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Return to the Tree: One Poem and One Gain (1051—1060)

Return to the Tree: One Poem and One Gain (1051—1060)

A good poem has its "poetic context", and the "poetic realm" comes from the poet's "state of mind". For poets, they have their own inspiration, ingenuity, knowledge, experience, and charm; to read a good poem, you must obtain "enlightenment", that is, from the "poetic realm" to the poet's "state of mind", which is the understanding of the poet's inspiration, ingenuity, knowledge, experience, and charm. Read a poem, get one, be self-sufficient.

Return to the Tree: One Poem and One Gain (1051—1060)

1051

Taibai Temple hit the bell

Guo Dinggan

In the ShiXian Ancestral Hall, he chanted and made an axe in front of the door.

Only one collision was left to the copper bell, and the west wind was full of Tang Yin.

With just one collision, the bells pass through historical time and space in the west wind and the daylight of dusk, transforming into the magnificent sound of the Tang Dynasty. "Strike", "suppress", "only" are suppressed, and "a collision" is raised, forcing out the closing sentence weather. (Guiqiao)

1052

Drink with your family after work

Heaven forbid

The epidemic spread within the universe, and the hundred industries turned into hardships.

There is wine to dispel the dust, and there is no strategy to avoid taxes and silver.

Shame on the Chinese dream, but love the family.

The cold fragrance outside the window is solstice, and Jiang Mei is self-primrose.

In the delicate softness to see sentimental helplessness, the tail union out of thousands of tastes, there are late Tang style bones. (Guiqiao)

1053

winter solstice

Wang Wenlong

The rainy wasteland is cold, and a wild water is spreading by itself.

Outside the decadent walls of several places in the village, the emaciated and empty branches could not bear to look.

Rainy, barren fields, wild water, ruined villages, decadent walls, emaciated empty branches. A group of imagery elements contaminated with the subjective color of the poet constitute a poignant and desolate mood. (Guiqiao)

1054

Two poems of Jiangxia's absolute sentence (choose one)

Tang Dingkun

Chaos spat out snow waves, and the moisture in front of his eyes threatened Xiao Shuo.

This is true of the world when the world looks closely, and when the waves are low, the evil waves are high.

Through the alternation of the high and low of the waves and the confrontation between good and evil in the world, the intention is cleverly reflected, which is called the transfer of analytical philosophy. (Guiqiao)

1055

Li Chun three chapters three

Liao Guohua

Absolutely sunny and lunar days, the grass is swollen with birds.

In this dynasty, children and grandchildren should be forgiven, and paper money should not be paid to the grave.

In the sentence "The grass is in the grass where the birds cry", there are both dynamic editing and straightforward sketches, which are meandering and freehand, and contain endless wonders. (Guiqiao)

1056

That's it

Liao Guohua

One body and two lives are hanging in the air, and the whole world is burning with anger.

Finally, the strange law was seen, and the family read the manuscript to win the official announcement.

"Victory over the official announcement" has the meaning of wide publicity, and the humor shows sharpness. (Guiqiao)

1057

Spring rain slender West Lake

Jiang Changdian

Fang Fanbo was fascinated, empty but felt strange in the rain.

Dongjun also regretted that the West Lake was thin, and it was a small fattening overnight.

The knot is pulled out of the word "thin", and the slender West Lake is "small fattened" because of "light lin", which is quite ingenious. (Guiqiao)

1058

The cherry blossoms of Gengzi Chunwu are in full bloom

Cheng Wenjun

The Han River is still cold and miasma, and the flowing warblers are invited to come every day.

Cherry blossoms have gone to the Spring Breeze Feast, and people are at the deep gate.

Two or three sentences of bright and beautiful, prosperous scene. In particular, the cherry blossoms are painted at the feast of spring breeze, reflecting the helplessness of people who are within reach but out of reach. The scene of the greatest glory makes the decay even more decaying. (Guiqiao)

1059

clear and bright

Ho Ge

The paper burning incense is sincere, and He Kan is poor after his death.

The ashes are three feet tall today, and they are afraid of the new house prices in the underworld.

A national topic is written from the side and is brilliantly conceived. "He Kan" and "also afraid" show the helplessness of the people. (Guiqiao)

1060

The pot is occasionally obtained

Night

The thin mouth trickles like a silent sound, and the belly circle accommodates the world's feelings.

After the mountain rock body is made of mud tires, it is dissolved into floating and sinking and dead and alive.

Silence, affection, and understanding are integrated into the poet's subjective ideas and emotional symbols, and the intention is lofty. (Guiqiao)

Biography:

The young man once herded cattle on the banks of willow creek and collected salaries in the wilderness of the peach forest; the old man wanted to stick to the heart of the ghost and return to the purity of nature, so he had the alias of Guiqiao. I like to read poetry, and occasionally have one; I scribble and talk about making up for my temperament.

Reviewer/Gui Qiao Editor/Zhang Xuefang Proofreader/Feng Xiao

Return to the Tree: One Poem and One Gain (1051—1060)

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