#Witness of the Era of "Human World" In the literary world, Liang Xiaosheng has the reputation of "civilian spokesman". In his masterpiece "The World of Man", these words of his are like fire, and he writes the cultural genes in the morality of the northeast people:
Under the squeeze of the ecology of small citizens who say whether it is good or not, and the environment that they cannot hide from, they are a little older and are stained with tobacco and alcohol. Younger people, in order to get a sense of security in life, instinctively attach themselves to the older ones.
Regardless of age, they have almost no ability, even if they change their life situation slightly, their parents can't help at all. In today's parlance, even if you fight your father to death, it is impossible to spell out a smooth road to a better life for them.
Therefore, they can only rely on the righteousness of their fathers to win the favor of others, so that they can use their buddies when they are in urgent need of help, or warm up when they feel the same pressure; when they face the same threat, they can respond in unison to small groups.
Except for relatives or buddies, no one pays attention to them. Occasionally, if someone loves them, it is enough to be regarded as a noble and a benefactor. They are timid and dare not provoke right and wrong. In this regard, they are not yet wise.
But when they feel the need to prove their true character, they are willing to show how righteous they are. They think that good personality is righteous enough.
They are ordinary people, but they are indeed good young people among thousands of people; they really want to be good young people, not bad boys.
Their greatest wisdom is that they all know that once they become bad boys, it is almost equivalent to self-destruction, and it is only a matter of time. (The death of self-improvement in the opening chapter is impressive)...
In addition, I think these words, in addition to the specific historical background, can better illustrate a problem: large societies, small groups. Not a level of people, difficult to deal with friends. Because they have common joys and sorrows, they can generate empathy.
Zhou Bingkun, a little brother who is not good enough in the family, a weak son who shyly asks his father and mother for praise, can become their big brother, not only because they are weaker in comparison, but also have the temperament of a big brother who can carry things in spirit.
He may not be perfect, but he has its own positive significance. Zhou Bingkun was the glimmer of light that only illuminated the few people around him, such as relatives, friends, lovers, etc.
"Yes, on the evening of the third day of the first lunar month in 1974, most of these people gathered in the Zhou family in the Guangzi area were children of the Gongle District, and a few became the youth of their little brothers because their parents got into political trouble. ＂
It is the many lights of the Zhou family that converge into the night and warm the world.
And understand these words of the author, and then look at the big brother Zhou Bingkun, played by lei Jiayin, who is not as fierce, deep, witty and ambitious as usually in the jianghu films, how to look at it is a low-key "big wisdom if foolish" type, there is no sharp image of benevolent big brother.
