Speaking of Shangguan Yi, will everyone's first reaction be: What is the relationship between Shangguan Wan'er and Shangguan Yi? That's a grandfather-grandson relationship. However, they only have a few sides of the relationship between heaven and man, and the person who caused this situation was the first female emperor in our history, Wu Zetian.
Shangguan Yi, who was a famous imperial scholar in the early Tang Dynasty, was the secretary responsible for drafting edicts for the emperor, the young supervisor and the crown prince Zhongsheren, and the official to the position of prime minister. It is said that after Emperor Gaozong secretly ordered Shangguan Yi to draft an edict to abolish it, but because of Emperor Gaozong's cowardice, after the matter was revealed, Emperor Gaozong did not dare to take responsibility himself, and pushed the responsibility to Shangguan Yi, who was only under the emperor's orders, and from then on, Shangguan Yi was considered to have offended the wu queen who had gained power, and then he was framed by him and was charged with treason. As a result, the originally warm and harmonious wife of a large family was separated, Shangguan Yi and her son Shangguan Tingzhi were executed, and the newborn Shangguan Wan'er was assigned as an official concubine. It can be said that Shangguan Wan'er is the only seedling of the Shangguan family. The treacherous storm of the feudal dynasty is only in an instant, so here we do not talk about politics, only about poetry.
As a royal scholar, Shangguan Yi had many poems, but what really established his position in the poetry world should belong to his new poetic style, Shangguan Ti, whose poetic style inherited Yang Shidao, Li Baiyao and Yu Shinan, and later "Article Four Friends" (Li Zhao, Su Wei, Cui Rong, Du Zhenyan), Shen Qi, and Song Zhiqing. Shangguan Yi's poems pay attention to form and expression skills when creating, and there are more white paintings, pursuing the beauty of poetry. It is precisely because his poems attach importance to the delicate description of the appearance of things and the delicacy of lyricism that they dilute the relief sculptures piled up by Qi Liang, which can also be regarded as an innovation of the poetry system.
Step into the Moon of the Rocky
Shangguan Yi (Tang Dynasty)
The veins are wide and the rivers are flowing, driving horses through Cheung Chau.
Magpie flying mountain moon dawn, cicada noise wild wind autumn.
This poem was written by Shangguan Yi just with Emperor Gaozong of Tang and later moved from Chang'an to Luoyang when he passed by the Luoshui River, and at that time he was really calm and relaxed, so I was so proud! As a chancellor trusted by the emperor, shangguan yi drives Marodi in the poem, and even if there is a little discordant "cicada noise", it does not affect his mood of "magpie flying" annunciation. This poem is an expression of Shangguan Yidan's leisurely and calm demeanor. Of course, this also has a lot to do with his own demeanor.
Wang Zhaojun
Shangguan Yi [Tang Dynasty]
Yuguan spring color is late, Jinhe Road is thousands. On the quincinct of the piano sorrow, in front of the flute complaining about the willow flowers.
The fog covered the moon, and the wind shook the cicadas. The book is waiting to be returned, and the tears are exhausted in the white clouds.
Wing Xue should be commanded
The forbidden garden condenses the qi, and the snow covers the morning light. Hua Mingqi Fengge, Zhu Shan Ying'e Pond.
Fluttershy greets the song, flips the light and moves towards the dance. Fortunately, because of the thousands of miles, it also revolves around the branches of ten thousand years.
In early spring, the Guilin Hall should be edicted
Step out of the incense, qing song pro too liquid. The trees are full of warblers, and the grasses on the spring banks are accumulated.
The scenery is lumpy, and the sky above the snow is blue. The flowers and butterflies have not yet come, and the mountain light will be twilight.
Bong Hoa Mountain night in autumn
The temple tent is clear and hot, and the road contains autumn yin. The miserable wind moved the Han building, and the water flowed into the Yuqin.
YunFei sent off the geese, and the moon cleared the forest. Dripping dew branches sounded, and the smoke was deep.
Kasuga
[Tang] Shangguan Yi
Flowers light butterflies chaotic immortal apricot, leaf dense warbler cry emperor female mulberry.
Spring should arrive in Feiyun Pavilion, and the night in the Mingyue Building is not yet in the middle.
Do these poems look a little similar to each capital? Except for one of these poems, "Wang Zhaojun" which is a Xianghe song (a type of poem in the Lefu poetry collection), the rest are Shangguan Yi's adapted poems. They are either five-word verses, or seven-word verses. They all have a special feature: they are neat and tidy. In the poem, Shangguan Yi skillfully uses natural wind objects such as wind, flowers, snow, and moon to understand the changes in the world, and pays attention to the selection of scenery, paying attention to the reasonable cooperation and color cuisine between scenes. In the poems, he avoids the flowery rhetoric of gold and jade inlays and the stagnant rigidity of the pile, forming a delicate and soft style, which also reflects his skillful acceptance of traditional artistic changes in writing the poems of the ying system.
The so-called "Shangguan body" of qi mistakes and charms is because Shangguan Yi has integrated his own creative experience with his keen aesthetic feeling ability, further improved the aesthetic function of poetry, and reached a new artistic realm.
Thirteen years after Shangguan Yi was executed, his granddaughter Shangguan Wan'er, although she was forbidden to be a slave in the court, she was well-trained by her mother to read poetry and books, and she grew up to be a wise official and unusually intelligent. In particular, Shangguan Wan'er inherited her grandfather Shangguan Yi's special feelings and emotional care for natural objects in poetry creation.
Shangguan Wan'er (664 – July 21, 710), who was highly valued by Wu Zetian for her wisdom and good writing, was given the title of "Prime Minister of the Towel". During the reign of Emperor Zhongzong of Tang, he was given the title of Zhaorong and held a prominent position in the political and literary circles. It was proposed to expand the library and add bachelors.
