Western Jin Dynasty Lu Ji 《平復帖》
1. The ancient good writer has a long life, and his heart is fixed. Man can fix his heart, but what cannot be done?
2. Calligraphy is also the Dharma, starting from the precepts, being proficient in concentration and wisdom, evident in the source of the heart, wonderful in enlightenment, and as for the extreme, it is not possible to pass on the oral hand.
3. The Inner Classic of the Golden Classic: "Illegal is not illegal." "The scholar has realized this trick, why suffer from ancient food.
4. Books, such as also, such as their learning, such as their talents, such as their aspirations, in short, like their people.
5. Pure heart and widowhood, the spirit of the word, is also a proof of the form of sincerity.
Eastern Jin Dynasty Wang Xianzhi "Mid-Autumn Festival"
6, the dregs are gone, then the light comes, if the heart is mixed, although the pen and ink are excellent, there is no way. Therefore, Yang Ziyun: Words are heart paintings.
7, the old people have a joint language cloud: what is fufu, can not be natural. True to the truth also. The author should also know this meaning.
8. If the atmosphere is strong, it is appropriate to say that it is short and long and the sound is high. The same goes for books.
9. "Vibrate the clothes of a thousand people, and flow for thousands of miles." "Writing a book must have this weather. And its careful luck is like the needle threading na hole, there is a difference in the millimeter, it is not tricky.
10, the window is clean, the pen and ink are excellent, and the paper is drawn at the time to draw everything in my chest, and its books are not good! If the voice is noisy and the paper and ink are bad, although the skills are like the two kings, it will not help.
Jin Wang Xun "BoYuan Thesis"
11. A Diamond Sutra, which is dedicated to the teachings of sentient beings and teaches people to be dissociated. To study the books of the ancients is to listen to the Buddha's sayings also. Knowing the wonders of Qin, Han, Jin, and Tang calligraphy, and being able to use one's own spirit is the reason for being detached from each other everywhere and becoming a Buddha.
12. Burn incense and sit quietly every day, clean up this heart, clean and pure, have time to read, come to the pen, and write his own disposition, and be able to transcend the image and get his world. It is a pity that the rest of the energy can also be.
13. Writing must be respectful, not only wanting to be good at words, that is, this is learning. Wei Ming said this, saying that the word can be the lord is not suitable, is also a way to receive peace of mind.
14. Imitate the ancient method, such as a ghost enjoying sacrifice, but inhaling its breath, not eating its quality.
15, the heart is careless, Pepsi has not achieved anything. Although the book is a small path, it must also be quiet.
Tang Ouyang Inquiry "Ji Ying Ti"
16, cold look at the ancients with the pen, do not participate in distractions, is also a method of reassurance.
17, out of shape, the book is superior. However, there is very little news in this, and you must not die under the sentence.
18. Huang Gu said: "Poetry must not be chiseled into the air, but when it is born, it will work on its own ears." "Nor should the book be hollowed out and forced, and the gods and the ancients will work on their own ears."
19, the method of holding the pen, the virtual palm of the real finger. The finger is real, and the finger is real.
20, dead fingers live wrist, scribe no and so on spell also. The fingers are straight when they die, and the words are sharp in the wrists.
Tang Li Yangbing Small Seal City God Temple Monument
21, reverse the pen, the most powerful. Chu Henan Book, all reversed, subordinate to the law also.
22, the word must be sent to the pen, to the pen tip of the end, the pen is still straight, can be sent.
23. The law of subordination must be clearly understood, and the chi should not be avoided when doing it. To be subordinate, there must be thousands of rocks rushing to the weather under the wrist.
24, with the pen is the most taboo to make a pen power. The tip of the pen is not on the paper, but the hand has moved, it is floating and light, and the cover force is also outside.
25, "The water flow is not competitive, and the cloud cares late." These two sentences are extremely calligraphic. The intention of writing follows, not set into the heart, is the scene of the previous sentence; there is no hanging, no shrinkage, and the desire to remain is also the scene of the next sentence.
Tang Liu Gongquan "Xuan Secret Pagoda Stele"
26. When you first learn the book, you first seek to be similar, and the shelf is not good, let alone the writing.
27. The distinction between the most important guests and the lord is clear. For example, to write a "day" character, the left vertical is the guest, it should be light and short; the right vertical is the main, it should be heavy and long; the middle painting is the guest, it should be virtual and elegant; the lower painting is the main, it should be real and vigorous.
28, the pen must be volleyed, solid also. However, scholars misunderstood the Slovak language and slid all the way into the air. It must be known that the air is empty and the pen is solid, so that there will be no harm.
29, no hanging, no shrinkage, want to stay. The magic of "Lan Ting" is all this.
30, the book is expensive, and the cooked is happy. Books are not cooked, and cooked is customary. Failing to draw a straight and straight line and seeking magic is to deviate from the rules in order to seek ingenuity, which is not something I dare to know.
