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Q: "Hello, Lee Hwan Young" ends in a similar way to the Korean movie Happy Family?
A: Yes, it's a similarity, and it's clear that some of the infrastructure is mimicking Happy Family. and homage clips from other films. However, combined with various factors, I personally feel that this can only be attributed to borrowing, not plagiarism, but it is a little dangerous to learn from some ideas in the high-energy reversal. But after all, the script has been polished for three years, Jia Ling and other screenwriters themselves have carefully borrowed from innovation, and the story also has a variety of plot details worldview that belongs to Jia Ling and Chinese, and the final reversal is also similar to "Happy Family". Copying this big hat, I really can't buckle it.
The respondent's current identity is a high school student, the student party editor is not very rich in polishing time, and some professional terms are not understood, see laughing ha.
Disclaimer: This article contains serious spoilers. Anyone is allowed to comment, not screened, but I hope that everyone will read the whole article and comment, and do not express their opinions without reading it. When you have doubts about a certain point in this article, or feel ridiculous, please read it firmly back, only then can you understand the meaning of this article.
After brushing "Hello, Li Huanying", I was moved so much that I couldn't extricate myself, and even if I had too much staying power, I had sequelae: as soon as I remembered the scene where Jia Xiaoling knelt in front of her mother and begged her not to leave, my tears automatically flowed down... After returning home, I also read a lot of film reviews on the Internet, and only then did I know that the foreshadowing of the movie was supernatural in the eyes of most people who saw this plot reversal method for the first time. I was no exception, so I went to brush this work twice. After the second brush, I was even more moved, and found that Zhang Xiaofei really did not reveal his love for Jia Xiaoling in his eyes all the time (the mother played by Xiaofei's sister was too gentle and whining), but I, a straight man, did not notice a little foreshadowing for the first time (but I can feel that Li Huanying is too enthusiastic and sincere about the distant cousin who does not know each other)
Later, after seeing some friends who frantically copied and pasted "plagiarism" and "your mother's love is plagiarized" in the comment area of "Hello, Li Huanying" related videos and articles, my mentality also changed slightly: you are really a group of small clever ghosts, so cute, like Li Huanying said in the movie: "My child is the smartest and most excellent." ❤️
Keep a normal mind, be kind to people, and don't argue. I just want to express my own opinions, gossip, I don't care.
Happy Family (aka Happy Ghost Family, the former is the official translation. I have not seen this work before, but I have heard of it, to make up for the relevant content topics, after watching the entire work... I actually cried and wept again... In fact, when I saw the ending, I had forgotten the original intention of "whether Li Huanying copied or did not copy"... ☺️
It turns out that human emotions are interconnected. Love can make people temporarily forget all their troubles...
Oops off-topic...
Back. The purpose of writing this article is to evaluate the two films as objectively as possible, to do my best to point out the amazing and inadequacy of "Hello, Lee Huan Ying" as clearly as possible, rather than participating in the confrontation and endless debate without sufficient time for independent thinking. Happiness is actually writing an article here quietly, saying all your feelings clearly, without having to line up with the trolls in the video comment area. Even if there will still be levers, there is nothing to fear. After all, everything I want to say has been said, and the heart will be calm. As for the evaluation of "Happy Family", it is enough to see the answer of the Douban gangster, which is definitely a good movie. I just want to briefly introduce "Happy Family", by the way, rub the heat of "Hello, Li Huanying" at this time (still hot), and see if you can find some interesting things that marketing numbers can't see through your own independent thinking.
Straight to the point, personal opinion: "Hello, Lee Huanying" This work does not copy the Korean movie "Happy Family", but is a real reference and innovation. It is true that completely stepping on the shoulders of the latter to crush the realm of the latter, I think the former is not yet up to, but when compared together, it can still be found that in some aspects, "Hello, Li Huanying" can make up for the shortcomings of "Happy Family". In fact, from the perspective of the plot itself and the film production method, "Hello, Li Huanying" has many shortcomings. However, this does not prevent Jia Ling from the perfect expression of director Jia Ling's true feelings. This is also one of the reasons why the work has been spontaneously put on the altar by the broad masses of the people - one of the reasons why it cannot be copied.
Below I will start from the similarities and differences between the two works and analyze them for you.
Let's talk about the similarities first – this is also the main point of contention that has been criticized by everyone and even accused of "plagiarism".
