Zhao Mengfu's Lanting Linben can be described as a remote collection of the holy lineage of the book, all pasted without scruples, quite natural interest, although from the rules, but there is no sense of embarrassment, making people want to see the demeanor of the immortals. Mi Fu has a poem Yong Lan Ting: "The zigzag is the highest and has no similarity", try to see the "zigzag" character in the Zhao Linben, or stretch, or tight, or out of the peak, or Tibetan feng, or Xiulang, or ancient clumsiness, many changes and seamless integration.
Some details in the "Lan Ting The" have repeatedly reproduced Zhao's pen, such as the word "left", which is horizontally picked up and then to the left, and the pen is flipped upwards at the end, which is not very open-minded in the Dingwu Lan Pavilion, and Zhao Mengfu deliberately emphasizes writing, leaving endless convenience for future generations. Some uncommon dots in the Lanting stickers, such as anti-folding, etc., Zhao Du wrote very precisely and very well.
▲ Zhao Mengfu's "Preface to Linlan Pavilion" Su Boben
▲ Zhao Mengfu's "Preface to Linlan Pavilion" Leshan Tang Thesis
▲ Zhao Mengfu's "Preface to Linlan Pavilion" Forbidden City
Linjing Xin Ben Ding Wu Lan Ting Preface Volume
▲ Zhao Mengfu's "Preface to Linlan Pavilion" (source unknown)
▲Zhao Mengfu's "Shrinking To Lanting"
▲ Zhao Mengfu's "Linlan Pavilion" Chong'en Collection
▲ Zhao Mengfu's "Linlan Pavilion" (source unknown)
▲ "Zhao Mengfu Lanting Preface" (Qinglan version)
▲Zhao Mengfu's "Preface to Linlan Pavilion"
▲ Zhao Mengfu's "Preface to Linlan Pavilion" other editions
▲ "Preface to Zhao Mengfu Lanting Pavilion"