Tang Chu Suiliang, "Sacred Order of the Wild Goose Pagoda" (partial)
31. Books are born after they are matured.
32. The book has no definite law, can it be the law of nature, the law of subordination to push the Han, the kaifa to push the Jin, with its natural nature. The Tang people regarded the law as too strict, so they were inferior to the Han, and the Kai was not as strict as the Jin.
33. It is advisable to learn from Tang and Jin, and it is necessary to be subordinate to Han.
34. Han Li pen reverse, pen pen storage. Reverse from the beginning, and store everywhere.
35, beginners, but the frame is strict, the dot painting is clear, and the words are not high.
Tang Lu Kam Zhi "Literary Endowment" (Partial)
36. The vertical and horizontal of the word, the beam of the Judean house, should be straight, not poured.
37, the strokes are extremely complex, when promoting their small paintings, show their large paintings. For example, in the "Jiucheng Palace", "chisel", "jian", "tai", "haunting" and other words are all.
38, the ancient stele is familiar with it, not expensive to be born, the heart is wonderful, through the pen to reach it, can be like a god.
39. The meaning is to live first, and the shape follows the law.
40, not expensive to write more, uninterrupted is the best.
Tang Yan Zhenqing 《Yan Qinli Monument》
41. Guest and host, manipulation, opening and closing, virtual reality, and obedience and disobedience of the law can speak people. In addition, it is impossible to speak, and there are words that are confused.
42. It is known that the cloth is white in the interval, and it is also known that the sparse place can be walked, and the secret place is not airtight, so why is it not conspiratorial? I don't know that the preface is about legislation, and the last word is about taking the momentum, and the two are not combined, but they can do their best. In the Tang Dynasty, Beihai and Henan books were really good at taking advantage of the situation.
43, want to know the back of the pen, intended to stop at the front of the pen, clear this, then the pen echo, the words are connected, front and back, left and right, self-energy in one breath.
44. If the situation is not replenished, the secret potential is supplemented. "Jiucheng Palace" "Sheng" character on the painting, "Shun" word under the dot, all complement the Fa also. If the words "is" and "force" are lacking in strength, there is no way to make up for it.
45, the penmanship is still round, too round is weak and boneless. The genre is still square, and the square is rigid and not rhymed.
Tang Zhang Xu Ancient Poems Four Theses (Partial)
46, practice makes perfect, everything is the same. The book is not ripe and specializes in bizarre, and the magic way is also. Self-defeating is not as good as clumsiness.
47. Scholars begin by not working, followed by work that does not work, and those who do not work, the extremes of work. Zhuang Zi said: "Both carving and craftsmanship, return to Simplicity." "Good husband!
48. The book of Qin and Han is within reach of its ingenuity and its clumsiness.
49, strong and weak paper, strong paper weak millimeter, rigid and soft together, the book is like a zhi.
50, the work is deep, the knot body is stable; the posture is good, and the pen is super.
Five Generations of Yang Ningshi "Leek Flower Thesis"
51, the dregs are not pure and the words are thick, and they must not be. The pen is dustless, slightly weak, but writes all the way to the thick, fang miao.
52, the heart of the word is precious, can not be combined.
53, the fly head should be written in a large pen, the potential is to carry out.
54, the smaller the word, the clearer it is, leaving a little residue can not be, as a small letter, it should be clear and plump. The tip of the pen is too small, although it is not comfortable.
55, the work is deep, although dry and moist; the spirit is enough, although thin and fat.
Northern Song Dynasty Huang Tingjian 《Huangzhou Cold Food Poetry Scroll》
56. The Book of the Jin Dynasty is inconsistent and consistent; the Book of the Tang Dynasty is consistent in shape.
57. The sages of the Tang Dynasty, the pen has the distinction of quietness and impatience, and there is a difference between three-dimensional danger, but in fact, they have the same destination, and there is no difference.
58, Ou Shu uses a pen, not square is not round, but also square is also round. Scholars want its side, easy to stagnate; want its round, easy to oil slippery. This message is the most appropriate micro-will.
59, the Tang people are strict with the law, the so-called law, but the left and right look, before and after the response, the pen is broken, the pen is connected, and the shortening of the fit, the dense inter-ear.
60. Ou Shu looks square and means round; Chu Shu looks soft and rigid; Yan Shu looks strong and intentional.
Northern Song Dynasty Mi Fu "Bo Yun Ti"
61, Linhan monument should have stone qi, but it is not a fist song. Q: What is stone gas? A: Don't say.
62, Yan Shu is extremely wonderful, with deep ink and heavy pen effects, and it is incompatible. Q: What's so wonderful about it? A: What a scholar cannot go everywhere, that is, his divine place.
63. To learn from the inscriptions of the Han, Wei, Jin, and Tang Dynasties, we must return his looks, and must not have me, but I am vulgar. After becoming proficient, you will gain the strengths of the multitude, but you must not be without me, and you will be mixed without me.
