Introduction to Gao Bin's art
Gao Bin: Male, born in 1993, character Jingxing, Zhai no Yufeng Shutang, gansu Qingyang Town, former native, currently living in Longnan, Gansu. He is a member of the Longnan Calligraphers Association of Gansu Province, a member of the Young Calligraphers Association of Longnan City, Gansu Province, and a registered teacher of the China Hard Pen Calligraphers Association. Born in the township of calligraphy, from childhood by the influence of his father, since then calligraphy has laid a deep imprint in the heart, after the enlightenment of the Yan body, learn Wei Bei, focusing on Wei Bei calligraphy as the main creative style, has won many awards in the competitions held by the provincial and municipal calligraphy associations.
The pen is a general, as if he were on the battlefield. Eagles look at the passing away, swimming fish get water, Jingshan Xingyun. For many years, the oars are swung, the sand sits and flies, and the lone canopy vibrates itself. Xia Yun Qi Peak, the road of the wall, the snake into the grass, the birds out of the forest. Cone painting sand, printing mud, folding strands, house leak marks. If you understand the mystery, you will be able to understand the gods with your pen.
Mr. Guan's works will convey a kind of leisurely, elegant and rigorous charm. He has conducted in-depth study and study of the history and theory of calligraphy. Due to his own talent, coupled with his unremitting pursuit, he has integrated innovative thinking in his subconscious, he has integrated what he has learned in the past and what he has learned now, and his understanding and pen skills have been greatly improved in the center of calligraphy creation, taking the strengths of all the families and combining his own methods and styles, and integrating them into his own characteristics.
I have been reading his calligraphy works countless times for a long time, the momentum of the flying grass, the vigorous and beautiful line of the kai makes the author unforgettable, endlessly reminiscent, with a mood of expectation, a glimpse of the face of Lushan, his fire-like enthusiasm, like a childlike sincerity, so that the author and his soul are connected, like an old friend who has been in contact for several years, talking about his in-depth understanding and unique views on the art of calligraphy, so that the author understands a lot of true knowledge, and is deeply benefited.
If you carefully appreciate the charm of Mr. Calligraphy, there is a deep beauty of sinking. You can feel the piety of "seeing the pen and ink and being dignified", steadiness and meticulousness. Its glyphs are more slender and uniform, the pen strength is strong and straight, the law is rigorous, the pen is in place, the stroke lines are white and harmonious, the pen and ink are graceful, quiet and simple, the black ink pouring room, the air and bone condensation, and occasionally the flying white flow, then the spirit is revealed; The character posture is majestic, stable and generous, the chapter method is open and closed, rich in change, adhering to the principle of "round turning and gentleness" and showing the tension of ancient clumsiness and harmony. The whole work is neatly arranged, the interpretation, the falling paragraph, and the use of printing have their own characteristics, the overall look and feel is stable and dignified, the beauty is beautiful, and in the momentum of rigidity and softness, the form and content complement each other, so that the work is full of lush vitality between the natural rhythms.
Mr. Calligraphy, in addition to the powerful and penetrating power of the back of the paper, also has a kaleidoscopic change due to the momentum of the qi. If calligraphy only has strength and no potential, it is inevitable that it will be dull. Only the powerless must be slippery. His pen power can kill the paper in the air, the expression of the power through the back of the paper is handy, and it can be intended to be the first of the pen, because the qi lays out the pen and ink, the qi condenses into a potential, the pen has not yet been swallowed, the momentum is unstoppable, the momentum is unstoppable! Flying up and down to write dynamics, facing danger and high posture, movement and potential conversion, you can write the grass works left and right like shock, like Chu and Han attacking each other! Horizontal like a cloth array of clouds, like a long live dry vine!
Han Mo is virtuous, and the pen is windy. Mr. Gao Bin's calligraphy is undoubtedly very mature, his calligraphy inherits from tradition, and can produce new ideas in tradition, the style of the works is fresh and elegant, and the next pen is to hold a clean and rigid atmosphere in the elegance, which is ancient and not ancient. From his calligraphy works, he can see the true spirituality of Hanmo art, and he can also see the true disposition between calligraphy and people. Mr. Gao Bin's path of studying books is to pursue tranquility and indifference as the ultimate goal, which is already precious.