The great name of the poet Immortal Li Bai is well known to the world, his poems, heroic and unrestrained, fresh and ethereal, he created the peak of ancient romantic literature, leaving many famous passages to the world.
In his poems, he left a large number of magnificent poems praising the famous mountains and rivers, often described in a majestic way.
But
There are not many characters in Li Bai's poems, but the three pieces of "Qingping Tone" are his rare poems about beauty. Its words are beautiful, elegant and gorgeous, making people recite and forget the shape. Three poems, each capital vigorously touting and boasting of a beauty, and each sentence is a famous sentence throughout the ages.
The full poem is as follows:
"QingPing Tone No. 1": Yun wants to dress and flowers, and the spring breeze blows Revlon. If it were not for the jade mountain head, it would meet the Yaotai Moon.
"Qingping Tune · Part II": A branch of red dew condenses incense, and the cloud and rain Wushan break the intestine. Borrowing from the Han Palace who has to be like, poor Fei Yan leans on the new makeup.
"Qing Ping Tune No. 3": The famous flowers pour into the country and the two are happy, and the king looks at it with a smile. Explain the infinite hatred of the spring wind, and the agarwood pavilion leans on the north to dry.
After reading these three poems, many people will feel,
Li Bai is so fleshy and blunt in touting and boasting, who is he really praising?
I believe that many people have already thought of it,
He boasted about Yang Guifei!
So, how did Li Bai write these three fleshy, straightforward praise poems?
Enshrine Hanlin, fill in the words
Li Baisheng was in the prosperous Tang Dynasty, which was the best era of the Tang Dynasty. But that was the end of the Good Times. Li Bai became a monk at the age of five and began to travel the world at the age of twenty-four, which was the late period of Tang Xuanzong.
At this time, Xuanzong had long since lost his youthful ambitions, began to indulge in pleasures, and was often loose in political affairs.
Although the Tang Dynasty had imperial examinations, they were not mature, and Tang Xuanzong employed people, most of which were recommended and recruited.
At first, Li Bai was also full of confidence in the future, but from the fourteenth year of the new century to the twenty-first year of the new century, Li Bai went through many travels, prayers, slanders, and arguments, and he saw the mountains and rivers everywhere, and also saw the people's livelihood everywhere. He saw natural and man-made disasters throughout the country, and also found that under such circumstances, Tang Xuanzong still increased taxes for pleasure.
After the age of thirty, Li Bai was poor and abandoned himself, so he left Chang'an, lived in seclusion in Anlu, and lived in plowing and studying. At the age of thirty-four, Li Bai suddenly "opened up", and he no longer used political policies to ask for advice, but took a road of "promoting his strengths and avoiding his weaknesses", using the poetry he was good at to knock on the door of the magnates.
In the first month of the twenty-second year of the new century (734 AD), Li Bai wrote the "MingTang Fu" to present to Tang Xuanzong. The article is gorgeous and moving, there are "four doors to open up the world to come, and the examination is to enter the sages." Like an imperial residence and solid, poor and leisurely! " statement.
Li Bai, for various reasons, could not be often lifted and restrained to enter the career path, and he offered the gift for the sake of seeking.
However, because of Li Bai's extremely high literary attainments, his hymns are not as flattering as the general imperial literati, and he still has his personal political ambitions in "Mingtang Fu", and the article praises the grandeur of Mingtang, writing about the majesty of the Kaiyuan prosperous era and the author's political ideals.
The following year, Tang Xuanzong went hunting, and Li Bai once again offered the Great Hunting Gift to seek the favor of the Sacred Heart. The article written about The wise and divine martial arts of Emperor Xuanzong of Tang boasted that this dynasty was far superior to the Han Dynasty, and also catered to the mood of Xuanzong's monasticism.
The article Bo became famous and was also loved by Xuanzong,
However, Tang Xuanzong still did not have any thoughts about Li Bai himself.
Therefore, Li Bai began to use poetry to make friends with the powerful people at that time.
When he paid homage to Emperor Chaozong of Han, he wrote that "I do not need to be born with the title of Marquis of Ten Thousand Households, but I hope to know Han Jingzhou", he presented a poem to Princess Yuzhen, writing, "When to enter the small room, the Queen Mother should meet", when he met He Zhizhang, who had a simple style, directly sent a simple and elegant poetry, He Zhizhang especially loved his "Shu Dao Difficulty".
Although there are many magnates in Chang'an and Li Bai's poems are gorgeous, they are still not cared about. Three years later, he left Chang'an again, when he was thirty-six years old. Until the first year of Tianbao, Li Bai was forty-two years old. Tang Xuanzong, under the repeated recommendations of Princess Yuzhen and He Zhizhang, read Li Bai's articles and poems in detail.