64, ancient monuments can not be learned, such as the Northern Dynasty of the Cliffs, the hand can not be copied, can be copied with the heart. The mind knows its wonders, and the hand follows it.
65. Li Beihai's book, the upper half of each word is polarized on the right side, and the two sides of the final painting are flattened. Steep and stable, not only in the North Sea, but also in the North Sea. Rather than being fat and thin, it is better to be careless than wanton.
Northern Song Dynasty Su Shi "Gui'an Qiu Garden Thesis"
66. Chu Shu is clever, ou shu is submerged. Learn ou can't succeed, carved hooves cheeked cranes; learning Chu is not successful, painting tiger dogs.
67, Tang stele is the most difficult to learn, a painting has a painting step, a word has a word step. A painting is tired of a word; a word is a burden of a whole frame. If the Han And the Six Dynasties can be saved by loss, because it is difficult to see coincidence, it is not one of the Tang Tablets without false borrowing.
68. Han is the middle of the seal and the kai. "Ode to the Stone Gate" has many meanings; "Ode to the Western Narrow" has many meanings.
69. The main book is quiet to cure movement, and the cursive book is moving to control quiet.
70. There are true lines and grass lines. True deeds are close to the truth, and the grass is close to the grass, and the grass is close to the grass.
Southern Song Dynasty Zhao Tuo "Want to Borrow the Wind and Frost Two Poems"
71. The scribe has no seal saint or subordination saint, but has a grass saint. The path of covering the grass is millions of incarnations, clinging to the search, and the farther it is lost, the more it is lost, and the one who is not a god is self-sufficient, who can attain the highest goodness.
72, Yan Shu Guiduan, bone exposed muscles hidden; Liu Shu Gui, bones exposed.
73, the valley to make a book, learn "Crane Ming", thin and clear chestnut, really out of the iron stone wrist.
74, pro book, easy to be proud, rare body; facsimile book, easy to get decent, rare to be happy.
75, the heart can turn the wrist, the hand can turn the pen, the book can be as satisfactory.
Yuan Zhao Mengfu "Autumn Deep Thesis" (partial)
76, unfamiliar is not a word, a mature family is lifeless. Cooked inside is not outside, and cooked in the Fa is not in appearance.
77. Learn a book, know its good and not know its evil, learn the books of the family, likes and dislikes are clear.
78, do not see the real handwriting, do not know the wonderful situation; do not look at the ancient carvings, discern the failure of the pen.
79, the word has three products, 曰庸, 曰高, 曰奇. When the extreme of mediocrity is known, the extreme of high is known as wonderful, and the extreme of strangeness is unknowable.
80, the ancient law book, the chapter has a law, the line has a line, the word has a word, the painting has a painting method, it is a famous post, only half a line can not be ignored.
Ming Tang Yin,"Falling Flower Poem"
81. The good old do not know the present, and always fall into the evil way; the trend is not known to the ancient, and the invasion is trapped in the customs.
82, the word is familiar with the change, the familiar and unchanging, vulgar and tired. Words will become familiar, and those who become unfamiliar will make fun of them.
83. For beginners, they must first write large books, not from an early age.
84, Zhong Tai Fu Yun: Those who have more strength and abundant tendons win, and those who are weak and have no tendons are sick. Lady Wei Yun: It is intended to win in the former, and the intention is to lose in the pen, and both words are excellent.
85. Meritorious and asexual, the spirit is not born; the sex is reactive, the spirit is unreal.
Ming Dong Qichang Cursive Codex
86, careful arrangement, bold pen.
87. The knot turns from time to time, and it is not easy to use the pen for eternity.
88. The seal character must be sharp and must be made with a full pen and thick ink.
89, to learn the seal characters must be Bogu, the ancient instruments of the knowledge, the spirit of simplicity, can help others.
90, the small seal in the seal book, the small letter in the real book, must be strong paper. The two-body line pen must not be rushed to the ear.
Qing Bada Shanren 《行書 Inscribed Painting Poem》
91. He had never been engaged in Han Li, but wanted to know the Jin and Tang Dynasties, and he was afraid that he would forget his ancestors and would not help in the end.
92, Jin and Tang are comparable, Jin wins with rhyme, Tang wins with strength; Jin people's fadu, it is difficult to speculate, Tang people's fadu, the calendar can be counted.
93, Zhiyong, Shinan dekuan and the amount of peace, the little Handsome Mai Qi.
94, Ouyang has a beautiful bone, but lacks a warm appearance.
95, Yan Liu has a solemn appearance, but loses the board.
Qing Zheng Banqiao 《行書論書立轴》
96, Li Beihai has a proud spirit, and lost his embarrassment.
97. The pleasure of living in court is leisurely, and the frugality is lost.
98, Xu, Su is super happy, and lost.
99, Mi Yuanzhang book to indulge, unfortunately there is a harmonious pen.
100, Zhao Mengfu is gentle and elegant, but it is too feminine.