The basic framework structure of the conception of the two films is almost the same, and a large number of audiences and protagonists are set up in the middle of the story (because there are multiple protagonists in both plays, so the protagonist here refers to the person who feels suddenly enlightened when the ending is reversed, the same below) Seems to be a very normal foreshadowing and detail, so that the audience is involuntarily pulled by the psychological changes of the protagonist, so as to ignore some of the details in the film Logical loopholes, to cleverly lead to the emotional outburst of the audience at the end.
In fact, although both films detonate the tear gas that has been planted everywhere at the same time, and then in the final reversal, let every detail explode in the audience's heart, to achieve the best moving and sensational effect expected, but the emotional impact brought by innovation is not the same.
Second, the reversal of "Hello, Li Huanying" at the end, many shots and behavior details are highly consistent with "Happy Family", which impacts the inherent impression of some audiences who have watched "Happy Family", resulting in an extremely strong sense of rejection and doubt.
In fact, people's preconceptions and stereotypes are terrible, and it will be difficult for people to evaluate things objectively.
The emotions that erupt at the end of the two films are extremely similar, and they are "relatives who love and protect the protagonist all the time, and the protagonist does not wake up until the end." The high similarity of this emotion is very easy to arouse the vigilance of the audience, after all, there is a "copying emotion" in the judgment criteria of "plagiarism".
In fact, "Hello, Li Huanying" does not copy the emotions, but only borrows part of the ideas of "Happy Family", telling a story that is also family affection but not similar but innovative. And the depth of the emotion expressed is also different. This will be analyzed later.
As we all know, the only thing that can be paid tribute to is the classic famous bridge section, and the time cannot be too long. Like this
The movie "Hello, Lee Huan Ying" pays tribute to "Modern Family" and "Please Answer, 1988"
And the screenwriters believe that directly copying and copying the movies on the high-scoring list is undoubtedly a dead end, but the plot when it is reversed can comprehensively deepen the theme of mother-daughter love in "Hello, Li Huanying" on a certain level, and the god twist can also allow the audience to obediently hand over the tissue money in a "sleeping groove how I didn't expect it" (ah, it is the snot and tears that are moved). Therefore, holding on to hope, they can only take a risky approach, learn from ideas, try their best to innovate, and do not fall behind, and replace "several ghost friends who have made a contract with the protagonist to live together in reality" into "Li Huanying who crossed (or entered the dream) at the same time as the protagonist to 1981"; changed "a group of ghosts and people to make trouble" to "mother and child made a beautiful and gentle dream together"; localized, sincere, and ordinary foreign things; changed "one-to-many" into "one-to-one", and set up a lot of foreshadowing. In order to achieve the effect of sublimating the theme of maternal love, but also to increase the emotional impact and popularity of the work.
(Here's a quote from the Weibo guy.) What is the fundamental difference between the three words of tribute, borrowing, and plagiarism? @Puzai is busy: The tribute is based on the foundation of the predecessors, the framework as the foundation but the core value is its own thing. Borrowing is to move a little bit of other people's core values, but the formal framework has its own understanding. Plagiarism is my way to you! @ Craniotomy Ceremony: The tribute is to remove the part of the tribute that is still a complete work, the reference is inspired to make innovations, and the plagiarism is directly copied.
But what they didn't take into account was that while most viewers were impressed and moved by the final reversal of "Hello, Lee Huan Ying", there were still some viewers who had previously seen "Happy Family" who did not break through the shackles of preconceptions (indeed, especially after seeing some impressive plots). Watching "Hello, Li Huanying" and then watching "Happy Family" first has a similar feeling), from the beginning, you can accurately deduce the future reversal from the foreshadowing. Because they are all tear-jerking dramas, the latter audience has cried bitterly in the past because of similar bridges, and the strong emotional impact makes them have deeply imprinted the details, plots, and characters of "Happy Family" into the heart, so when they look at "Hello, Li Huanying" which has the same magic as it, they will naturally feel no feelings and even disgusted. The shot of eating buns and eating beans, the shot of Jia Xiaoling running after suddenly realizing... And they all became the target of everyone.
"Isn't a car accident plagiarism?" "Isn't the protagonist running plagiarism?" I choose silence...
There are many more, and these are representative views.
Next, let's take you to analyze in detail the differences between the two works in combination with the plot of their respective films.
First, the plot is introduced.
