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Let's talk about Jin Yong's two top martial arts that do not distinguish between victory and defeat: Toad Gong and Dragon Descending Eighteen Palms

Toad Gong and Descending Dragon Eighteen Palms are the two most legendary martial arts in The Legend of the Archery Hero. Both are not exquisite, but positive and rigid martial arts, if the two martial arts are opposed, which is better?

01

According to the old rule, when discussing the high and low of the two martial arts, there are two situations, the first situation is the strongest state, and the second situation is the conventional state.

Among the archery eagles, the founder and the strongest user of the Toad Gong are all Western Poison Ouyang Feng, while half of the Eighteen Palms of the Descending Dragon are inherited by Hong Qigong from his predecessors, and half are self-created, belonging to the strongest users. The two have faced each other more than once, and the result is that there is no difference between winning and losing. It can be seen that in the strongest state, Toad Gong is the same top martial art as the Eighteen Palms of the Descending Dragon.

Let's talk about Jin Yong's two top martial arts that do not distinguish between victory and defeat: Toad Gong and Dragon Descending Eighteen Palms

The second situation is the most important indicator for identifying a martial art. Because in the hands of the master, it is possible to turn decay into magic, a Taizu Divine Fist that everyone in the world will use, and in the hands of Xiao Feng, the god of war, it can still kill the four parties and sweep away the many masters of Juxian Zhuang. And the six-veined excalibur, a unique martial art, in Duan Yu's hands, was still clumsy at the beginning.

There are only two real users of toad gong, one is naturally Ouyang Feng, the other is Yang Guo in the later era of divine carving, even Ouyang Ke will not use toad gong, it can be seen that this kung fu has shortcomings. That is, it is not difficult to get started, but it is difficult to exert maximum power.

Therefore, Yang Guo's use of Toad Gong could only stun the big and small martial arts, and the Toad Gong was only in the hands of Ouyang Feng, and the Toad Gong was infinitely powerful.

Why didn't Ouyang Ke learn Toad Gong? Because it is more chicken ribs. Ouyang Ke was already a first-class master, as long as he didn't encounter the five-level figure, even if he encountered qiu Zhiji, the head of the Seven Sons of Quanzhen, he could retreat without winning. If you learn the Toad Gong and duel with a figure of the level of a first-class master, the power will not be maximized, and it will not be able to take advantage of it at all.

Yang Guo was also, after he became an adult, he did not see him use toad gong, and naturally it was impossible to pass on the toad gong. It can be said that the toad gong has since been lost.

Let's talk about Jin Yong's two top martial arts that do not distinguish between victory and defeat: Toad Gong and Dragon Descending Eighteen Palms

02

The Eighteen Palms of the Descending Dragon were completely different, and after the third person of the Cai Gang helped the master to create the Eighteen Palms of the Descending Dragon, it became an invincible weapon in Xiao Feng's hands.

In the Southern Song Dynasty, the Seven Dukes of Beiqi Hong further developed the Eighteen Palms of the Descending Dragon, which was praised by Zhongshen Wang Chongyang as a rare martial art.

When it reached the hands of the great hero Guo Jing, he developed from Zhi Gang to Zhi Rou, so that Guo Jing, who was in his thirties, could harden Ouyang Feng.

The Eighteen Palms of the Descending Dragon are far superior to the Toad Gong in the martial arts inheritance. By the time of the "Yitian Slaughtering Dragon Chronicle", the leader of the Gang of Servants, The Golden and Silver Sword Shi Huolong, had only learned twelve palms, and he could still rely on this martial art and the Mixed Yuan Thunderbolt Hand Cheng Kun to slap the twelve palms, causing the other party to vomit blood and leave.

You know, Cheng Kun is a figure who is said to be able to rank with the Second Elder of Xuan Di and the Three Crossings of Shaolin, and the most unfortunate is also the level of Xie Xun, the Golden Retriever King. Just such a character was repelled by the incomplete Descending Dragon Eighteen Palms, which showed its power.

It can be seen from this that as long as you cultivate conscientiously, the threshold of descending the Eighteen Palms of the Descending Dragon is low, the entry is fast, the cultivation is relatively easy, and it is easy to get started, and almost anyone with medium or above qualifications can have great achievements.

Let's talk about Jin Yong's two top martial arts that do not distinguish between victory and defeat: Toad Gong and Dragon Descending Eighteen Palms

03

From the middle and late Tang Dynasty, from the ninth century to the fourteenth century AD, from the Tang Dynasty to the end of the Mongolian Yuan, the set of martial arts of the Eighteen Palms of the Descending Dragon went to more than five hundred Spring and Autumn Periods, and the middle was refined and corrected many times, although it was gradually lost in the end, it was still a classic martial art.

The Toad Gong is only the tailor-made of Ouyang Feng alone, and it is similar to the dark soul palm created by the later Divine Eagle Hero Yang Guo, although the power is powerful, it is only suitable for one person to use, and it lacks the necessity of inheritance.

In terms of the power of personal use, the Toad Gong was successful, and it became Ouyang Feng's five-strong position of the Pressure Box Bottom Martial Art. However, in terms of the integrity of a martial art, the Toad Gong was far inferior to the Eighteen Palms of the Descending Dragon, which had been tested for hundreds of years.

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