Among the top masters of the "five absolutes" level, each has their own housekeeping skills.
Zhongshentong Wang Chongyang is a congenital gong, the Eastern Evil Yellow Medicine Master is a bullet finger divine power, the Western Poison Ouyang Feng is a toad gong, the Southern Emperor Duan Zhixing is a Yang finger, and the Northern Qigong Hong qigong is the eighteen palms of the descending dragon and the beating of the dog stick. In these unique martial arts, the Toad Gong is powerful and extremely well-known. When Zhou Xingchi filmed "Kung Fu" a few years ago, the kung fu that a generation of martial arts wizards and fire cloud evil gods were good at was toad gong.
In "Divine Eagle Heroes", the male protagonist Yang Guo learned a number of unique martial arts under the circumstances of fate, including the ancient tomb sect martial arts, the lonely sword method, the toad gong, the dog stick method, the finger magic, the jade sword method and some of the Nine Yin True Scriptures, and finally absorbed the strength of the family, and the self-created power was comparable to the eclipse of the eighteen palms of the descending dragon.
Generally speaking, after a person learns martial arts, it is necessary to use them frequently. However, after Yang Guo learned toad gong, he rarely used it—except for two times when he used toad gong to injure Wu Xiuwen and a Quanzhen Daoist in a hurry. In the middle and late period of "Divine Eagle Hero", Yang did not use toad gong once. What is the reason for this?
Let's first take a look at what circumstances Yang Guo learned toad gong.
At the beginning of "Divine Eagle Hero", Yang Guo, who was displaced as a beggar, first met Ouyang Feng, and Ouyang Feng, due to his insanity, accepted him as a righteous son and taught him toad gong.
Why did Yang Guo learn Toad Gong in the first place? One is to defend himself after learning to avoid being bullied by others (it can be seen that when he was a beggar, he was inevitably bullied); second, Huang Rong, out of defensiveness, refused to teach Yang Guo martial arts.
However, every time Ouyang Feng saw Yang Guo, he came in a hurry and hurried away, and the time of contact between the two was very short. Toad Gong is also a profound martial art that is difficult to learn. Although Yang Guo was extremely intelligent, he could not learn the essence of Toad Gong in such a short period of time. In addition, Ouyang Feng was already crazy and insane, he would not teach according to his aptitude like a normal master, step by step, first easy and then difficult, always pouring out all the knowledge points in one brain, and it was also mixed with the upside-down and chaotic Nine Yin True Scriptures.
Yang Guo did not systematically learn Toad Gong, and all he learned was superficial things. Yang Guo was also clever, using superior internal skills to apply these superficial things, "making flowers bloom when ascending.". Ouyang Feng was a great expert in martial arts, and he saw the flaws at a glance and smiled: "Good looking!" pretty! It's just not right, it's not useful. ”
See, "it is not useful in the middle", this is Ouyang Feng's evaluation of the toad gong that Yang Guo has learned. That is to say, Yang Guo used the toad skills he had learned to fight a few unruly martial arts cultivators and Quanzhen Daoists, but once he encountered a master who was slightly stronger in martial arts, he would be beaten back to his original form and die a miserable death.
Yang Guo was also well aware of this. Therefore, when he had the opportunity to systematically learn the martial arts of the Tomb Sect, he did not hesitate to put aside the Toad Gong (Yang Guo had never practiced the strange kung fu that Ouyang Feng had taught in the past since entering the Tomb). In fact, Yang Guo's real progress in martial arts also began with learning the martial arts of the Tomb Sect.
After that, with the learning of the Dog Fighting Stick Method, the Magic Finger Magic, the Jade Sword Technique, the Lonely Sword Technique, and some of the Nine Yin True Scriptures, which were no less advanced martial arts than the Toad Gong, coupled with the death of Ouyang Feng, Yang Guo no longer had the need and opportunity to systematically learn the Toad Gong.
In fact, Yang Guo gave up the use of Toad Gong, which is also conducive to maintaining his image.
How did Ouyang Feng use Toad Gong? "Divine Eagle Heroes" wrote: "(Ouyang Feng) said crouched down, grunted three times in his mouth, pushed out his hands, but listened to a loud bang, and half of the earthen wall in front of him fell down, only to stir up the stucco and dust. "What's this like?" Like a big toad that "grunts"?
If you still don't understand, you may wish to take a look at Zhou Xingchi's "Kung Fu" in which the fire cloud evil god uses toad gong.
In short, the appearance of using Toad Gong is really ugly, and Ouyang Feng calls himself an "old poison" and does not need to care about his own image. However, in "Divine Eagle Hero", Yang Guo is handsome and handsome, charming, and is the "Divine Eagle Hero" that everyone in the jianghu looks forward to. In his capacity, lying on the ground pretending to be a toad, I am afraid it is not appropriate, right?
I think that even if Yang Guodaxia himself gave up the burden of idols and was willing to use toad gong, his fans would firmly disagree, wouldn't they?
Later, Guo Fu cut off Yang Guo's right arm with a sword, and Yang Guo did not have the basic conditions for using Toad Gong.
Of course, Yang Guo's failure to use toad gong does not mean that he has forgotten this advanced martial art. When the little dragon girl jumped off the cliff of the broken intestine, Yang Guo thought that he would never see the little dragon girl again, and sorrow came from it, creating a dark soul. This eclipsed soul is a fusion of the Tomb Sect martial arts, the LoneLy Sword Technique, the Toad Gong, the Dog Fighting Stick Technique, and the Finger Magic Technique. Among them, the "perverse" move is exactly the Toad Gong from Ouyang Feng.
This can also be regarded as the contribution of the Toad Gong created by Ouyang Feng, which has been handed down in another way.