Introduction to Happy Family
Simply put, the protagonist Shang Wan is an orphan, he can see that there are 4 ghosts with different personalities around him, he hates the ghosts around him, because every time he wants to commit suicide, they will do everything to hinder him. So they made a pact, he helped the ghosts fulfill their wishes, and they could leave. In the end, Shang Wan still helped these ghosts realize their wishes, thus successfully driving them away. Because of the details of a package of sushi, his badly damaged and lost memories were regained, remembering that they were his relatives who died in a car accident, running back to chase them, but it was too late, regrets, but the ending was quite satisfactory.
"Hello, Lee Huan Ying" Introduction
To put it simply, Jia Xiaoling felt that she was very useless, and she had never made her mother happy since she was a child. In an accident, the mother was critically ill. She lay on her mother's bed, and unconsciously entered the dream of her mother Li Huanying, a dream specially woven for her daughter, and she wanted to let her daughter understand some truth. The ending, the dream awakens, the mother has died. The son wants to raise and does not wait, Jia Xiaoling eventually became a big star by struggle, but her mother can't see it...
Then analyze the differences in the writing ideas of the two according to the plot.
"Hello, Li Huanying" is the first screen work directed by Jia Ling to remember her mother Li Huanying. Perhaps everyone will think that the reason for making this movie is very showy, but what everyone may not know is how much Jia Ling will collapse at the moment when she learns the bad news of her mother. Jia Ling, a chubby "female man" who laughs and laughs at herself all day, an optimistic girl whose name is deeply rooted in the hearts of the Chinese people, a happy child with a mother, suddenly confused and desperate. She said of her experience in an interview, "From the moment I learned of my mother's bad news, my heart was forever opened up into an incomparably dark corner. My mom hasn't seen one of my shows and gone..."
What is infuriating is that a certain program team also deliberately asked Jia Ling at that time, "I heard that your mother died?" "Are you sad?" Crying or not crying? Jia Ling replied on the spot: "Your mother is dead, are you hurt or not sad, crying or not crying?" The next day, the relevant video sent Jia Ling's rough words to the Internet for everyone's entertainment in a mocking tone...
After that, Jia Ling had the idea of making this stone in her heart into a sketch, or even a movie. After performing the skit "Hello, Li Huanying," she confessed: "My heart is indeed more comfortable, but it is still a bit blocked." After all, there are too few things that sketches can show. Therefore, she made up her mind to plan and remake the film version of "Hello, Li Huanying" with the greatest enthusiasm.
Jia Ling's filming of "Hello, Li Huanying" is the work, and the most touching thing is her sincerity.
She knows that there can be no sincerity alone, and if you want to make this work well, you must have a popular plot arrangement.
She attaches too much importance to the reputation of this work, so she chooses to learn, learn from and pay tribute to some plots and even reversals.
The reason is so simple, she wants to make this work sincerely.
Happily, she and the rest of the crew didn't use their brains, but used them on the right path. She chose to innovate with them on the basis of borrowing.
As the cliché goes: "The world's articles are a big copy, see if you will copy or not", it is true.
What is plagiarism? Plagiarism is just a matter of copying everything from the brain.
But when you have seen the two works of "Hello, Li Huanying" and "Happy Family", you will find that each work has its own unique shining point and unique innovative spirit.
Truth be told, the core of this kind of reversal script should date back decades.
I don't know who copied whom.
Introduction to "I See a Ghost in My Left Eye"
Introduction to "Through the Yin and Yang" (aka: "Heaven Passerby").
Some friends may ask: "Isn't it necessary to compare and analyze Li Huanying and the Happy Family?" Why are these pictures listed again? "
What I want to tell you is that human creativity is infinite, and three works can be produced with only "human beings talking to the undead and having stories with them" as the underlying core.
According to some people's thinking, a certain plot of a movie is very moving, so after that, "similar" is "plagiarism".
Who is the tiger?
Similarity equals plagiarism?
Isn't that 2002 copy 1993, 2010 copy 2002?
Let's look at the Douban evaluation, the most time is also three and a half stars.
Interestingly, we can find something interesting in it.
