Biography
Wang Jijun, male, born on November 29, 1972 in Dalian, zi liuyi, zhai number Jin Shizhai, member of China Hard Pen Calligraphy Association, member of China Artists Association, vice president of Guangxi Young Calligraphers and Painters Association, vice president of Guangxi Xiaoxing Pottery Culture Promotion Association, member of Dalian Artists Association, director of China Huaxia Wanli Traveling Calligraphers and Painters Association, member of China Democratic League league painters.
Since childhood, he liked traditional Chinese culture, followed his teacher to learn the art of Chinese painting and calligraphy, and officially began to learn Western painting at the age of sixteen. Later, he worshiped Liu Baozhu, the second generation of Zhang Daqian, as a teacher, and Fang entered the main gate and became the third generation of dafeng hall.
He has been engaged in ancient architecture painting and cultural relics restoration in Ancient Chinese architecture for eleven years. I learned more artistic language from artistic treasures such as murals and sculptures of previous generations. Whether it is the shape of the characters from the plump beauty of Tang Wei to the slenderness and softness of the Ming and Qing Dynasties; the style of the lines from gentle and beautiful to the smooth and flowing beauty; or the use of color from light since childhood to family influences and traditional Chinese culture, following the teacher to learn the art of Chinese painting and calligraphy, at the age of sixteen, he officially began to learn western painting to achieve the road of examination. Later, he worshiped Liu Baozhu, the second generation of Zhang Daqian, as a teacher, and Fang entered the main gate and became the third generation of dafeng hall.
He has been engaged in ancient architecture painting and cultural relics restoration in Ancient Chinese architecture for eleven years. I learned more artistic language from artistic treasures such as murals and sculptures of previous generations. Whether it is the shape of the characters from the plump beauty of Tang Wei to the slenderness and softness of the Ming and Qing dynasties, the style of the lines from gentle and beautiful to the smooth and flowing beauty; or the use of color from light and beautiful to the strong beauty, they are deeply influenced by the murals of the past. In his later works, a large amount of nutrients were absorbed from the wild and vigorous and magnificent nutrition that was integrated into his own works.
Over the years, Linchi is not embellished, the dot dyeing is vivid, the ink color is elegant, the wrapping is not wrapped, and the style is unique. Calligraphy studies, Chinese painting is good at drawing the world of gods and immortals such as Buddhas and Bodhisattvas, and is good at painting freehand flowers and birds. Most of the works are left in major temples across the country, and calligraphy and painting enthusiasts at home and abroad also have many collections. Calligraphy and painting artworks have also participated in charity bazaars for many times and have received unanimous praise from the community. His work "Seeking the Tao" is collected by the National Museum of China.
Painting and nature coexist with the same context and the source of the heart
——Remembering the famous painter Wang Jijun
All those who enter the painting must have the guidance of the master and the source of the heart, and only by doing so can the painter sort out the high qualities of the ancient and modern paintings, and then achieve exquisite and profound achievements! If the painter blindly explores and conforms to the vulgar trend, then the Danqing painted is only a work of craftsmanship in the end! And today' paintings held by Mr. Wang Jijun are exactly like this, his own painting art worships under The Gate of Liu Baozhu is the method of the main gate, and it must also be truly transmitted, and this achievement can be seen in his many landscapes and danqing paintings!
His landscape works are both freehand ink color, green and many other legal images, and now for the time being, in the creation of freehand ink color landscape painting, Mr. Wang Jijun's creation ability can be described as unique! In particular, the wonderful image of the landscape in the painting that is finally immersed by his pen and ink is full of dripping without losing its pure elegance, but it is not lost in clarity! You know, the difficulty of creating this type of landscape painting is very achievable, because it is difficult for ordinary painters to control the impregnated appearance of brush and ink in the overall layout, and if they are not careful, the whole painting will lose its natural spirit and even become abrupt and strange. For Mr. Wang Jijun, the superb pen and ink immersion ability has already allowed him to break through this original difficulty, and the ink color in the painting can be fully seen in the layers of superposition, orderly, and the view is more elegant and the lighter the ear!
Painting and nature are in the same vein, and the environment and the heart are the same. It can be said that the landscape Danqing painted by Mr. Wang Jijun precisely reflects the spirit of the times in the current landscape painting world! The work conveys the soul of the heart with the shape of the landscape, and casts the humanistic image with aesthetic consciousness, which is a real opening up of the channel between the painting end and nature! The clarity is far-reaching and transcendent! Famous Critic of Calligraphy and Painting Art: Shi Guo'ao March 11, 2022 Book
Appreciation of paintings