(1) Form-making one is also invincible
"So the shape of one also, so the victory can not be one also." (Sun Wei's Art of War, a general of the State of Qi during the Warring States period, a descendant of Sun Wu) The basic principles of troop deployment remain unchanged, but the war situation is ever-changing, and the specific deployment strategy cannot be uniform, and it is necessary to judge the hour and size up the situation and adapt to changes. "Those who make good use of soldiers, such as recklessness ... Hit its head and tail, hit its tail to the end, and hit the end of it. "(Sun Tzu's Art of War)" Those who are good at fighting with soldiers are like the mythical and legendary divine snakes, hitting its head, tail to rescue, hitting its tail, head to rescue, hitting its waist, head and tail together to save. That is to say, when fighting a war with troops, the layout of the formation must be combined with dispersion and concentration, be interdependent, closely related, and be able to respond to and rescue each other.
Example 1, Li Yiting (retreating artillery to attack) highlights the surprise soldiers
1. Cannon two flat five, horse 8 into 7.
2. Horse two into three, horse 2 into 3.
3. Car one flat two, car 9 flat 8.
4. Soldiers seven into one, pawns seven into 1.
5. Horses eight into seven, like 3 into 5.
6. Cannon eight into two, cannon 8 into 2 (Figure 1).
Figure 1
Cloth into the "middle artillery patrol river cannon against the screen horse" posture. Black Square Elephant 3 into 5, solid rear defense, cannon 8 into 2, ambush trap.
7. Three soldiers into one, artillery 2 retreat 1.
The red side is strong against three soldiers, the black pawn is 7 into 1, then the cannon is eight flat and three, and the red side is active; the black retreat right cannon, the red soldier three into one, then the cannon 2 flat 8, fierce confrontation.
The black side is stable and seeking change, and the cannon 2 retreats 1, which is the continuous attack means of the cannon 8 into 2, and the sudden attack.
8. Three soldiers into one, the red side weighs the scale, prepares one car for two, seeks the benefit of multiple soldiers, can also drive two into one, horizontal traffic, and finally the red side wins.
The basic formation method has a fixed form, but it is not static, and seeking change in stability is a way to strive for the initiative, which is to "make one form and one, and win one cannot be one".
(2) Looking at the Enemy and Acting According to the enemy, it is the form of the enemy
"Wherever there is a war, we should observe what we do and act in the face of the enemy." (Sima Fa) When fighting a war with soldiers, it is generally necessary to first deploy troops, then observe the enemy's situation, see how the enemy moves, and then take corresponding countermeasures according to the enemy's behavior.
Go"Doubt to knock on the truth, observe and then move." ("Thirty-Six Plans") If there is any doubt, it is necessary to examine the truth, and then act after the examination is clear. This is called the "grass snake" strategy.
"The battle front is impermanent, because the enemy thinks it is shaped." (Tang Lisheng: "Taibai Yin Jing") There is no immutable formation for fighting with soldiers, and it is necessary to decide the change of one's own formation according to the changes in the enemy's situation.
(3) Fighting without chaos Round without defeat
"Paint the altar one after another, fight chaotically and not chaotically; chaotic, round and invincible." ("Sun Tzu's Art of War") The flags are staggered, and the fighting is chaotic, but the position is not chaotic; the people and horses are mixed, and if they can save each other, they will not fail.
"Those who make good use of soldiers, although they are in a difficult situation, they are like those who care for each other from end to end, and they are not poor." (Song Xudong: "Tiger Bell Sutra") People who are good at fighting with soldiers, although they are in difficult and critical situations, they can save each other and plan freely, which is the wonder of platooning troops.
Example 2, Li Yiting (entering the car and crossing out) is the main soldier
2. Horse two into three, car 9 flat 8.
3. Car one flat two, horse 2 into 3.
5. Horse eight into seven, cannon 2 into 4.
6. Soldiers five into one, artillery 8 into 4 (Figure 2).
Figure 2
Cloth into the "middle artillery seven-way horse to screen horse double cannon crossing the river" posture. The black side double cannon crossed the river, intending to seal the car, which is a way of anti-passenger.
7. Car nine into one, like 3 into 5.
"Soldiers are the main, not expensive as guests", the red side enters the car and crosses the car, and strives to take the initiative; the black side supplements the image and solid defense, the "old-style" walking method, the "new-style" walking method is the cannon 2 flat 3, phase seven into nine, the car 1 flat 2, the car nine flat six, the cannon 3 flat 6, the car six into the six, the cannon 6 into 1 fierce confrontation.
