Liu Ruyi (1618~1664), a female poet of the late Ming and early Qing dynasties, her real name is Yang Ai, the character is as it is, also known as Hedong Jun, is a famous singer and prostitute who was active in the Ming and Qing Dynasties. Liu Ru's life, I don't know if it is lucky or unlucky. From an early age, he was intelligent and studious, but because his family was poor, he was sold to Wujiang as a maid, and fell into the wind and dust not long ago, and changed his name to Liu Yin.
Liu Ru is a strong personality, integrity and wisdom, bold and powerful, and his reputation is no less than that of Li Xiangjun, Bian Yujing and Gu Meisheng. Liu Ru is really named Ai Liu, because of reading Xin Ren's words: "I see how feminine Qingshan is, and I should be like this when I see Qingshan", so I call myself "Hedong Jun" and "Yu Wu Jun", which is also known as "Wind and Bone Ridge Willow Ru".
Liu Ru was intelligent and studious at an early age, but due to the poverty of her family, she was sold to Wujiang as a maid from an early age. Miao Ling fell into Zhangtai, changed his name to Liu Yin, and traveled between Jiangsu and Zhejiang Jinling in the chaotic world. Because of her beauty and talent, she became a famous Lady of Qin Huai. She left behind many anecdotes and good stories worthy of praise, as well as literary poems such as "Grass on the Lake", "Peng Yin Cao" and "Ruler".
When the Chongzhen Emperor hanged himself and the Qing army occupied Beijing, a small court of Hongguang was built in Nanjing, and Liu Ru supported Qian Qianyi as the Rebbe Shangshu of the Southern Ming Dynasty. Soon the Qing army went south, when the soldiers approached the city, Liu Shi persuaded Qian to throw water with him to martyr the country, Qian pondered and was speechless, and finally walked down the pool to try the water, saying: "The water is too cold to go down." Liu Shi "struggled to sink into the water of the pool", but gave Qian a hard hold. As a result, Qian Qianyi greeted him with a shy face.
Qian Qianyi descended to Beijing, but Liu Stayed in Nanjing. Qian Qianyi became a ceremonial attendant and Hanlin scholar of the Qing Dynasty, and due to the influence of the Liu clan, he resigned after half a year. Later, Qian Qianyi suffered two lawsuits because of the case.
Liu Ru paid bribes on Behalf of Qian Qianyi during his illness, and eventually rescued Qian Qianyi from prison, and encouraged him to contact Zheng Chenggong, Zhang Huangyan, Qu Shiyan, and Wei Geng, who were still resisting. Liu's full support and comfort of the anti-Qing rebels showed her strong patriotic national integrity. Qian Qianyi's downfall should have been criticized by future generations, but relying on Liu Ruyi's righteous deeds, people's antipathy towards him was diluted.
In terms of literary and artistic talent, Liu Ru can be called the first of the "Qin Huai Eight Yan". Calligraphy and painting are also famous, her paintings are skillful and simple, beautiful and beautiful; calligraphy is deeply appreciated by posterity, calling it "an iron fist with a silver hook, once collected the magic trace". When Qian Qianyi died in 1664, Liu Ru was not yet fifty years old, and from then on, bad luck befell Liu Ru.
The villagers gathered to seize Qian's humble property, and in order to protect the Qian family's property, the Liu clan sucked blood and made a will, and then removed the filial piety belt from his waist and committed suicide, which was extremely tragic. A generation of charming women, xiang disappeared jade, and the resentment could not help but be caused, and at this time it was only two months after Qian Qianyi's death.
According to historical records, Liu Ru was "short, handsome at the end, alert in sex, and bold in his actions." Because of her own identity and the environment in which she lives, she can earn a living alone in Jiangnan society, and she has more freedom of movement and more knowledge than the famous bridesmaids, so Liu Ru has a unique insight into human affairs.
Liu Ru has the advantage of surpassing ordinary women, not only is she admired by people, but she also has a special position of equal treatment in the feast of Confucian inkers, and even some people publish poetry collections for her. For example, Liu Ruyi's "Ruler" and "Grass on the Lake" were printed for her by one of her close friends, Wang Ruqian, for posterity.
Wang Ruqian was not only a wealthy businessman, but also a talented man who was proficient in the rhythm of golden stone music and good at poetry. He highly admired Liu Ruyi's literary talents, believing that she was a female haojie, and often invited Liu Ru to participate in the poetry and wine gatherings of Wuyue celebrities. In their correspondence, Liu Ru called himself "brother" and Wang "sir".
