In the eyes of the world, he is a famous singer with great emotions; in my heart, he is even more of a talent who touches the bypass.
Opening Jun Jianjun's book "Placing Swords and Plum Corners", a fresh and handsome atmosphere swept over his face, and he was overjoyed. He should have had such a collection of poetry and paintings long ago to show his versatility. In the eyes of the world, he is a famous singer with great emotions; in my heart, he is even more of a talent who touches the bypass. The so-called talents are the music pool of the music world, shallow chanting, poetry and ink, good at everything, and are all masters.
The singing of the sword is known to the world, needless to say; its poetry, calligraphy and painting are personal favorites, and they do not seek to hear and reach, they have never appeared, and those who know are only some friends around them. His calligraphy is good at walking grass, painting flowers and birds, large and small frames, all of which are skilled. I don't know who he studied with, or who he asked; when I look at paintings, I never ask people about their teachers, only their works. The layout of his paintings is exquisite, the brush and ink method, no matter how complicated and simple, the green and clever, are not the end of each song. He is obsessed with the essence of the pen, the magic of ink, and the expression of expressing nostalgia. His poetry, calligraphy and painting were originally the life of his personal soul.
Yu Junjian, Feng Jicai and Mo Yan attended the opening ceremony of "Han Meilin Ningxia Art Museum" (December 2015)
When it comes to poetry, it is especially fond of it. Among my friends, from time to time through WeChat to send poetry, Jun Jian is one of them. For many years, it has been intermittent, all of which are felt and sent, and there is no poetry for poetry; or feeling hurt when things are hurt, or seeing things and feelings, or sending love to landscapes, or reminiscing about the past; ancient poems are all works of temperament, but I can feel his gravity and sentimentality, as well as his unique heart and temperament.
His words are particularly flavorful. Some of the imagery, artistic conception, and the essence and rhyme of the words and sentences in this are by no means just from learning. Writing poetry is not all about learning, but more about understanding. The rhythm of language, the emergence of poetry, the sensitivity to all things, and the thorough understanding of life come from the heart. Therefore, this collection of poems, calligraphy and painting is a rare basis for knowing Jun Jianjun's talent.
For this, congratulations on the publication of this book, and it is a preface. (Feng Jicai)
The day of early spring in the year of the Ugly Year