is "privately granted", and the "miscellaneous words" such as "The Tale of the West Chamber" and "Peony Pavilion" are not allowed to be said, and even the servants are not allowed to mention it, "This is the rule of the big son."

Some of these languages, such as "I only saw a handsome man, whether it is a relative or a friend, remembering her lifelong events, parents have forgotten, books have forgotten, ghosts do not become ghosts, thieves do not become thieves, which little bit is like a beautiful person?" It is simply to criticize Dai Yu without naming (Jia Mu's attitude toward Dai Yu later is almost entirely based on these theories. Details below).

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Liu Danzhai painted "Bao Dai Reading Diagram"

Therefore, in Jia Province, Bao Yu Daiyu had to read miscellaneous books such as "The Tale of the West Chamber" and "Peony Pavilion" and had to read them quietly, and Dai Yu "misbehaved" by quoting a few words from the West Chamber, so she summoned Xue Baochao's advice, and Dai Yu also knew that it was inappropriate; Lady Xing seized the purse embroidered with the spring painting of "Two Goblins Fighting", and the whole Jia House was like a great enemy.

Therefore, although in the first 80 times we rarely saw Jia Mu come out to deal with such things directly, it seems that Madame Wang rushed forward alone, that is because there is nothing that necessarily requires the "old lady Jun" to come out and "settle the qiankun". And once something happens, Jia Mu actually has the same moral standards as Madame Wang. In the future, we will also see that in the whole process of "dropping the bag", Jia Mu's series of words and actions best show this characteristic of Jia Mu as the head of a large family, compared with the tall old lady in Ba Jin's "Home".

Regarding the connection between Jia Mu's criteria for selecting a granddaughter-in-law and the first 80 times, there is another point that we also add here, in another passage of Jia Mu quoted above, Jia Mu said to Jia Zheng: "You should also pay attention to a good child and set him down." This is also the great event of his life. Regardless of relatives near and far, who are poor and rich, as long as they know that the girl's temperament is good and her appearance is good, it will be good. ”

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Jia Mu in the TV series "Dream of the Red Chamber"

This passage of Jia Mu's words and such a standard of grandchildren and daughters-in-law, we all seem to be familiar, in the 29th "Enjoy the blessings of the people and pray for the blessings, and the amorous women are more and more affectionate":

The Daoist priest laughed and said, "The day before yesterday, I saw a young lady who is fifteen years old this year. I thought it was time for my brother to mention it too. To talk about the appearance of this young lady, wisdom and wisdom, the foundation of the family, but also deserved. But I wonder what about the old lady? Xiao Dao did not dare to make a mistake, and when he asked for instructions, he dared to mention it. ”

Jia Mu said, "Last time a monk said that this child should not marry early in his life, and he would wait until he was a little older." Now you are also listening, no matter how rich he is, as long as he looks worthy, come and tell me. Even if the family is poor, it will only help him with a few silver or two. It's just that the appearance of the character is rarely good. ”

We compare what Jia Mu and Zhang Daoshi said in the 29th time and what Jia Mu said in the 84th time when Jia Mu explained Jia Zheng, both in terms of the content of his words and the tone of his speech.

In the 84th time, it was precisely because of the words that Jia Mu had just confessed, Jia Zheng came back and talked with the Qingkes about Baoyu's reading and "making relatives".

So one of the new Qingke who likes to play "big chess" is called Wang Ertuo (Note, Wang Ertuo is a new character who did not appear in the first eighty, if it is really Gao Yan who continues forty times, is it necessary for him to add a new person out of thin air, and this newcomer of Tian has nothing to do with the plot operation, in the first 80 times, there are already more Qingke with names and surnames, is this necessary?

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of jia mu and mandarin duck in the TV series "Dream of the Red Chamber"

In Cao Xueqin, it is just "written according to the truth". He was going to be a matchmaker for Baoyu and introduce a daughter of the "Old Master Zhang" family, so Jia Zheng really listened to it, so he consulted Lady Xing (who was related to Lady Xing's family), and Lady Xing told her that it was inappropriate, because Old Master Zhang was such a daughter, and he was looking for his aunt to enter his house.