The red side enters and exits the car, strives to take the initiative, the black side complements the solid defense, the rhythm is slow, the "old-fashioned" walking method does not meet the needs of actual combat, and the result is that the red side wins.
(4) First of all, the unforeseen obeys what it does
"Whoever makes good use of the army is unfathomable first, and the enemy obeys what he does." (Tang Li Xiao: "Tang Li Asks Right") People who are good at fighting with soldiers, whether they take the initiative to attack or defend and counterattack, must first be good at hiding their own plans and actions, so that the enemy is unpredictable, then the enemy cannot act according to the predetermined plan, he will lose his way, and he will not know how to deal with it.
"Those who are good at war do not wait for Zhang Jun; those who are good at eliminating patients are rational in the future; those who are good at defeating the enemy are better than invisible; those who are good at fighting are better than invisible; there is no war in war." Those who are good at fighting with troops win before they dispatch their generals; those who are good at preventing disasters and eliminating disasters are when disasters do not occur; those who are good at winning are better than those who make plans; and the most beautiful victories are soldiers who are humiliated without fighting.
Chess's interpretation of "making shapes and one, winning cannot be one" is mainly reflected in two aspects: the beginning, the two armies fighting, before the start of the war, the deployment of troops, to the victory or defeat of the pass. The chess research of the past generations has summarized many opening formations, all of which are fixed, which are the basic knowledge and basic skills of actual combat games; taking the momentum, after the opening, the battle formation is ever-changing, and the response of both sides is the process of judging the hour and sizing up the situation and adapting to changes, so there is no such thing as a formation.
Example 3, Yang Guanphos (Ma Jinbian Line) obeys what he does
1. Cannon two flat five, cannon 8 flat 5.
2. Horse two into three, car 9 into 1.
3. Car one flat two, horse 8 into 7.
4. Car two into six, pawn 3 into 1 (Figure 3).
Figure 3
The formation of a "straight gun to the horizontal car" position. The red side enters the car, prepares the car two flat three, kills the pawn to suppress the horse, the black enters the 3 pawn, abandons the son to take the momentum, red as the car two flat three, then the horse 2 into 3 defensive counterattack, ambush trap, red as the continuation of the car three into one, then the cannon 5 into 5 call will flash the car, the exchange of the momentum, "first for the unexpected, obedient to what it does", is to strive for the initiative, the reverse is the first move.
5. Car two flat three, horse 2 into 3.
"Good removal of patients, rationalization is not born", red as the car three into one, then the cannon 5 into 5; Horse three into five, cannon 2 flat 7, as far as the sub-force is concerned, one car for two, the red side does not suffer losses, but the situation is passive, the left wing sub-force needs to be activated, and the right wing rear air defense is virtual, is the inevitable choice of the black side's attack direction, the formation is chaotic and not solid, passive and defeat is doomed.
6. Horse eight into nine, horse 3 into 4.
The red side of the horse eight into nine, the response is fang, the two sides have different attacks and defenses, and finally the red side wins.
The study of chess skills has made the actual combat techniques constantly improved and improved. Therefore, the coping techniques, whether it is layout or taking the momentum, have the distinction between "new style" and "old style", and the theoretical propositions are all inclined to the "new style" move, and the "old style" move is no longer suitable for the requirements of the times.
The basic formation is the stylization of the response, "making the shape one also", but seeking change in stability, "victory cannot be one", fighting wits and courage, is not a simple stylization problem, "borrowing from those who cannot be used and using it", "the unique tricks of the soldiers, the very reasonable and speculative people also".
Most of the openings of actual combat are commonly used formations, there are some cold layouts, occasionally used, highlighting cold moves, but also a kind of "attacking its unprepared, unexpected" move, but also a layout of "making shape one, victory can not be one" a kind of interpretation.
Taking the momentum, there is no fixed form, the chess research of the past generations has summarized many strain techniques, but the battle situation changes rapidly, and the techniques of actual combat are never endless. "Form-making is one", the basic law of actual combat, the basic principle of winning by surprise, is immutable, and we must proceed from reality and act according to the law; however, "victory cannot be one", taking advantage of the situation, and even plotting and killing generals, is a process of judging the hour and sizing up the situation and adapting to changes on an improvised basis.