"Big Character Yin Rune Classic" ink copy, 96 lines, 461 characters, passed down the Tang Dynasty Chu Suiliang Book. The hereditary Chu Suiliang Kai books include "Yanta Sacred Order", "Tongzhou Sacred Order", "Fangliang Gong Monument", "Meng Master Monument", "Yique Buddha Shrine Monument", "Ni Kuanzan", etc., of which "Ni Kuanzan" is an inkblot, and the rest is an inscription.
The Yin Rune Sutra, which was written by Chu Suiliang, still has two kinds of inscriptions, Xiao Kai and Xingshu, which are circulated in the world, and the handwriting is very small, and it is difficult to see the face of Lushan. This post is a big surplus, and the last title is: "Qiju Langchen Chu Suiliang Feng Shu Shu". It is likely to be a forgery of the Tang Dynasty Xuechu Book. Even so, the large-character Yin Ru Jing is a fine piece of calligraphy, with a very high standard, and is an important model for learning calligraphy. This post not only has the characteristics of the Chu script, but also is extremely similar to the "Tang Dynasty Scripture Writing", with the ups and downs of the pen and the writing method of writing the scriptures, which is natural and simple. Yuan Yang WuYun: "The cursive method is ever-changing, and the magic is infinite. Now in Chu Zhong, ling kai shu sees it, or comments on the clouds, the pen is powerful, the momentum is ancient, and it is one of the words. ”
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The "Big Character Yin Rune Sutra" is rich in pens, with squares and circles, and there are dews in the hiding. More use of the flank to take the momentum, a wave of three folds, dot painting and fine and heavy extreme changes, the intention is recognizable, the side pitch but does not lose the center of gravity, the middle palace is full, it appears loose but not scattered. Its pen strength is solid, the momentum is strong, the qi pulse is smooth, the thickness is not lost in femininity, and the elegance is not lost in dignity. The Southern Song Dynasty Yang had nowhere to go: "The law of cursive writing, ever-changing, infinitely mysterious, is now seen in Chu Zhong." Many later commentators have given this post great praise. Beginners should study this post when they are deeply aware, can not one-sidedly pursue a handsome appearance and ignore the elegant charm, you must start from the pen, refer to the combination of structure and structure, in order to form and god, without being weak and weak, superficial.
The style of the "Big Character Yin Rune Sutra" is slightly closer to the "Sacred Order of the Wild Goose Pagoda", and the gestures are clear and clear, and the nature is natural. Its overall structure is flattened in the square, mostly horizontal, wide and sees the spirit of the spirit, which comes from the book. This post is open and open, the lines are strongly contrasted, sometimes delicate, sometimes thick, sometimes dense, sometimes the gestures flying, twists and turns, and clever changes. Its pen is secretly connected, extremely fast, pitching echoes, each has its own basis, the breath is full, and the wonderful pen is full of flowers. With an unfettered pen, the calligrapher makes the turn subtle and the escape freely, so that this post is no longer the tang kai in the typical sense, but has the meaning of the "two kings", the meaning of the northern monument and the beauty of guli. The end of this post is born in harmony, clumsy in cleverness, changeable, not falling into a strange path, and can be called "Kaizhong "Lanting"". It does not matter whether the Yin Rune Sutra is a true manuscript of Chu, because the artistic level it presents is also cherished by Shulin.
The overall understanding of the Yin Rune Sutra can be obtained from three aspects: first, it is compared with other inscriptions of Chu Suiliang, and the style of the Yin Rune Classic is compared; second, compared with the Ou, Yu, Yan, and Liu books of the same era, its stylistic characteristics are clearly understood; third, compared with other Xingkai books, such as the Xingkaishu of Li Yong, Zhao Mengfu and Dong Qichang, it can have a new insight.
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Chu Suiliang, "The Great Character Yin Rune Sutra" (biography), primary color edition, on paper, 21×394cm
Interpretation of the Great Character Yin Rune Sutra:
1
Previous
The way of looking at the heavens, the journey of holding the heavens, is exhausted. There are five thieves in the heavens, and those who see them are chang. The five thieves are in the heart and are enforced in heaven. The universe cares about the hand, and all incarnations are born. Nature, man, man, man. The way to establish heaven, to determine people also. Heavenly killing machine, moving stars and easy to stay; earth killing machine, dragon and snake landing; human killing machine, heaven and earth repeatedly. Heaven and man are combined, and all things are fixed. Sex is cunning and can be hidden. The evil of the Nine Tips, who cares about the three points, can move. Fire is born of wood, and evil is born of the kingdom, and when the time comes, it will collapse. The cultivation of knowledge is called a saint.
2
Novella
Born to kill, the principle of the Tao is also. Heaven and earth, the thief of all things; all things, the thief of man; man, the thief of all things. Three thieves are appropriate, and three are safe. Therefore, it is known that when eating it, a hundred skeletons are rational; moving its machine, Wanhua'an. Man knows the god of his god, but he does not know that he is not a god, so god is also god. The sun and the moon are counted, and the small and the big are determined; the holy deeds are born, and the gods are born. Its theft, the machine also. Nothing in the world can be seen, nothing can be known. A gentleman gains it, and he is poor; a man gains it, and he lives lightly.
3
Next
The blind are good at hearing, and the deaf are good at seeing. One source of absolute benefit, ten times the use of the teacher; three returns to day and night, ten thousand times the use of the teacher. The mind is born of things, and dies of things; the machine is in the eye. Heaven is gracious and gracious. Thunder and fierce wind, no fool. Blissful foolishness, quiet incorruptibility. Heaven is private, and use is public. The system of birds is in the air. The living, the root of death; the dead, the root of life. Grace is born of harm from grace. The fool is holy in heaven and earth, and I am in the style of time and things. Man is foolish to be holy, I am not foolish to be holy; man is strange to be holy, and I am not surprised to be holy. Sink into the fire and kill yourself. The way of nature is quiet, so the heavens and the earth are born of all things. The way of heaven and earth is immersed, so yin and yang win, and yin and yang push and change smoothly. The saints knew that the way of nature could not be violated, so they controlled it. The path of the most quiet, the law can not be agreed. There are strange artifacts, which are born in Vientiane; Bagua Jiazi, divine machine ghost hiding. The art of yin and yang victory is as good as it seems!
Qi Ju Lang Chen Sui Liang Feng Shu Shu.