So as soon as Jia Mu heard it, she denied this matter, and Jia Mu also said a very interesting sentence: "This is absolutely impossible." We are precious jade, and it is not enough for others to serve him? Let someone else take charge! Also on the same day, when Jia Mu and Second Lady Xing Wang came to Sister Feng's room to see Sister Qiao's child who was "smoking", several old women talked about what had just happened:

Jia Mu suddenly remembered the Zhang family's affairs and said to Madame Wang: "You should go and tell your master, save the people from saying it, come back and dismiss it." Then he asked Lady Xing, "Why aren't you and the Zhang family gone now?" Lady Xingyin also said, "When it comes to the Zhang family's behavior, it is difficult to be intimate with us, too shike, and there is no insult to Baoyu." ”

When Sister Feng heard this, she knew eight or nine, and asked, "Didn't Madame say that Brother Bao's relatives were related?" Lady Xing said, "Isn't it?" Jia Mu then, because she told Sister Feng what she had just said. Sister Feng smiled and said, "It's not that I said something bold in front of the old ancestors and wives: Now that there is a marriage of heavenly matching, why should I find it elsewhere?" Jia Mu smiled and asked, "Where?" Sister Feng said, "A 'treasure jade', a 'golden lock', how did the old lady forget?" ”

Jia Mu smiled and said, "Your aunt was here yesterday, why didn't you mention it?" Sister Feng said, "The old ancestors and wives are in front, where is the place where our children's homes talk?" Besides, my aunt came to see the old ancestor, how to mention these? Does this have to be the wives to go and ask for affection? Jia Mu smiled, and the Second Lady of King Xing also laughed. Jia Muyin said, "But I have obscured my back." ”

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Dai Dunbang paints Jia Baoyu and Xue Baochao

In this way, almost inadvertently (this is the narrative technique of the Dream of the Red Chamber, everything seems to be natural), Baoyu and Baochao's affair was decided when several parents were chatting about home.

Of course, all this seems to be random and accidental, but it is precisely because there is inevitability in the so-called accident, precisely because Madame Wang and Jia Mu have actually been intentionally or unintentionally looking at Baochao, and then immediately made a decision under Wang Xifeng's proposal. Then to the 85th time, at the urging of Jia Mu, about the third day after this conversation, Madame Wang and Wang Xifeng went to make a basic agreement with Aunt Xue. This plot constitutes the initial origin of the whole "bag drop meter".

For this plot, readers and friends may have such a question, that is, why did Wang Xifeng take the initiative to mention this matter? Didn't she know that Baoyu and Daiyu were intimate? Didn't she still make jokes about Daiyu like this?

In the 25th time, she joked with Daiyu: "Since you have eaten our family's tea, why don't you give our family a daughter-in-law?" "Yes, Wang Xifeng knows that Baoyu and Daiyu are intimate, but at that time of the 25th time, Baoyu Daiyu was still just a child after all, and she liked to make a joke the most, of course, she might as well joke with the two children and have fun."

What can be supported by this view is that even after the 84th time she has come up with the idea to match Baoyu Baochao, at the 85th time when Dai Yu is doing her birthday (note that in the entire first 80 times, the novel does not record Dai Yu's birthday, and it is not until the 85th time that she first writes Dai Yu's birthday, which should also be the author's intentional arrangement), at Dai Yu's birthday party, she also habitually joked about Dai Yu and Bao Yu's kind:

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills of Wang Xifeng in the TV series "Dream of the Red Chamber"

Bao Yu was overjoyed at this time and had nothing to say, so he was busy saying hello to Jia Mu and then to the second lady of King Xing. Seeing the sisters one by one, he smiled at Daiyu and said, "Sister is in good health?" Dai Yu also smiled, "Great." I heard that the second brother also lacked peace, okay? Bao Yu said, "Not really!" That night, my heart suddenly hurt, and I went to school just in the past few days, and I couldn't go to see my sister. ”

Dai Yu didn't wait for him to finish, and turned her head to talk to TanChun earlier. Sister Feng stood on the ground and smiled, "Where are you two together like every day?" It's like a guest, there are some clichés. But people say 'respect each other as guests'. Everyone laughed. Dai Yu's face was full of red, and it was not easy to say, and it was not easy not to say, and it was a little late before she said, "What do you understand!" The crowd laughed more and more.

Sister Feng came back for a moment, only to realize that she had made a mistake.

Why is it that it is a rash remark, because at this time Baoyu and Baochao have already secretly decided, and it is inappropriate to make jokes like Daiyu again. From this plot, it can be seen that Wang Xifeng's joke of "drinking our family's tea" is just a joke of Wang Xifeng, and does not have a serious component.

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Gu Bingxin paints Baoyu Daiyu

Besides, is Baoyu Daiyu's marriage something she can decide? She didn't even have room for her beak. Moreover, Jia Mu has always been the most powerful person she has ever been, and Jia Mu also appreciates her.

