Pen song, ink dance, festive Lantern Festival- Appreciation of Song Baisong's Chinese paintings in 2022

Song Baisong, born in 1953, is a native of Hangzhou, Zhejiang. He is currently the president of Jiangnan Academy of Calligraphy and Painting, a national first-class artist, a member of the China Artists Association, the vice president of the Chinese Culture And Chinese Painting Institute of the Ministry of Culture, a member of the presidium of the China Art Market Alliance, a librarian of the Zhejiang Provincial Museum of Culture and History, a director of the Zhejiang Provincial CPPCC Calligraphy and Painting Friends Society, a vice president of the West Lake Calligraphy and Painting Institute of Zhejiang Province, a visiting professor of the China Academy of Art, a vice president of the Zhejiang Branch of the Chinese Writers Painting Institute, a tutor of the Fang Zengxian Art Research Institute, a judge of the Zhejiang Hangzhou Art Title Evaluation Committee, and the director of the Shaoxing Art Museum.

His large-scale Chinese paintings have been collected by high-level institutions at home and abroad, such as the Tiananmen Tower in Beijing (1995), Zhongnanhai (1995), Chairman Mao Memorial Hall (1995), the General Office of the National People's Congress (1992), the Headquarters of the World Bank (1991), and the United Nations Center (2012), as well as art museums in South Korea and Japan.

At the beginning of the New Year, the Lantern Festival is approaching. Teacher Song Baisong is full of passion, splashing ink and lyricism, following the times with pen and ink, serving the people with art, and appreciating with everyone.

Here, there are flowing and beautiful landscape inkblots, cute and ignorant animals, and pen and ink casual sketches. The works are sincere and flexible, showing the beauty of the New Year, auspiciousness and harmony, fully expressing the warm emotions of the artists celebrating the festival and looking forward to the future, and showing the artistic charm of culture.

"The Mighty Man Out of the Mountain" 46cm×69cm 2022

"Quiet Cold Valley" 69cm×46cm 2022

"Between Movement and Stillness" fan surface

"Italian Ink Tuantuan" round fan

"Newborn calves are not afraid of tigers" 46cm×34cm

"Memories of the First Sun" 69cm× 46cm

"Lotus Pond Plumbing" 46cm×46cm

"Painting a Cow and Talking about a Cow" 69cm×46cm

"ChuChu Moving" 46cm× 46cm

"Everywhere Bright" 46cm× 46cm

"Golden Rat New Year" 46cm×69cm

"Rats Love Rice" 35cm×69cm

The Eight Precepts 34cm × 70cm

"With plum and spring wind" 34cm×70cm

"Many Sons and Many Blessings Roku ze Shunya" 35cm×46cm

"Sit back and relax" 35cm×46cm

"Snowy Pride" 180cm×72cm

"When it's cold" 45cm×45cm

"Intention to Write Fragrance Invites Loyalty" 136cm×34cm

"After Zhongyi" 45cm×34cm

Mother's Love, 35×46cm

"Yin Qing" 46×46cm

The Battle for Gain and Loss, 35×35cm

"One-step flower and grass room" 46× 46cm

Willow Forager, 68x68cm

"Climb high and look far away" 34x46cm

Renunciation of Arms, 34x34cm

"The Way To Get" 45x45cm

Frost Forest 192x97cm

Cold Forest Residual Snow 68x68cm

Cold Forest Retreat 68x68cm, 2013

Kureshu 68x136cm 2008

Akiyama red all over 136cmx68cm

Winding road into the clouds 180cmx97cm

Sunny Snow Yellow Mud Ditch 136cmx68cm

Old West Stream Like a Dream 136cmx68cm

Clouds are lost in mountain streams

Wet Akiyama cloud 68cmx68cm

RipPlus 68cm x 68cm

Morning Mist Rhyme Autumn Lotus 68cmx68cm

Spring mist wet Thousand Islands 68cmx46cm

Yunquan is 138x68cm tall