Lin Xue, a female writer of the Qing Dynasty, praised in "Liu Ru is a Ruler small introduction": "Lang Lang has thousands of words, yan has passed through the Six Dynasties, and has a deep love class, Cai, and many strange people." The most representative work of Liu Ru's style of words and texts in "Ruler" is "Tasha Xing Hua Trace Moon Piece": "Flower Trace Moon Piece, the head hates the tail, and the book is no longer tearful." Written as suddenly blown by the clever wind, the clever wind blows shatter people's intentions. The half-curtain lamp flame is also like dream water, and the soul is illuminated by a person. When he opened it, he thought very much, because his little dream was difficult to see. ”
Many talented celebrities read Liu Ruyi's poems with admiration, and even praised her as a female middle-ranking leader: "Who comes to heaven to live in a good building, and the word Han can be a female head." Thirty-one new rulers, more windy. Liu Ru is the poem "Grass on the Lake", because it "gets rid of the red boudoir powder", it is also highly respected.
After reading it, the late Qing Dynasty master Of Traditional Chinese Studies, Wang Guowei, not only sighed for Liu Ruyi's poetic talent, but also excited about her heroic male courage, and once wrote three poems with a pen, the third of which reads: "The middle of the road obeys the power of the qi, and the brothers call each other without doubt." Mo blamed the daughter for being too abrupt, and the Thistle Gate Pilgrim had several eyebrows. "What is written in the poem is a good story of Liu Ru's self-selected Lang Jun.
The song "Jiang Chengzi Yimeng" shared today was created by Liu Ru in the second half of his life. Because there is a very clear image of the sweetheart in the word, I think I must have fallen in love with Qian Qianyi at that time. In a brief parting, Liu Ru dreamed of Lang Jun's figure, and when she woke up, she sighed and wrote down this deeply affectionate word.
Jiang Chengzi Yimeng
Ming Dynasty: Liu Ruyi
The dream was a sad road. Hibiscus tears, cherry language.
Full of curtains of flowers, they are all misunderstood by people's hearts.
Don't cover the storm tonight. If you want him to come, will you come?
Arrange unlimited soul-destroying events. Red letter, Aya quilt.
Leave him alone, go and let him go.
There are still many times when people are close and sad to return.
The first sentence begins with a pen to write about the scene in the dream, "The dream is a sad road", in the dream, I dreamed of a sad road. What roads? Of course, it is the way to send him goodbye when he is separated from his sweetheart. Even in a dream, I couldn't bear the sadness of watching my sweetheart's back slowly fade away, so I woke up. When you wake up, what do you see? Seeing hibiscus like tears, cherry whispers, and flower pieces full of curtains, all seem amorous because of the sadness of people's hearts. This is a sentence in which dreams turn into reality.
In the last sentence of Shangxiao, Liu Ru opened the curtain, and the night outside was already dark, and the wind and rain were mixed. At this moment, how long Liu Ru, who is alone in the empty house, is eager for someone to be by her side. But she also knew that it was impossible, "If you want him to come, will you come?" The six words are written entirely in colloquial language, with sorrow, anticipation, and a faint sense of contemplation and despair. Because of the sweetheart, you can't come.
From the beginning of the next step, it is the venting of pure emotions. "Arranging infinite soul-destroying things" is the general leader, who has prepared countless kinds of "pleasures" for him; rosy letterheads and green silk bedding are all carefully arranged by Liu Ru. "Leave him alone, go and let him go." However, his own careful arrangement still can't keep a person who wants to leave, so let him go. It can be imagined that Liu Ru, who wrote this sentence, should have stacked up how much disappointment in his heart.
"There are still many times when people are close and sad to return." Alone at home, there is no pastime to do, just a silent calculation of the date of the return of the sweetheart. However, once I have calculated clearly and found that there is still a long time to go, the thoughts in my heart will become more and more exuberant and restless.
Throughout the whole word, there is a unique woman's mind in the line. Unique perspective of scene writing, delicate psychological conception, and spoken poems with each sentence on the top and bottom... All the elaborate designs serve the expression of emotion in the words, creating a vivid image of a woman who is close and tangible. Then man's thoughts are like being in front of his eyes.