The poet's writing has always felt good, especially from the field of poetry to the vast world of prose and essays. Although it is diluted, all kinds of strange pen and ink still touch people's softness, so that we can understand the unique flowing poetry of prose. I have this feeling when I read the poet Psyllium's prose collection "Cloud Head Flowers" (one of the oak libraries). Born in Suzhou on March 17, 1963, he began writing poetry in 1974 and has been "continuing to write poetry" ever since. Suzhou had a great influence on the poet Psyllium, as can be seen from the many later writings about Suzhou. For example, "Cloud Head Flowers", full of paper is written in Suzhou's good.
"Yuntou Flowers" does not begin with Suzhou, but about the people and things of the West Lake, talking about other people's affairs, but using the name of "reminiscing about the lost water years", reminiscent of Proust: a Frenchman at the end of the 19th century and the beginning of the 20th century, but not exactly the same, the author writes about Zhang Dai of the Ming Dynasty of China, who is vaguely painful because of the good times that have passed. However, Hangzhou West Lake and Suzhou are not completely unrelated, and Suzhou and Hangzhou are generally called consecutively. The author starts from the West Lake, and the final text actually comes down to his hometown customs and human feelings. The poet's pen and ink, "a green ghost in the heart", is incredibly charming in language. The "concentration" is unforgettable. "Green and verdant bamboo, always Dharma-body; lush yellow flowers, nothing more than ordinary."
As a poet, Psyllium is obsessed with ambiguity and ambiguity in the Chinese language, resulting in an unexpected and unfamiliar effect in reading, and his prose essays have such traces, and the poet's writing style is undoubtedly revealed. "Yuntou Flowers", according to Psyllium, these four words are in the Suzhou dialect, and the meaning is unclear when investigated, and it can only be understood that it is ineffable. The poet Psyllium "obviously particularly likes a paradoxical, ineffable realm, or atmosphere, where the vast space allows him to think wildly and make him childlike willful." As if unreasonable. Especially more real, there is a little bit of interest and a little humor, as if it is a holy immortal. It seems to be a sentence of Lin Sanzhi in his later years: "The next time you come, bring a knife, you have to be spicy." ”
The poet Psyllium undoubtedly inherits the ming and qing spiritual prose sketches, mostly "dreamlike stories of the hometown and the impression of childhood gold." "The poet Psyllium has a very good cultivation, and more importantly, his spirit seems to be born with the ancients- he is not unloving of his daily life, but in the sorrow of this world, he enjoys the joy of nostalgia, nostalgia and nostalgia. He wrote prose, but in the end he expressed the poetic mood and the long-term melancholy. The water falls out of the rocks, and the empty mountains and trees are quiet. In fact, reading psyllium is difficult. His sentences are often lurking with hidden allusions, and the stories of calligraphers, painters and poets in ancient and modern China and abroad are always at hand. Read it slowly to find it interesting. His feelings about things, his descriptions, his insights, those associations, his imaginations, his metaphors, after people's surprise, will get the pleasure of epiphany. ”
The prose of the poet Psyllium Has an ancient meaning, and the demeanor is directly similar to the sketches between Wei and Jin, and the simplicity is mixed with a humorous observation of the world. He wrote about the second-way sellers of Bayberry in Suzhou, mixing acid-to-tooth bayberry with Dongshan Bayberry for sale, and Rao was so, he still felt that these Suzhou vendors had compassion, because they were peddling near the Dental Hospital. Seeing this, it is really shocking to feel that psyllium grasps the glittering details of life and writes the diversity of human nature in subtle places. "Cloud Head Flower" is full of words, the author writes as he pleases, there is almost no word taboo, such as an article titled "Orange Red Cake Begonia Cake Fat Oil Cake Yellow Muffin Osmanthus White Sugar Strip Cake Bee Cake Water Mill Rice Cake Lentil Cake", a total of twenty-seven words. Its wording is unique.
"Cloud Head Flower" is the poet's inner secret, the real writer, in essence, is a poet, he has a poet's feelings, the work also has a poetic quality. Their profound insight into the limits of the human spirit can be touched, which will inform us of some news from the realm of existence and refuse to go unpunished in the midst of a crisis in order to find new opportunities for reconciliation between us and existence. Writing is about getting to the amazing things in life better, not staying away from it. Only when a writer enters life in the here and now with personal memories, hearts, sensitivities, and dreams, and learns to face it, can he discover the true spirit of the times: a spirit of the times that comes from the depths of life, is solid, and full of humanity.
The poet Psyllium is talented, self-talking, thinking and language are extremely jumpy, but also feel ironed and refreshing. He said of Lao She: "He has a kind of strength that chinese cultural people rarely have to live a life. Says Uddhav: "His writing is oblique. This oblique is the 'one branch outside the bamboo is better oblique' tilt. Shen Congwen said: "The beauty of his article is that it drags mud with water without turbidity." "Speaking of Goethe's influence on him—" An arrow flew too long in the air to hit me. "Such a metaphor is really wonderful, seemingly unreasonable, carefully pondered, and the taste is long. "Clouds and Flowers" is suitable for reading casually in the middle of a summer night, immersed in the carnival of words to enjoy themselves, occasionally tired of reading, looking up, the moon has gone up to the sky.