Just like Grandpa, Shangguan Wan'er's stopping point is also on the political career. We are not talking about her political storm here. To a certain extent, Shangguan Wan'er's poetry inherits and develops the poetic style written by her grandfather, that is, the technique of using natural wind objects to express the meaning and attaching importance to form. Only on the Changning Princess's cup pool, Shangguan Wan'er is to see a heart has different feelings to write a poem, she expressed her love for the convective cup pool from different perspectives, to know that Shangguan Wan'er is a woman who grew up in the deep palace, she can write the natural landscape with such delicate brushstrokes, which shows her love and praise for nature. To some extent, Shangguan Wan'er was the founder of mainland garden poetry.
Twenty-five songs of "You Changning Princess Liu Cup Pool"
Immortal appreciation, show humor, over Kun Lang, Mai Pengying. Youluguan, Zhiqintai. Dirty mountain walls, ashamed of Qiong.
Sandalwood bamboo shadow, soaring pine sound. Don't bother with singing and blowing, self-sufficient entertainment.
Look up at Mao Yu and look down at Qiao Zhi. Yanxia inquired, and the wind and moon knew each other.
Lush branches and polite manners. The mountains and forests are companions, and The pine and gui are neighbors.
The waves are turbulent and the green trees are dark. Mo blame for staying behind, because of climbing gui cong.
Mo on the round, Hugh said square pot. He Ru Lu Guan is xiandu.
Yuhuan Tengyuan creation, Golden Lotus Honor. Fu plays with jewelry, still leaving benevolence and wisdom.
The mountain is used as a room, and the tree is the tree. Gong lost to Baner, and since then he has been a voice.
After a long climb, I met the beginning of the ninth spring. Jiesi fills the street, Lu Yan Man Yiju.
Dou Xuemei vomited first, and the wind willow was not soothed. Straight to the sunset, not afraid of wine.
Ji Xiao was clear and peaceful, and he was rewarded with a carrot. Tortoiseshell condensed spring color, glass ripples of water.
The pillars talk about long whistles, and PanSongcha short songs. Unless the thing is outside, who passes by.
Temporarily travel to the mountains, drowned and did not return. The sun window is full of bright moons, and the white clouds of the stream are flying.
The book leads to the vine as a shelf, and the man will make a garment. This is a real climbing place to enjoy the glory.
Smoke clouds are released, and depression is self-contained. Gargle the Qingyi Mansion, hide a few hustle and bustle atmosphere.
Stone paintings are painted moss-colored, and the wind weaves hydrology. What is expensive in the mountain room, only Lan Gui smoked.
The staff is near xiaxiu, and the frost is in danger. Zhi chased the deep mountains and quiet, and the way followed the song and stream.
Gradually feeling relaxed, Russia saw the clouds and fog low. Mo weird people title trees, just for the sake of enjoying the perch.
Climbing vine beckons yike, Yan Gui xie humor. Look at the shadows of the trees in the water, and listen to the sound of pines in the wind.
With the piano waiter night, negative visit to the safe period. Stone walls should not be inscribed, for the sake of admiring the mountain.
The spring stone is more immortal, and the rock gully is written in a strange shape. If you want to know what is pleasing to your ears, you can only listen to the water.
The rocky ravine is coming, and the eyes are full of joy. The wind flute is like a flute, and the flowing water is used as a harp.
Lazy walk rooftop road, only climb lung mountain. Youyan Xian Guiman, today's unrestrained climbing.
Temporary tour of the Renzhi Institute, Xiao Ransong Guiqing. Send a message to the recluses, do not revisit Pengying.
The waterfall is clear and rainy, and the bushes are like dusk. The mountain is really playable, please report to Wang Sun for the time being.
PingChi talked about the test pen, leaning on the stone to spin the inscription poem. Yu bomb landscape tone, the final proposed from the bell period.
Spread leopard skin bedding horizontally with deer tire towels on the sides. By asking what it is, there are yi people in the mountains.
Qinshui Pastoral Garden is more self-sufficient, and the Qicheng Tower View is even more unprecedented. Qianyu Zhang Qianmo is hard, and people now know the heavenly river.
Jagged green lotus flowers, babbling green water and golden sand. Why should I visit the Three Mountains Road, the people have now arrived at the Nine Immortals' House.
With a high view of the danger, the fungus pavilion Taoyuan is not in time to find. Yu Xue is lined up into a jade tree, and the remnants of the slush are Yao Cen.
As a woman, Shangguan Wan'er enriched the creative theme of court poetry with her natural and free mountain charm, overcame the poverty of emotional expression of court poetry with her long and long style, and cleansed the feminine and cramped style of court poetry with a magnificent and magnificent atmosphere.
Of course, Shangguan Wan'er has a magnificent performance in lyric poetry, adaptable poems, and travel poems.
"Color Book Complaint":
At the beginning of the Yexia Cave Court, Sijun Wanliyu. The dew incense was cold, and the moon fell on the screen.
Want to play Jiangnan qu, covet the Jibei Book. There is no other intention in the book, but I have been away for a long time.
This is a five-word poem that imitates the grievances of the bridesmaids, and writes about the resentment of the woman who misses her husband. The battle is neat and tidy, and the style is beautiful and subtle, as if it is a folk woman who pours out her long thoughts about her husband. "ColorEd Book Complaints" overcomes the drawbacks of the emotional poverty of court poetry, borrows the lyricism of the scenery - the depression of the weather, the sorrow of feelings, in just four crosses, blended together, the song is entangled, changing the "fun of the six dynasties" in the early Tang Dynasty poetry, especially elegant.