The Yuan Eunuch Thesis, also known as the Provincial Thesis, is a representative cursive work of the Shusheng Wang Xi.
The Yuan Eunuch Thesis is the fifteenth of the SeventeenThs. In his letter, Wang Xizhi thanked Zhou Fu for his greetings to his family, and when he mentioned his wife's condition, he was very worried about her serious illness. The letter also asked about the recent situation of Tao Kan's family and some colleagues.
The Complete Collection of Chinese Calligraphy evaluates the calligraphy style of the Yuan Eunuch Thesis as "very obvious on the flank of the front, and the posture is more likely to have a chapter and grass meaning".
Honey is long,
The picture below is Wang Xizhi's "Distant Eunuch Thesis", please enjoy
Explanation: The province is different, and the small and big questions under the feet are comforting. More parts, read the suspense under the foot, and the sons of Wuchang are also far away. Feet down and in the arms, and the number of questions no? The old woman was sick, saved, and worried. Yu Is safe. Contentment.
The ins and outs of the pen are explained very clearly in the "Yuan Eunuch Thesis", reflecting the richness of Wang Xizhi's cursive lines - the use of opposing factors such as rounding, square folding, concomitant, cutting, weight, and lifting in the pen in the process of starting, closing and moving the pen. Secondly, factors such as the staggered size of the structure and the chapter, the interspersed left and right, the up and down displacement, etc., also increase the sense of movement of the characters, appearing virtual and flexible, full of vitality.
This post is a double hook silhouette filler, which is first outlined with ink lines and then filled with ink, which is one of the ways to copy ancient law books. The volume contains the song huizong thin gold bookmark inscription and the inner house seal, as well as the gold zhangzong "Qunyu Zhongmi", "Mingchang Royal Collection" seal and many collection seals of the Yuan, Ming and Qing dynasties.
This is a letter written by Xi Zhi to Zhou Fu (293-365) of the Yizhou Assassin Shi Zhou Fu (293-365), which is also included in the inscription of the Tang Dynasty's "Seventeen Theses", but the carved lines are relatively stiff, and the fine changes in the penmanship are lacking, and they have lost the original appearance of Xi, far less than the original transmission of the gods.
The following figure is partial:
