Liu Jianwu: Ink cultivation and nostalgia
Author: Zhang Xiaoling Zhang Lina Dong Xianjun
Nostalgia resides in the heart, and the mission is initially established. Strong nostalgia has made Beijing and Weinan Huazhou build a bridge of affection. This is a constant bloodline, this is a constant cut of nostalgia, like a cup of aged wine, long-lasting, long-lasting. Beijing over there is where Liu Jianwu works. This head of Weinan Huazhou is the hometown where Liu Jianwu grew up.
Liu Jianwu, a native of Huazhou District, Weinan City, was a former senior editor of the People's Liberation Army Television Propaganda Center, with the rank of colonel and a military calligrapher.
Calligraphy dream on the Chishui River
Qing Qing Chi Shui, from the Qinling Mountains all the way to the north, straight into the Wei River. On the banks of the Chishui River, there is a beautiful small village called Shuicheng Village. Liu Jianwu was born here in 1959.
There is a capable person in the village with the surname of Sun, and people call him Sun Ye. One day, Liu Jianwu came to Sun Ye's house and saw a yellowed, dropped-page "Cao Quan Monument", and felt good in his heart, very happy.
"Grandpa, do you still have this in your house?" Liu Jianwu asked happily.
"Do you like it?" Grandpa Sun asked rhetorically.
"Borrow a look." Liu Jianwu said sincerely.
"Take it for you." Sun Ye said boldly.
What words are written on it, little Liu Jianwu does not know, only thinks it is good-looking, and loves it. It was this shabby "Cao Quan Stele" that gave Liu Jianwu enlightenment in calligraphy.
One day, at the bottom of the box in his house, Liu Jianwu turned out a yellowed post, "This word is really beautiful", and was surprised in his heart, so he looked through it over and over again, feeling the structure of up and down, left and right.
Without paper, Liu Jianwu wiped the sand on the ground with his hands and wrote it with chopsticks and treetops. Write and wipe, wipe and write, tirelessly.
In the fifth grade of elementary school, Liu Jianwu's characters stood out in the class. At that time, I was writing with a dipping pen, and the students always liked to let Liu Jianwu write a book for himself.
In high school, the slogan on the earthen wall of the village wheat mill, "Da Gan San Xia", is Liu Jianwu's masterpiece. Looking at the cement wall on the side of the reservoir, "water conservancy is the lifeblood of agriculture", Liu Jianwu first sketched out the glyph with coal ash, and then painted it with a red paint brush.
In a sentence of praise, a sound of praise, Liu Jianwu's interest is high, where to call where to go, where to write, happy to be tireless. Looking back now, Liu Jianwu said: "Every step of my growth is related to calligraphy, calligraphy has changed the trajectory of my life, calligraphy has become an important part of my life, and I feel that something is missing in my heart after not writing calligraphy for three days." ”
Calligraphy road of military career
With the ambition of serving the country, the dream of military service is in mind. In 1978, Liu Jianwu was conscripted into the army, trained as a recruit, and then assigned to work at the People's Liberation Army Publishing House.
After 4 years, he was transferred to the Propaganda Department of the former General Political Department, and after 8 years, he became the first generation of entrepreneurs of the former PLA Television Propaganda Center, and 10 years later, he became the first batch of workers of the PLA News and Communication Center.
At the beginning of joining the army, Liu Jianwu was eager to study and study, and his father came to Beijing to visit his relatives, and he did not know how to walk around the road. Father Fang knows that when others play, he is reading, when others are on vacation, he is studying, he is immersed in the ocean of knowledge, he appreciates the joy of calligraphy, and feels the joy of work.
Once, when a comrade-in-arms got married, the couplet was written by Liu Jianwu, and the chief found that the army still had such an excellent calligraphy seedling, so he focused on training. Slowly, calligraphy changed from amateur to professional.
How to deeply integrate calligraphy works with television programs and propaganda work has become a problem for Liu Jianwu to ponder. He explored the use of calligraphy to serve the society, the masses, major events and major activities, and walked out of a way for calligraphy to "come from tradition, benefit from the platform, cultivate in the individual, and serve the society".
When the two sessions of the National People's Congress were held, more than 300 calligraphy works were created for the delegates and members of the national committee; with the footsteps of condolences, calligraphy entered the military camp, walked into the frontline of the anti-epidemic war, and used culture to unite strength and boost morale; calligraphy entered the studio to give guests, and participating in important activities became an important part of cultural exchanges and became a gift of diplomatic relations for foreign exchanges.
"Not for fame, just for work." Pay for the work, the work will naturally return to you", this is Liu Jianwu's work perception, but also his consciousness. "Care for the platform, be grateful for the platform, for the platform", he has consciously practiced it for many years.
Thanksgiving hometown calligraphy
In the Weinan Municipal Government Square, a double-sided stone stele is inscribed with "Suitable for Hua" and "Huashan Wind Bone WeiShui Xiang Huai", which is inscribed by Liu Jianwu.
In the Huazhou section of the Weihe River levee, the inscriptions on the stone steles of "Heqing Sheming" and "An Lan Yongnian" that construct water culture were written by Liu Jianwu; there is also a double-sided large stone stele engraved with "Weishui Yinghui" and social values, which was donated by Liu Jianwu.
There is a double-sided stone stele in the leisure and entertainment square of Shuicheng Village, Chishui Town, Huazhou District, which reads "Water City" on one side and Chinese national style on the other, which is the words written by Liu Jianwu for his hometown and the stone given away.
Leisurely hometown feelings, strong homesickness. 42 years of military service, 42 years of hometown complex. Grateful for the hometown, return to the hometown, is the voice of every Weinan national working abroad, "with their own strength, contribute wisdom, with their own strengths, contribute to the strength, is the return to the hometown, do their own work is also the return to the hometown." ”
One side of the water and soil nourishes the other side, and the Guan Chinese carries the Guanzhong calligraphy and nourishes the Guanzhong calligraphy. Liu Jianwu walked in the Yiwen Yang characters, he said, "Every stroke and painting of Chinese characters is full of philosophy, full of dialectics, and your learning shows your calligraphy." "Righteousness, elegance, and bone qi are the characteristics of his calligraphy. He perfectly blended the atmosphere of the north with the beauty of the south to form his atmospheric and positive calligraphy style.
Inheriting family style, writing family training, and publicizing tutoring are a focus of Liu Jianwu's calligraphy. He said: "Your cultural heritage determines your calligraphy style, and it also determines the orientation of your calligraphy creation. He extracted the "accumulation" in his father's name and the "goodness" in his grandfather's name to form his own family motto, "Accumulation of goodness into virtue".
During the epidemic period, Liu Jianwu donated calligraphy works to medical staff and hospitals in Weinan to support Wuhan through Weinan Daily, in order to convey positive energy and express concern. He said: "Calligraphy, media, heroes, form a red line, become a model, so that calligraphy goes further, more valuable and meaningful." ”
Interpret the mission of the original heart with loyalty, and return to the hometown with a sincere heart. Liu Jianwu said the voice of The Weinan Beijinger, "The needs of my hometown can be refined, and I think the effect will be optimized." We don't ask for anything in return, we only want to succeed. We will spare no effort to contribute, while hoping to see tangible results. ”
Source: Weinan CPPCC
Original author: Zhang Xiaoling Zhang Lina Dong Xianjun
Compilation and editing: Weinan CPPCC number, Huazhou literature and history collection