Yuan Shu and Bai Juyi have become the "ancient good stories" of the people's mouth, so whenever Bai Juyi is mentioned, we always think of Yuan Shu, and whenever Yuan Shu is mentioned, we always think of Bai Juyi.
Bai Juyi and Yuan Shu are both famous poets of the Tang Dynasty on the mainland, if on poetry, in view of aesthetics and other reasons, perhaps in the eyes of most people, these two are comparable; then Yuan bai and Bai in this eye, it must be the appropriate "only", otherwise it is impossible to appreciate each other so much and have a sharp mind.
"Get off the horse first at the pavilion, follow the wall around the pillar to find the jun poem", this is the two sentences in the "Blue Bridge Yimi Yuanjiu Poem" written by Bai Juyi for Yuan Shu, the author's every move reflects the thought of old friends. For this poem, Shi Xiang also chose to share it not long ago, and I believe that many friends have a deep impression on it.
Then in this issue, let's look at a poem written by Yuan Shu to Bai Juyi, which was written after Yuan Shu and Bai Juyi met and faced separation, and the sentences were deeply emotional and became a famous poem praised by poets.
It has nothing to do with fame, it aims to share great beauty; dear officials, Yuan Shu's "Re-gift Lotte" invites you to walk in.
Re-gift Lotte
Yuan Shu
Hugh Linglong sings my poems, and my poems are mostly other words.
The Ming Dynasty bid farewell to the head of the river again, and the moon set tide flat is the time to go.
This poem begins with one of the relevant scenes of the feast: Hugh Linglong sings my poem; the author listens to the song at the banquet after reuniting with his old friends, and the banquet is very lively, but he chooses "Linglong" to write, which must have his own purpose.
"Linglong" is a character who is very good at music and singing, and is well known to everyone in the Tang Dynasty. And the author introduces Linglong in the sentence, perhaps this person is the singer named Linglong, or perhaps it is just to refer to a person with super high musical skills in the banquet, in short, the author wants to borrow this singer to express the content.
The word "rest" is used at the beginning of the sentence, reflecting the author's attitude and his strong inner feelings. Its role is to emphasize affirmation with negation, and to set suspense from the side, set off the content, and raise the tone from the side in this superficial negative way.
In the face of beautiful songs, the author instead advised the singer not to continue singing, why? Look at the sentence: Most of my poems are other junzi; it turns out that the "Linglong" singers not only sing poems written by the author, but also most of them are parting words written to Bai Juyi, so this makes the two people who are reunited and about to leave secretly sad.
This sentence is an explanation and answer to the first sentence, and when the reader reads this sentence, he will suddenly understand the suspense in the first sentence. It is integrated with the first sentence, and has indirectly cut to the theme, laying down the emotional color.
Then from the perspective of writing style, the author uses the rhetorical technique of the thimble in it, so that the sentence form is rich in unique beauty in form and rhythm, and this beauty has a clever role in setting off the lyricism of emotion.
In fact, this is an ordinary scene, but also a common way of expressing emotions, because human emotions are common. For example, the poet Zheng Gu had the persuasion of "Mo sing partridge to the spring wind" in "The Singer on the Table" to express his homesickness. The more lively the scene for the departing person, the more it will make them feel sad, and with the help of the lively scene, expressing the sadness has become a typical way of poetry writing.
What makes the author sad is not only the "farewell word" sung by "Linglong", but more importantly, of course, the reality of "parting": the Ming Dynasty bid farewell to the head of the river again, and the moon and the tide were flat. The second sentence is the explanation of the first sentence, and the next two sentences can be seen as a further interpretation and supplement to the first two sentences. Tomorrow the author and his friends will be separated at the head of the river, and the time when the tide subsides in the month is the time when they resign. The smudge of cool tones reveals a low atmosphere and negative emotions, and this picture can be described as a clear mark of "parting", especially typical.
The author has a parting sorrow from the song, and from the parting sorrow to the parting scene of the next day, the content is linked one link at a time, and the emotional color is thicker than one stroke.
However, in the last two sentences, the author does not explicitly say "sadness", but expresses "melancholy" through certain scene associations. It points out the time and place, and copies the objects and pictures.
To imagine the picture, to picture the emotion, so as to imagine the emotion, the three intersect and penetrate, complement each other, the author's mood and the true feelings of the friend Bai Juyi are vividly reflected.
We say that Jingyu is a silent love language, the most subtle love language. At the end of the article, the author also makes good use of the effective characteristics and power of Jingyu, pushes the emotion to the climax, brings the reader into a well-set artistic conception, and follows his brushstrokes to fully associate and feel, achieving the effect of infecting the reader "invisibly".
Yuan Shu's pen skills are also incredible, this poem does not seem to be special if you look closely and taste it carefully, but when we taste it carefully, we will find that it is really special, and the author also hides the "ingenuity" in the "ordinary". The thimble of one or two sentences is a highlight, and the careful outline of three or four sentences is also a highlight, it has a scene, the context between the front and back is smooth, and there is no lack of "ups and downs" feeling. Therefore, it is most appropriate that this poem has been called "emotional masterpiece" by poets.
This mind can understand only the confidant, and what does the confidant ask for? Dear officials, has Yuan Shu's "Re-gifted Lotte" touched your poetic heart, and can it win you a thumbs up? If you like it, don't forget to move your little finger for it! In addition, you are also welcome to leave your impressions or opinions, and everyone will communicate and talk freely.