"Through The Yin and Yang" writes that the protagonist helps several ghosts to realize their unfulfilled wishes, and the ghost accompanies the protagonist when he is a child and is a friend; "My Left Eye Sees the Ghost" writes that the protagonist finally suddenly realizes that the ghost around him is his lover; "Happy Family" writes that the protagonist finally suddenly realizes that the ghosts around him are his family members. So, why not allow "Hello, Li Huanying" to take off the hat of "human ghost love" in another way, so as to turn to depicting the mother-child relationship of real human beings, and set the reversal point as a mutual shuttle care of each other's dreams?
What's more, "Hello, Li Huanying" adopts a new method of expression, the main melody does not adopt the general present narrative of "human ghost feelings", and uses the experience of the current time period to understand the past situation, but adopts the past narrative of "crossing" that seems to the audience to be old-fashioned, and uses the experience of the past time period to affect the current situation. At the beginning of the film, the audience is told that Jia Xiaoling has traveled back to the time when her mother was young, that girl is her mother, and Jia Xiaoling is to change history, let her mother not give birth to her, and make her mother happy.
The audience and the protagonist (still the protagonist who does not understand the truth mentioned above) seem to open the perspective of God, omniscient, and the plot seems to be able to see through at a glance: either history is changed, Jia Xiaoling sacrifices herself in exchange for Li Huanying's happiness (A can profoundly affect B, or there is hope for a profound effect B - even if it is not successful in the end, it will have a profound impact on the fate of A and B at the same time, which will be analyzed in detail below); Either history can't change, and after spending a good time with my young mother, I return to reality disappointedly, say a final farewell to my real mother, and be encouraged by my real mother to look forward (A can't profoundly act B, or there is no hope of profound effect B, so I have to listen to the arrangement of reality. This is also a small flaw in "Happy Family", after all, the profound effect of each other is always stronger than one-sided. We will analyze it later).
The reversal came, and Jia Xiaoling's mother, Li Huanying, also crossed with her! "But now she can't sew" has also become the finishing sentence for the whole work.
Admittedly, "But now she can't sew it" is very similar to the protagonist in "Happy Family", "Mom said that water celery is good for blood, so she has always replaced spinach with water celery." The subsequent realization and running are also exactly the same.
However, just because there are similarities between the form of character emotional expression and some of the infrastructure arrangements, will it be "copied from the real hammer"? While we pay attention to the "form", do we ignore the "god" difference? How to define plagiarism? Copying all the gods is plagiarism. I believe that some classic forms of emotional expression that touch people's hearts can be appropriately borrowed and imitated.
Or take "Hello, Li Huanying", although some external things can be seen to be imitations, but please think carefully about the deep theme of this film, to see what "gods" it has inside it is praiseworthy.
The child feels guilty and remorseful for his mother, and accidentally travels to the past, determined to change the trajectory of his mother's life and make his mother happier. We thought that we and Jia Xiaoling were supreme prophets, returning from reality to the past, and every plant and tree and every move was under control. But we all lost, to the point where we took it for granted that we gave and loved our mothers.
Friends who watched it for the first time and were not spoiled, when Li Huanying said "You are... Distant aunt cousin! We may only be surprised for a moment, and then immediately take it for granted: "Li Huanying should be this kind of self-familiar character!" "Instead of thinking deeply about the logical loopholes in the plot, thinking that the mother is justifying the existence of her daughter; when Li Huanying takes the initiative to grab the TV for a distant cousin, encourages the volleyball players, boats with Shen Guanglin, and watches the performances of Shen Guanglin and Jia Xiaoling... We will only comfort ourselves: "Li Huanying just has a good relationship with Jia Xiaoling", and will not think that this is the same mother who crossed over and tried her best to cooperate with her daughter to "make herself happy" and did not want to disappoint her daughter; When Li Huanying stared at Jia Xiaoling and smiled intently when she spoke, when Li Huanying took the bowl that Jia Xiaoling had finished eating with her hand, when Li Huanying intimidated Jia Xiaoling as soon as Leng Te appeared, and naturally blocked his body in front of Jia Xiaoling, we directly ignored it as a background board.
When one after another obvious foreshadowing is blatantly pasted on your face, we still look for excuses and reasons for all kinds of irrational details. We are all used to being deceived, we are all paralyzed by the silent efforts of mothers who have long been familiar to even some strangers, and we are all overwhelmed by the ubiquitous mother's love (don't bar, this movie is dedicated to depicting maternal love, there are many movies depicting father's love, and here we will not discuss fatherly love). At the beginning of man, nature is good, even if people are born with gratitude, they cannot resist the constant blows of maternal love.
