Qinyuan Spring
Song Chen Renjie
Nanjin was also unashamed. Yu Yue: When the husband is involved in the world, not the heart of the wood stone, and the peace is not worried? Gu Is worried about what it is. Du Zimei's life is not occasional, and the words of sighing old and humble are few, and there are many meanings of loving the king and worrying about the country, which can be described as knowing what to worry about. If you eat in your clothes and fail to forget your feelings one by one, this is a person who does not know his life. Therefore, rhymes are used to regurgitate.
I have no worries, why should I use my eyebrows, worry about the past and the present?
Sighing wind and cold Chu Shu, a hundred years of illness;
The river is divided into north and south, and the thousand years return to you.
Luoxia copper camel, Zhaoling stone horse, things do not worry about people for sorrow.
Rise and fall, take the sword to the west wind, and clear the tears.
On the side, still guarding against autumn, asked the generals whether they were paid?
Shu Shenglang said, Emperor Diba;
The name of the gong has belonged, Han Yue Zhang Liu.
Don't ask for help, Yukan grass, who will plant melons and return to the old hill?
Jiang Zhong Mirage, knowing the peace of life, exhaled into the building.
While explaining the reasons for writing and denying the theory of "no worries" in life, the preface points out that people with a sense of historical mission should have noble sorrows and sorrows. Lin Nanjin, a friend of the lyricist, wrote a poem "No Worries" after writing the lyrics of "Sorrow". The lyricist thinks that it is a great fallacy, pointing out that the human heart is not a wood and stone, and once it is involved in the world, it must have sorrows. Excuse the rhetoric to refute it. Under the premise that there must be "sorrows", then observe and analyze people's "worries". He believes that Du Fu has experienced a rare ups and downs and poverty in ordinary people in his life, and "there are few words of sighing old and humble, and there are many meanings of loving the king and worrying about the country", which can be said to be deeply aware of the connotation and value of "sorrow". If you are "worried" because of personal small things such as dressing and eating, this is not understanding your life mission. The author's ideas of "having sorrows" and "knowing sorrows" expressed in the preface dominate the whole word.
At the beginning of the word, the lyricist uses the rhetorical question sentence to express his point of view: I was originally carefree, so why should I raise my eyebrows, worried about the present and the past? Refuting Lin Nanjin's "no worries" theory, he also used this "worry about the present and the past" to trigger the following: "Sighing at the wind and cold, Chu Shu, a hundred years of illness; the river is divided into north and south, and a thousand years have returned to you." "This is a worry. In the early years of the Southern Song Dynasty, hubei, hunan, sichuan, and Shaanxi areas that belonged to the ancient Chu state and the Shu state were invaded by the Jin people, mourning everywhere, and being desolate, for more than a hundred years, the military disasters were endless, and today they are being iron hoofed by the Mongolian army. Now that Jiangbei has fallen and the country is divided into north and south, thousands of years later, when people mention this history, they will also blame it. The three sentences of "Luo Xia" are melancholy. The "Biography of Suo Jing in the Book of Jin" says: Suo Jing had a premonition that the world would be chaotic, and once pointed to the copper camel in front of the Luoyang Imperial Palace and said that he would see it in the thorns. "Zhaoling" is the tomb of Emperor Taizong of Tang, in front of the mausoleum there are eight statues of stone horses, legend has it that these eight horses once transformed into divine soldiers to help Xuanzong's troops, so that the stone horses were drenched in sweat. Copper camels and stone horses have no life, they do not know sorrow, and they are artificially made to have the color of sorrow and sorrow. The writer also has a premonition that the southern Song Dynasty is about to be in danger. The following three sentences of "rise and fall" mean one layer. At the critical moment of the rise and fall of the country, the writer was extremely sad, and could only take the sword in the wind, "clearing the tears and flowing.".
The previous film lamented the past and remembred the sorrow, and the film was reviewed to rewrite the sorrow. The following three sentences of "Biantou" write that the border defense is tight, and questions the "generals" who have been favored by the king. In ancient times, the northern nomads invaded the Central Plains in the south, taking more autumn when crops were ripe and war horses were fat, so it was called "autumn prevention". In the Southern Song Dynasty, there were many traitorous ministers on the side, and it was difficult to exert the talent of being loyal to the country, so he asked whether the "generals" had paid tribute to "Jun'en". In a question, he was both blamed and ridiculed. The following four sentences of "Shusheng" will be described from the king's minister to the scribe and military attaché, and at the time of national difficulties, all kinds of talents should have been widely used, and at that time, even those who opposed empty talk about life, advocated the saying of "emperor and emperor hegemony", and the knowledgeable literati who were familiar with political affairs did not have the door to serve the country, and the meritorious names could only belong to Han Shizhong, Yue Fei, Zhang Jun, Liu Kun and other patriotic military generals. In one of his poems, the lyricist also discussed emperors such as Zhong'er and Liu Bei, which shows that he is also a scholar who likes to "wave talk". Because he had no chance to be loyal to the kingdom, he shifted from questioning and mocking the "generals" to his pity for his own situation. From pity to the following complaints and indignations against the officials who presided over the war: We are not allowed to ask for war, and we can also draft anti-enemy documents with the army, who is willing to go into hiding and planting melons when the country is in danger, as Hou Zhaoping of Qin Dongling did? At this point, the sentiment of the writer's anger has reached its peak. The writer feels that this is the end of the pen, full of sorrow and anger, there is no sustenance, and there is still a feeling of unhappiness in his heart. So he put down his pen and wrote: O giant mirage in the river and sea, as long as you know the unfair things among all sentient beings and the sorrow of me and others who have no way to serve the country, you will also be extremely angry and "exhale into the building"! The mirage that is touched can be built on the river and sea, and the degree of anger of the writer can naturally be imagined.
Semantic rings and layers of progression are a clear feature of the art of this song. In addition, it is that the "worry" of the writer always takes "loving the king and worrying about the country" as the starting point and destination, and can see through the four wildernesses, think about the ancient and modern, and achieve the artistic effect of ascending to the heights and looking far, and the depression and purity are high. It should be pointed out that the author's "love jun" idea has great limitations.