The epidemic is difficult to stop the cross-strait situation, and art is used to promote heart-to-heart connection. Cross-talk, Allegro, Storytelling, Nanyin, Taiya Rap, Jingyun Drum, Xihe Drum, Fuzhou Gongyi... On January 15th, the 11th Cross-Strait Quyi Joy Festival was successfully held in the form of network broadcast. Music artists from both sides of the strait gathered online to perform together and work together to create a feast of "clouds" of China's excellent traditional culture across space.
The event was co-sponsored by the China Qu Artists Association, the Fujian Provincial Federation of Literature and Literature, and the Administrative Committee of the Pingtan Comprehensive Experimental Zone of Fujian Province, and co-organized by the Quyi Art Center of the China Federation of Literary and Art Circles, the Fujian Qu Artists Association, quyi magazine Co., Ltd., the Taipei Artists Cultural and Educational Promotion Foundation, and the Pingtan Comprehensive Experimental Zone Literary Association.
The performance kicked off with the dance "The Tide Is Full moon and the Two Sides of the Quxiang Strait" brought by the Literary Association of Pingtan Comprehensive Experimental Zone in Fujian Province, and Guo Hongbin, a young music artist of the China Coal Mine Cultural and Labor Troupe, and Gu Shuowen, a student at Baodao Middle School, presented the Allegro "Flower Singing Tongue Twister", and the smooth tongue twister in the crisp and sonorous allegro sound showed the tacit understanding of the master and apprentice performing in the air; The actors of the Wu Zhaonan Cross-talk Drama Art Society in Taiwan, Ji Tianyu, Liu Erjin, and Lang Zujun, jointly said "I Am a Singer", and the pearls and the baggage were continuous, showing the style of female cross-talk Yuan Guohu, a young storyteller of the Chongqing Quyi Troupe, Ye Yijun, a storytelling and performance artist of the Taipei Quyi Troupe, and Wu Xinbo, a Suzhou commentator of the Shanghai Quyi Troupe, jointly brought a wonderful commentary on "Peach Blossom Village" in the form of Sichuan Commentary, Northern Commentary, and Suzhou Commentary; the Nanyin "Homecoming Road" brought by the Xiamen Municipal Ququ Association was completed by the Nanyin performance artists on both sides of the strait, telling the joyful mood of the separated relatives after returning home; the cross-talk of Tianjin young cross-talk actors Feng Yang and Zheng Kun "Journey to Pingtan" is a work created by the two after collecting style in Pingtan, Fujian Province, and through humorous and witty performances, they led the audience to visit the closest place to the mainland of the motherland to the main island of Taiwan; wang Youmei and Wang Youlan of the Taiwan Dahan Yuji Opera Troupe interpreted the Xihe big drum "Flower Singing Tongue Twister" and the Jingyun big drum "Zi Period Listening to the Piano" vividly and full of charm; Taiya rap "Ode to the Original Hometown" intuitively showed the customs and customs of Baodao in the original ecological performance of singing and dancing Zhao Haoxiang and Li Jiehe, small cross-talk actors of the Taipei Qu Art Troupe, said "Super Than One", and the two of them competed with each other and were amused; the cross-talk "There is a Difference Between Men and Women" performed by Taiwan's Cross-talk Tiansheng Tiandian, Qiao Tianlan, and Liu Shimin, which humorously interpreted the "difference between men and women" in life; Fuzhou Gongyi's "Jincuobian Yinxiangli" was pleasant and melodious, telling about the affairs of the neighborly and harmonious people, and was cordial and down-to-earth. Miao Lin, the host of the Central Radio and Television Corporation, improvised the book review and praise and hokkien tongue twister in the host, which also made the whole program colorful.
The wonderful program attracted many netizens to make positive comments: "The two sides of the strait are close to each other, and the music and art teachers remember the same roots, and they come to the same stage to perform art today, and they celebrate the New Year together tomorrow." "The same origin and the same vein, the roots are in China." Lai Wei, a Taiwan compatriot who started a business in Pingtan, said: "Although I watched the Happy Hui through the Internet, I could still feel the wonderful atmosphere of the program, and the performances of artists on both sides of the strait were particularly good, especially Taiwanese crosstalk left a deep impression on me." ”
According to the needs of the prevention and control of the new crown pneumonia epidemic, this year's Happy Exchange has been adjusted from offline to online, and for the first time, it has been presented online. In December 2021, all programs completed the pre-recording, integrated packaging design and promotion by Taiwan Network, and broadcast simultaneously on the evening of January 15, 2022 through Taiwan Network, China News Network, Douyin, Kuaishou, Station B, WeChat, Sina Weibo, Quyi Magazine Rong Media and other network platforms and Pingtan TV Station, and at the same time broadcast to Taiwan netizens through Facebook, with Facebook coverage of about 330,000 on the island. According to statistics, the total number of online viewers on various platforms reached more than 7.4 million, and the number of Sina Weibo topics read was 7.37 million. The exclusive version of the program video will continue to be exhibited on multiple online platforms for a long time.
It is understood that since 2011, the Cross-Strait Quyi Joy Gathering has been successfully held for 10 consecutive sessions, becoming a highly influential cultural exchange brand and an important cooperation platform for the cross-strait quyi circles, and has made important contributions to promoting exchanges and mutual learning between the cross-strait quyi circles, inheriting the excellent traditional Chinese culture, and enhancing the emotional exchanges between the people on both sides of the strait.
(The picture shows the performance site and screenshots, provided by the organizer)
Editor-in-charge: Yang Xiaojun