The daughter thought that by virtue of the prophetic advantage, she could change the fate of her mother's disaster, and even let herself disappear from the timeline; Who expected that the mother had already firmed up her thoughts in advance, for the sake of her daughter's health and happiness, at the cost of her own imminent death, to finally make a regretless contract with her daughter that "in the next life, or I will be a mother"...
This is the subtlety of the past narrative compared to the present narrative. The identity of the prophet can make the audience have a sense of superiority and unconsciously imprison their own thinking, "Anyway, I can guess the ending from the beginning, the young Li Huanying is just a young girl who lives in the past and knows nothing about the future, what bad thoughts can there be?" "Coincidentally, this really fell into the screenwriter's pit, and everyone can imagine what will happen next." The audience and Jia Xiaoling, who were intoxicated by the pleasure of God's perspective, were slapped hard and found that In their eyes, Li Huanying, whose future behavior could be easily predicted, instantly became his own god. Why is the emotional impact of this film so strong that we cry when we think about it? Or we asked for it! From the god perspective to the ant perspective, can you not be impressed?!
Because family affection is similar, the previous foreshadowing structure can be regarded as a reference and imitation of "Happy Family". And what about the connotation of the ending? What about the inner emotional experience that the audience brings? "Hello, Lee Huan Ying" is really one level higher than the touch brought by "Happy Family". Why? This has already been said above. The following is a summary of the two major innovation points of "Hello, Li Huanying" compared to "Happy Family":
1. "Hello, Li Huanying" takes "dream crossing" as a good plot carrier, and the mutual understanding and interaction of the two protagonists can be free from time and logic. Ghosts can understand people's mood and change the trajectory of people's lives; At most, people can only understand the mood of ghosts, live with ghosts, and realize ghosts' wishes, but they cannot profoundly change the "ghost trajectory" of ghosts, such as making them come alive. So at this point, I think the creators of "Hello, Li Huanying" really considered a lot, they abandoned the idea of "people and ghosts are not in love", chose the "through time" idea that was sneered and excluded by everyone, and successfully found a novel "past narrative method" that affected the current situation in the past time period. The daughter's behavior can affect the mother's fate, and the mother's choices can also affect the daughter's life; The daughter can finally understand the mother's love, and the mother can also exert her care and love for her daughter to the extreme. Therefore, it can be seen that from the perspective of mutual understanding and interaction, "Hello, Li Huanying" really makes up for the small defect of "human ghost feelings".
As long as the daughter lets her mother and Shen Guanglin succeed together, she will change history and make her mother happier, but she will disappear forever from the timeline; as long as the mother chooses the old way, the daughter can survive and understand each other's love, but she will die for a long time... (A can profoundly affect B, or hopefully B profoundly – even if it does not succeed in the end, it will have a profound impact on the fate of both A and B)
After returning to the past and experiencing a series of stories, the daughter realized that she could never imagine how deep her mother's love for herself was, especially the unique line that could only be set up in the background: "My future daughter, I will let her be healthy and happy." This makes the protagonist's regret and guilt psychology be alleviated, the emotional expression more multi-angle three-dimensional and plump, and the mutual understanding between the characters can be enhanced. (To make up for "Happy Family", "A can't profoundly act on B, or there is no hope of profound effect B at all, so I have to listen to the arrangement of reality.") " flaw. Successfully achieving each other's profound effect is better than unilaterally. ）
2. The God perspective instantly falls to the ant perspective – breathtaking drama. In the previous plot of "Happy Family", Shang Wan does not know the true identity of these strange ghosts, so he attracts the audience to understand them as carefully as he does, because no one knows what will happen to people and ghosts in the future. That is to say, from the very beginning, Shang Wan and the audience have become alert to these strange ghosts, the audience is living with Shang Wan in tension, the attention is more concentrated, the details of the foreshadowing are more perceptible, which also enhances the probability of learning the truth, but weakens the shock and excitement of learning the truth. "I already guessed that these ghosts were his family." The final reversal will not work so well.
And "Hello, Li Huanying" takes a higher level from this angle and takes a different path. Jia Xiaoling and the audience knew in advance that the young girl was Li Huanying in 1981. Use the "prophetic superiority" to paralyze the audience in advance, weaken or even eliminate the audience's sense of tension, and the obvious foreshadowing details can even be ignored by the audience's automatic subjective excuses. Coupled with the fact that Chinese have long been accustomed to the routine of crossing the drama, the rendering of the atmosphere of the times in 1981, the interesting renovation of old photos, and the fullness of the plot...
