Selected Artists of "Yearbook of Chinese Contemporary Calligraphy and Painting Masters 2021" ——
Qin Yonglong: It is also like a bone and a soul
Qin Yonglong is an important contemporary calligrapher, calligraphy educator and theorist. The word long cloud, alias quasi half bucket. Born in 1943 in Lipu, Guangxi. Professor and doctoral supervisor of the Department of Calligraphy, School of Arts and Media, Beijing Normal University, director of Qigong Chinese Calligraphy Research Center, consultant of Chinese Calligraphers Association, member of Chinese Character Society. He has long been engaged in the teaching and research of ancient Chinese, Chinese philology and Chinese calligraphy. Mr. Cheng Qigong, a calligrapher, is the heir to the mantle of Qigong scholarship and calligraphy, and his works are widely collected by authoritative institutions and friendly people at home and abroad.
In the process of following Mr. Qi Gong for many years, Qin Yonglong's calligraphy took the Erwang as the sect, and also studied Zhang Ronglong's Monument, Zhiyong, Ou, Yan, Liu, Zhao, Su, Huang, Mi and so on. Through extensive and long-term copying and research of important inscriptions from past generations, Qin Yonglong has drawn on the strengths of all, integrated and penetrated Mr. Qi's style with the results of lintips, and formed a unique personal face. As early as the 1980s, Mr. Qi Gong gave a high evaluation to Qin Yonglong's calligraphy: "It can inherit tradition and innovate; it is both strict and intriguing." "He is not scrupulous in his studies, and he is also serious in his writing, and every line and even a picture is also ingenious, and he is by no means casual." Since 1982, Qin Yonglong has succeeded Mr. Qi Gong and attended the calligraphy public class of the Chinese Department and the whole school; in 1986, he and Mr. Qi wrote the university calligraphy textbook " Introduction to Calligraphy " ; in 1987 , Beijing Normal University was entrusted by the Ministry of Education to hold the "First National Calligraphy Teachers Workshop", Qin Yonglong, as one of the main teachers, taught the evolution of Chinese character fonts, and published and distributed the lecture video tapes at that time; in 1989, he and Mr. Qi wrote and published the book "Calligraphy Common Sense" In 1997, he compiled a volume of the series of books "Xingcao" of the series of books "Chinese Characters Xingcao" presided over by Mr. Qi; from 1998 to 1999, he was commissioned by Mr. Qi Gong to write the "Qi Ti" Xingkai Library, which was produced by Peking University Founder and widely circulated in the society; in 1999, with the support of Mr. Qi, Qin Yonglong participated in the establishment of the calligraphy major of Beijing Normal University, and served as the first director of the calligraphy department and the academic leader, presiding over the development of the profession; in 2004, he taught the "Introduction to Xingshu". It was rated as a high-quality course in Beijing. He also participated in the compilation of ancient Chinese and calligraphy textbooks in many colleges and universities, published many monographs such as "Selected Works of Western Zhou Jin", "Instructions on Calligraphy", "Fine Works of Calligraphy", published many papers, and made significant contributions to the study of Chinese characters and Chinese character calligraphy. In October 2013, he was elected as the cover figure of The China Federation of Literary and Art Circles Magazine.
As the heir of Mr. Qi Gong's mantle, Qin Yonglong has received the true biography of Mr. Qi Gong, which is somewhat god-like, but it is also a unique machine. He used the artistic language of calligraphy to perfection and just right. Dignified and flowing, bold and peaceful, organically integrated, elegant in the elegant, beautiful and breathless. He is good at walking grass, and he is also a seal, between Liu Gongquan and Zhao Mengfu, rigid and soft, the font is beautiful but does not lose bone strength, the pen is free and does not lose the law, the whole text is integrated, like the clouds flowing water, giving people a sense of fresh wind. His works are refreshing and sharp in the pen, calm and flexible, revealing rhythmic changes rich in rhythm; the knot is rigorous and dignified, super-plucked and free, reflecting the beautiful posture of changing thousands of changes, and the chapters are full of qi throughout the text, vivid and vivid, showing the innocence of the whole body. From Qin Yonglong's calligraphy, we can appreciate the calm and calm literati interest and the gentle and elegant scholar's bosom, and taste the neutral and natural calligraphy aesthetic and the free and free Hanmo spirit. Appreciate the calligraphy of Qin Yonglong, sometimes like a breeze, sometimes like a long moon into the heart, always feel the beauty of neutralization that is not exciting, graceful and elegant, and always experience the mysterious and super-dusty natural charm, giving people infinite beauty enjoyment!
Qin Yonglong: Zhou Yi Xiang ci sentence 52cm× 112cm
Qin Yonglong: Hengqu four sentences 112cm×52cm
Qin Yonglong: Bai Juyi's poem "Peach Blossom of Dalin Temple", 52cm×112cm
Qin Yonglong: Zhou Yi Wenyan sentence 112cm×52cm