In that year, Li Bai was ordered to enter the palace, and Emperor Xuanzong descended to greet him, and also returned
"Give food to the Seven Treasures Bed, and mix the soup yourself"
。 Subsequently, Tang Xuanzong asked and Li Bai had a question and answer, and Li Bai answered with ease by virtue of his full learning and long-term travel and observation. Emperor Xuanzong of Tang greatly appreciated him, and then asked him to serve Hanlin, and his duty was to write poetry for Tang Xuanzong's entertainment and accompany the emperor. At that time, Li Bai was forty-three years old.
Noble Concubine Tuoyan, "Qing Ping Tone" out
"Qing Ping Tuning" was composed by Li Bai when he was making offerings to Hanlin, and Tang Xuanzong greatly admired Li Bai's literary talent at that time, and whenever there was a banquet or outing, he would definitely order Li Bai to serve around and use his agile poetic talent to give poetry records. Although it is not a meritorious deed, it is also passed on to future generations, and it is praised to future generations with grandeur.
That year, Tang Xuanzong and Yang Guifei were watching the peony flowers at the Agarwood Pavilion, and the people were singing and dancing on the side. Tang Xuanzong was quite interested and said:
"Appreciate the famous flowers, to the concubines, how can you use the old music words?"
Therefore, he urgently summoned Hanlin to order Li Bai to enter the palace to write a new movement.
Li Bai was ordered to enter the palace, that is, to make the first three poems on the golden flower note.
These three poems are gorgeous and elegant, and they are written beautifully, comparing beauty to famous flowers, living color and fragrance. He also wrote about the love of the imperial concubine, the tenderness of the strings, and the sorrow of quietly lamenting the lack of beauty. It is said that on the day of the writing of "Qing Ping Tune", Li Bai was drunk and did not wake up, the noble concubine towed, Lux took off his boots, and then wrote with a stroke of his pen. It is also said that although Li Bai wrote a masterpiece, he was debauched and unruly, and was disliked by Gao Lishi and Yang Guifei, and was eventually disliked by the emperor.
In fact, Li Bai had spent half his life and was only able to wait for Zhao Hanlin at the age of forty-three, and although Tang Xuanzong loved him, he only appreciated his literary talent, and he had no feeling for his political ambitions. At that time, Tang Xuanzong was old, no longer ambitious for managing the country, and only cared about his own comfort and enjoyment every day. Li Bai was already tired of the life of the imperial literati, but he was reluctant to embark on the career path of half a life's struggle.
As a result, Li Bai began to indulge in drinking and having fun, and often drafted edicts while drunk, causing Lux to take off his boots, which caused many people at that time to be angry, and eventually led to Tang Xuanzong's alienation from him. This is like today, even if the big boss usually does not like to go to work, he does not want to see his employees always late and leave early, right?
Li Bai was still very enthusiastic when he made "The Lyrics of the Palace", but he was not so enthusiastic when he made "Qingping Tune".
Rather than saying that "Qing Ping Tone" is dedicated to Yang Fei, it is better to say that it is written for all beauties. Because, from the perspective of the form and performance of poetry, it is difficult to have a labeling determination that it is dedicated to a certain person.
Compared with the poems written by Li Bai before and after to send people,
Whether it is "I don't know Han Jingzhou in my life" or "I love Mengfuzi", he never hides that he writes specific directions in poetry, and "Will Enter the Wine" directly writes "Cen Fuzi, Dan Qiusheng", as well as "Geshu Night with a Knife" that was later ridiculed, all of which have a very strong description of dedication to someone.
Even if the name of the palace concubine is inconvenient to reveal, Bai Juyi can still write a long poem that "the Yang family has a daughter who has just grown up". And Li Bai's Ying Zhao "Qing Ping Tune", although it reads splendid and full of mouth, and even has some flesh and numbness, but it is really impossible to see that it was written specifically for Yang Fei.
It can only be said that Li Bai was lazy, and he perfunctorily wrote three beautiful poems to respond to the system, but it was not written specifically for Xuanzong and Yang Guifei, but only praised the flowers and beauties at the right time.
epilogue
In the third year of Tianbao, Li Bai resigned his official position, and Emperor Xuanzong gave the gold back. The short career of a generation of shixian came to an end, and he once again left Chang'an and never returned. Left behind the words "An can destroy the eyebrows and bend the waist of the magnate, so that I can not open a new face"!