"When is the spring flower and autumn moon?" How much do you know about the past. Xiao Lou had another east wind last night, and the homeland could not look back at the middle of the moon. The carved fence jade should still be there, but Zhu Yan changed. How much sorrow can you have? It is like a river of spring water flowing eastward. ”
"Speechless on the West Building, the moon is like a hook." Lonely sycamore deep courtyard lock Qingqiu. Cut continuously, rationalize and chaos, is away from sorrow, do not be the general taste in the heart. ”
These popular words and phrases, I think everyone is not unfamiliar, its author is the "Emperor of Ancient Words" Li Yu of the Southern Tang Dynasty, his words are very classic, once sought after by lovers of ancient poetry.
Li Yu (937–978), whose original name was Congjia (Congjia), was a hermit of Zhongshan, a hermit of Zhong Feng, a resident of White Lotus, and a resident of Lianfeng, the sixth son of Li Jing of Tang Yuanzong, and the last monarch of the Southern Tang Dynasty.
Li Yujing's calligraphy, painting, and phonological rhythms all have certain achievements, especially the highest achievements in words. Li Yu's words, with bright language, vivid images, sincere affection, and distinct style, are even more broad in subject matter and deep in meaning after the fall of the country, which are unique among the five pronouns of the late Tang Dynasty and have a far-reaching influence on the lexicon of later generations.
On March 24, 1964, the great leader Chairman Mao said in a conversation: "The intellectual emperor has not appeared", he said: "Don't look down on the old and rude. Intellectuals are the most unproductive. In history, when emperors were many intellectuals, they did not show up, and the Sui Emperor was a person who could write articles and poems. Lord Chen Hou and Lord Li Hou are both people who can write poetry. Emperor Huizong of Song was able to write both poetry and painting. Some old and rough can do big things, Genghis Khan, Liu Bang, Zhu Yuanzhang. ”
Yes, as an emperor, Li Yu was undoubtedly a failed king, he was addicted to the wind and snow, he obviously wanted to revitalize the country, but he was cowardly, did not listen to dissuasion, mistakenly killed loyal subjects of the imperial court, and when the country was destroyed and his family died, he still sat on the prison cart and chanted his beloved words.
"Forty years of home country, three thousand miles of mountains and rivers. Fengge Dragon Tower Lian Xiaohan, Yushu Qiongzhi as a smoke lotus, how many have you ever known Gange? Once classified as a vassal, Shen Waist Pan sideburns are consumed. The most is the day of the hasty resignation of the temple, and the church still plays a parting song and weeps at gong'e. "A song "Broken Formation: Forty Years of Home Country" says that it is full of nostalgia for the homeland and regret for the subjugation of the country.
Although Li Yu was very unsuccessful in politics, he enjoyed a high reputation in the field of literature and art, and he was especially good at filling in words, and was known as "the emperor of words". The prose is like a spring, the next pen is written into chapters, beautiful and smooth, and it is amazing.
He likes to paint, the next pen has a spirit, contrasting with each other, such as the "Jiangshan Range Rover Map", the pen is simple and profound; especially good at painting birds in the forest, as fast as lightning, vivid; and when he is sad and angry, he likes to paint ink bamboo, from the root to the end, the pen is outlined, like the old dry frost skin in the cold winter, the dew leaves in the smoke clouds, and the wind and bones still exist.
Li Yu is also proficient in calligraphy, especially good at calligraphy, Li Yu has examined the origin of the stirrup method, and summarized it as "holding, hooking, revealing, arriving, rejecting, guiding, and sending" eight skills. He likes to write large characters, uses the scroll as a pen, and wields it as a wish, which is known as the "Book of Plackets". Li Yu once showed the calligraphy works collected by the Southern Tang Secret House, ordered Xu Xuan to engrave them into the "Shengyuan Thesis", and carefully rated it as "the ancestor of the Fa-thesis", but it has been lost.
▲ Fragment of Zhao Gan's "First Snow Map of Jiang Xing"
His calligraphy and inkblots have been rarely circulated, except for the title of a line on the Southern Tang Dynasty painter Zhao Gan's "First Snow Map of Jiang Xing" which is considered to be his authentic handwriting, the only authentic calligraphy known to him is xingcao's "Entering the Country to Know the Teachings".
The "Entering the Country and Knowing the Teachings" has a high artistic value in calligraphy. The knot is unique, ingenuity, the pen is uncertain, the left stretch is right, the variety is varied, but it is not messy.
The whole text is independent and rarely connected, but through the change of the single word knot, you can see the colorful and consistent rhyme.
The pen is vigorous, rich and handsome, with exaggerated writing, breaking the balance and making the chapter vivid and interesting.
The ink is thick and spicy, mostly with the center of the pen, deep into the paper, the bone is introverted, and the kung fu is unique.
The inheritance turns natural, loose and handsome, and the painting is three folds, forming a unique pen mark. It has to be said that Li Yu is gifted in calligraphy.
His original writing style of writing with a twisted and fluttering brushwork, known as the "Golden Wrong Knife", is also unique in Chinese calligraphy and leads the way. It is also a cultural treasure left by Li Yu to his descendants.
Qing Dynasty scholar Guo Lu commented in the "Southern Tang Miscellaneous Songs": "Being a lyricist is really unique, and poor people were born in the imperial family." Netizens also said that Li Yu was "a mountain in the word world and an abyss in the political arena."
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