Therefore, her realistic considerations must be based on Jia Mu's opinion, or that she will definitely speculate on her intentions and provide her own opinions in this matter. Jia Mu praised Bao Chao several times, she was present, of course, she knew that Jia Mu and Madame Wang loved Bao Chao. A strong corroboration of this view is a plot at the beginning of the 22nd episode:

It was said that Jia Lian listened to Sister Feng say that there was something to discuss, because she stopped and asked, "What words?" Sister Feng said, "Twenty-one is Sister Xue's birthday, how are you?" Jia Lian said, "I know how?" You've even cooked for how many birthdays you've had, and you'll have no idea! Sister Feng said, "There are certain rules for big birthdays." Now that she has this birthday, the big is not, and the small is not, so I will discuss with you. Jia Lian listened, looked down and thought for half a day, and said, "You are confused." The existing proportion, Na Lin sister is an example. In previous years, how to do it for Sister Lin, now it is still for Sister Xue. ”

Sister Feng listened and sneered, "I don't know this!" I thought so too. But yesterday I heard the old lady say, asking about everyone's age and birthday, I heard that Xue's eldest sister is fifteen years old this year, although it is not a full birthday, it is also counted as the year of the fence. The old lady said that she wanted to make a birthday for him, which was naturally different from what she had done for Sister Lin in previous years. Jia Lian said, "In this way, it will be more than Sister Lin." ”

From this seemingly unintentional plot, we can see that Wang Xifeng has already speculated from Jia Mu's attitude that Jia Mu's other eyes on Bao Chao are different from Jia Mu's age when he was fifteen years old and Zhen's age (Bao Chao was already 21 years old when he married). Therefore, when she was ordered to celebrate Baochao's birthday, she was a little difficult to grasp.

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Comic strip "Feng Jie Set Up a Strange Conspiracy"

Jia Lian's idea was to follow Daiyu's specifications, because Daiyu was Jia Mu's favorite granddaughter, and according to Daiyu's example, it should already be a very high standard, but Wang Xifeng should have seen that the weight of Baochao was no longer comparable to Daiyu in Jia Mu's place, so the final conclusion was "just more than Sister Lin." ”

The author believes that this plot at the beginning of the 22nd time is to take care of the plot of the 84th time Wang Xifeng proposed that Baochao is baoyu's "heavenly match". Perhaps some people still have doubts, saying that the 22 times the extra high standard to make Bao Chao's birthday is because Wang Xifeng said that Bao Chao's year was exactly the year of "And Zhen" (note that Jia Mu did not say anything about Bao Zhen).

Yes, this is where chinese social sentiment does not show traces, Wang Xifeng can certainly find this reason at this time, can she say that Baochao is more important than Daiyu? Could she say that Jia Mu preferred Bao Chai?

In addition, the author thinks that the author Cao Xueqin deliberately wrote such a plot in the year of Baochao and Zhen, precisely to take care of the plot of the 84th time, because the ancient woman and the year of Zhen could talk about marriage.

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Silver Coin "Xi Feng Lane Power"

Of course, we do not rule out that there is also a real element in Wang Xifeng's jokes, she knows that Baoyu and Daiyu are deeply in love, or in her deep heart, she may also feel that Baoyu and Daiyu are "a natural couple", and even in her true thoughts in the depths of her heart, she feels that breaking up Baoyu Daiyu and Daiyu dying for this is a great lack of virtue.

Our judgment and analysis also has a hard-core basis in the novel: in the 99th time, Lin Daiyu has died of illness, and after Baoyu Baochao has married, because Jia Mu was still immersed in the sadness of Dai Yu's death at that time, Wang Xifeng told a joke to make Jia Mu happy, so Jia Mu said:

"Monkeys! I'm here with my aunt and wife thinking of you Sister Lin, you come to laugh and laugh, how to get cheeky. Don't you call us miss you Sister Lin? You don't have to be too happy, you Lin sister hates you, in the future you don't go to the garden alone, beware of her pulling you away! Sister Feng smiled, "She doesn't complain about me, she is dying and gritting her teeth, but she hates Baoyu." Aunt Jia Mu Xue listened to it and said that it was a joke and ignored it.

Wang Xifeng's character language can be said to be the only sentence she said in the whole Dream of the Red Chamber that defies Jia Mu's will, which can be said to be thrilling. Although this sentence is said in the context of jokes, this joke is actually unconsciously telling her true psychology in the context of jokes (very much in line with Freud's theory, jokes and aphasia are like dreams, always revealing people's subconscious).

Tan Dejing: The Origin of "Drop Bag Meter" (One of the Beginnings and Ends of "Drop Bag Meter" and Its Artistic Analysis in "Dream of the Red Chamber")

Stills from the Yue opera "Wang Xifeng"

This real psychology is: such an operation, Sister Lin died really pitifully, she will not forgive Baoyu until she dies, in fact, she does not forgive Jia Mu and Lady Wang, including her Sister Feng herself. But what is the use of this thought or conscience in Wang Xifeng's heart? What is the "little bit of private affection" between Baoyu and Daiyu, under the strong family will, under the strong traditional morality and ethics?!

The story of "Dropping the Bag" and its tragic ending reveals human nature in depth and reveals the social and ethical themes contained in bao dai's love tragedy.

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