The most important thing is that the plot of "Hello, Li Huanying" has always been based on Jia Xiaoling's guilt and love for her mother as the bright line, and her mother's love for Jia Xiaoling as the dark line. This two-way approach to love can make the characters more closely connected with each other, the emotional interaction more abundant and sincere, and it is also very easy to trigger the emotional resonance of the audience, so that they are unconsciously substituted into the role of Jia Xiaoling, completely following her perspective, and it is very difficult to jump out and be an independent third party, that is, an observer. In this way, the audience loses the "alertness" of the observer, so isn't it the same as playing with the foreshadowing, and even don't need to bother, the foreshadowing is called the audience's face, the audience can give themselves a circle back, and when the final reversal is reversed, they all fall into ,,, blame me?
In fact, it is the normality of mother-daughter affection, the emotional adhesion between characters, between characters and the audience, the emotional resonance of allowing the audience to spontaneously substitute for the characters, and the clever combination of dream crossing. Of course, in this land of China with a long history of 5,000 years, there are 1.4 billion people who are infiltrated by the excellent traditional culture of ancient sages, Jia Ling's own sense of truth, the various times and places of the film from the beginning of the planning to the release of the middle process and further promote the success of these methods. By the way, especially don't forget the background of the Spring Festival stalls!
One of the flaws of the movie "Happy Family" is that with Shang Wan's daily life as the bright line and the ghosts' love for him as the dark line, although Shang Wan fights with them and helps them realize their wishes, from the beginning to the reversal, he lacks Jia Xiaoling's deep love for his mother, and it lacks emotional resonance from beginning to end, making the audience's "third perspective" too abrupt. The audience had vigilance in advance, separating themselves, Shang Wan and the ghosts, standing on three legs, although the ending was touching, but the touching effect was still weak.
That's where the analysis goes. "Happy Family" has opened up new ideas for reversal, but it is also innovative on the basis of learning from predecessors. "Hello, Li Huanying" certainly has some traces of imitation and borrowing, but it also makes maximum innovation. We really don't need to say harsh words about a film that is deeply touching and has achieved innovation on the basis of reference, "Hello, Lee Huan Ying" to flaunt its noble purity. For example, the owner of a b-station UP flaunted that he opposed Li Huanying's plagiarism of the Happy Family, and he also resolutely and resolutely put the reprinted movie clips into self-made money. Netizens pointed out that the double standard also said "I am willing". How clever. The clean person cleans himself, the turbid person purifies himself, and it is good to be good at himself.
The form and structure are the same and the same, so that you can see who it imitates; The innovation of connotation and inner emotional experience on it, while sincerely, cleverly and quietly integrating it into the content, and constructing a unique emotional enjoyment and aesthetic enjoyment that belongs to this film, is the real "blue out of blue and better than blue".
I would like to advise some people who open their mouths and shut their mouths to say "plagiarism" to distinguish between "plagiarism" and "borrowing" and "tribute", think rationally, think independently, use rigorous logic to argue, and do not just rely on a few words. Some friends who say that the car accident is plagiarism, I am afraid that I have not seen a Korean drama... Friends who say that the running scene is plagiarism, I'm afraid I haven't seen the Japanese movie "Langya Relief Grocery Store" based on the domestic novel "Relief Grocery Store"... It is said that the reversal in "Langya Relief Grocery Store" is also a very clever innovation that fits this article.
Finally, although the two films have their own advantages and disadvantages, "Happy Family" is really a god, and "Hello, Li Huanying" as the debut of Director Jia Ling is also very sincere, attentive and touching to the extreme. The latter can definitely seal the gods by talking about the plot alone, but on the whole, the gods may be a bit fluttering, and the sealing immortals are still absolutely OK haha. "Hello, Li Huanying" may be called a phenomenon-level work in the future and enter the history of Chinese film, and I am very supportive. It is recommended that you have time to brush up on these two movies.
Today I saw the news: a man went on a blind date 20 times in the New Year, and every time he had to accompany the woman to the theater to watch "Hello, Li Huanying", cried 20 times, and had already spoken out to sue Jia Ling for infringement, demanding huge compensation... I don't know what this buddy really thinks, no matter what, or eat melon.