As a popular IP costume masterpiece, "Knife Line in the Snow" has been pinned high hopes on fans of book fans since the beginning of filming. However, after the broadcast, the audience found that the adaptation of "Knife Line in the Snow" did not seem to be very popular. The green filter comparable to the eye protection mode, the slow-motion play action, the slow pace of the plot... Almost all-round is a slot point, even the screenwriter Wang Ti is almost pulled off the altar, which can be called an epic "rollover".
In fact, from the production team to the cast, "The Knife In the Snow" is the best of the best, director Song Xiaofei is a professional photographer, representative works include "A Generation of Grandmasters", "Beijing Love Story", etc., and is also the director of the "Love Saint" series. The actor has many drama bones to join, and thought that he could create a male frequency explosion with the same height as "Qing Yu Nian", but the screen was full of bad reviews, and he could not help but regret that he had "ruined" an IP.
However, these slots in the play are not impossible to avoid. After the trailer flower aired, in July, some viewers have already reported that the filter is too green under the director's Weibo, hoping to make adjustments, and more than one audience member mentioned it.
In an interview with the director in August, it is even clearer that the director has insight and anticipated the problems that will arise in the play, but still insists on his own opinions.
Song Xiaofei and his partners are all from film backgrounds, so they are making TV series with the process of making movies, but the shooting rhythm of the film is obviously slower than that of the TV series, so they immediately adjusted the shooting rhythm, issued a military order, and resolutely completed the shooting within 150 days. In such a state of "rushing work", whether the quality of the work can be guaranteed really has to draw a question mark.
The audience deeply complained that the fighting action was too slow, and the director had his own understanding early on, saying that the play of this drama was a combination of traditional martial arts and fantasy, and wanted to be more freehand, pursuing a sense of elegance, and not pursuing the action scene of fist to flesh. He even made an analogy to a novel, saying that martial arts need to "leave blank", have imagination, and "let the audience think about what just happened".
"Knife In the Snow" is still shot with a movie camera, and the original film has no color and is gray. The audience sees the green filter because the director considers that the story takes place in Jiangnan and reflects the effect of green grass, so let the green component be a little more. And this "eye protection mode" that makes the audience complain endlessly is actually completed after detailed analysis and assumption in the early stage, and the complex color grading is completed in the later stage.
Even the "slow pace" point, the director also thought of. But he doesn't feel that a few minutes of a climax, a few minutes of a turn can make the audience buy it. He thought about "cultivating" the patience of the audience to watch the play, so that the audience sat in a chair to watch.
Even the meaning revealed between the words seems to mean that the audience should not take the mobile phone to watch this drama, but should go to the screen to watch and enjoy the effect of the big screen. (Audience Insider OS: Are you teaching me to do things?) ）
The director vigorously emphasizes how much he pursues texture and how careful he is, but the words are all requirements for the audience, revealing an unparalleled sense of superiority. Anyway, after reading the whole article, I realized one point: it is not that "The Knife in the Snow" is not OK, it is that this audience is not OK. Netizens can't stand it after watching it, and they have complained: "Understand, it's all the audience's pot, the audience doesn't understand." "The audience level is not good."
I don't know if the director of the film has a downward mentality to make a TV series, but if you want to retain the audience, you must at least listen to the voice of the audience. How can this kind of closed-door construction and not listening to the audience's feedback be able to make a work that satisfies the audience?
And where is the sincerity of the director reflected? Such a male protagonist can let the audience have the patience to watch slowly in the big night?
The ginger in the original book is better than the praise, is the director convincing?
The affectionate Gao Weiguang completely lost the immortal spirit of the "Emperor of Donghua" in "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", and it was also believed that "Chen Pingping" who had become younger was also believed.
Ning Rongrong, who is delicate and spirited, seems to be a round older in this drama.
The TV series is filmed for the audience to see, and whether it is good or not is up to the audience. Or I hope to respect the aesthetics of the audience, not always a high posture, and touch the ground.
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