Naran Dreams/Text
"Wind Rises Luoyang" has been broadcast for more than half of the time, putting aside the suspenseful design of the last part of the story, the quality of the whole drama can already be seen in full.
First of all, the advantages, about the production of "Wind Rise Luoyang" has a lot of audience details of the evidence, although it can not be said to be flawless, but at least can also score more than 90 points. Whether it is the magnificent "paradise" or the crowded "Nanshi", these real scenery that exists above history shows a vivid Luoyang City.
Including food culture, clothing culture, etiquette culture, etc., "Wind Rises Luoyang" can also be remarkable in details. This way of bringing history to life with images is indeed becoming more and more popular with a wide audience, especially young people. In the context of cultural self-confidence, it is precisely such a vivid means to replace empty preaching, so that the audience can feel and touch the beauty of traditional culture.
Therefore, if the production level is concerned, "The Wind Rises in Luoyang" can be called a good work, but the comprehensive overall plot structure and other considerations, there is still a big gap with the "divine work" that many people expect.
First of all, the problem of plot rhythm, I personally think that if the overall length of "Wind Rises Luoyang" can be reduced by half, especially the emotional dramas of Baili Hongyi and Liu Qiniang, Gao Bingcang and Wu Siyue are greatly reduced, so that the Shendu squad can concentrate on their careers, it may make the plot more compact and good-looking.
However, considering the huge overall investment of "Wind Rise Luoyang", the investment shown in the Luoyang government public documents alone is 12 million, and it is not unusual to say that the actual investment of "Wind Rise Luoyang" has exceeded 100 million yuan. In order to lengthen the on-demand cycle to recover costs, it is also possible to understand the difficulty of finally making 45 episodes.
The second is the problem of story structure, at the beginning of the opening chapter of "The Wind Rises luoyang", Gao Bingcang, who was still a bad messenger at the time, had all the hope that his brothers who also lived in bad wells could share the gods and the heavens with dignity, essentially to break the class difference contradiction caused by this person.
However, when the sixteenth lady's true body, The Lady, committed suicide, Gao Bingcang's great revenge was finally repaid, and his ambition to let the bad old man and the young man see the light of day suddenly disappeared. After joining Lianfang, he invisibly shifted the core contradiction of the story to the contradiction between the enemy and the enemy between the guardian of the divine capital and the destroyer Chunqiu Dao. The core of the previous supporting story plot is so endlessly interrupted, which makes people feel a little pity.
Finally, there is the problem of character layout. Since the launch of "Wind Rises luoyang", there is a character contradiction line that can make a big fuss. Above the court, the power struggle is always wonderful and full of highlights. In terms of thick lines, the struggle between the wu and li families has a lot to do, not to mention the struggle between the Dali Temple, the Inner Guard, the Lianfang and other power organs, as well as the subtlety of pulling the whole body, which is almost never seen in "The Wind Rises Luoyang".
As for the characters other than the protagonist, each appearance has obvious motives and purposes, so that people can guess the role of these "tool people" in the advancement of the plot at a glance, and lack some of the fun of final enlightenment. However, after all, the series is only halfway through, and I hope that the second half of "Wind Rises Luoyang" can frantically punch the face.