"Bodhisattva Man Pinglin Desert Smoke Weaving"
Don Lee Bai
The plain forest is full of desert smoke, and the cold mountain area is sad and blue.
Twilight into the tall buildings, some people upstairs worried.
The jade steps stand empty, and the birds return to the flying fast.
Where is the homecoming? The long pavilion is shorter.
This song and "Remembrance of Qin'e Zhensheng Pharynx" are known as "the ancestors of hundreds of generations of songs". Through the depiction of the late autumn scenery of Pinglin and Hanshan, and the image of imagining the family's longing for home, he expresses the love of the two places of wandering children and women.
"Remembrance of Qin'e Zhensheng Pharynx"
Qin E's dream broke Qin Louyue.
Qin Louyue, every year willow color, Baling wound farewell.
Leyouyuan on the Qing Autumn Festival, Xianyang Ancient Road sound dust.
Sound and dust, the west wind is still shining, and the Han family is lingque.
The first piece of this word writes that Qin E's parting sorrow and hatred, and the next film jumps out of personal emotions, nostalgic for the past and the present, and exhausts the tragedies shared by many years and generations, with a deep charm and a sad atmosphere.
Sauvignon Blanc
Don Bai Juyi
The water flow, the Surabaya stream, flows to the ancient dutou of Guazhou.
Wu Shan was a little sad.
Think about it, hate it, hate it until the time comes.
The Moon Ming people lean on the building.
The whole word is written "love" with "hate", and the simple and fluent language and harmonious rhythm are used to express the pain of the characters' lovesickness and parting pain.
"Dream Jiangnan • Lan Ember Fall"
Don Huang Fusong
Blue embers fall, dark red bananas on the screen.
Idle Dream Jiangnan Plum Ripe Day,
Night boat whistle rain Xiao Xiao, people talk about the side of the bridge.
The whole word is written from the artificial picture on the indoor screen to the real natural picture of the outdoor Jiangnan water town, from visual to auditory, novel in conception, quiet in mood, and both dynamic and static.
"Fishing Songzi Egret Flying In Front of Mount Cissé"
Don Zhang Zhihe
Egrets fly in front of The Cissé Mountains, peach blossoms flowing water mandarin fish fat.
Green straw, green coat, oblique wind and drizzle do not have to return.
Green mountains in the rain, fishing boats on the river, blank herons in the sky, red peaches on both sides of the strait, bright colors but soft, the atmosphere is quiet but full of vitality. The whole word is brightly colored and the language is lively, vividly expressing the fisherman's leisurely and comfortable life interest.
"Laughing Order Huma"
Don Wei Yingwu
Huma, Huma, far down the Yanzhi Mountain.
Running sand and running snow alone, looking east and west to look at the road fans.
Lost, lost, edge grass endless twilight.
This poem depicts a picture of a steppe horse, expressing a feeling of confusion about life and where to go. In the words, first write about the grazing place, then write about the lost look, and then write about the grassland scenery, placing the lost horses in the vast and dim background.
"Laughing Order, Side Grass"
Don Dai Shulun
Side grass, side grass, side grass to the soldiers.
The mountains and mountains are snowy in the north, and the moon is bright for thousands of miles.
Bright Moon, Bright Moon, Hu Di let out a sad voice.
This is a small order that reflects the sentiments of the border guards, and this kind of subject matter is innumerable in Tang poetry, but it is rare in words. The whole word does not appear homesickness, but the sentences revolve around this theme, which is characterized by the use of scenery to set off the strong uneasiness of the homesickness.
"Qingping Le Painting Hall Morning Rise"
The painting hall rises in the morning to report that the snowflakes have fallen.
The high roller shutters look at Jiarui, and the bright color is far away from the garden.
The gas light leads to the furnace smoke, and the grass is cold and jade.
It should be the Heavenly Immortals who are drunk and crush the white clouds.
This is a heroic, magnificent, and novel chant, full of life interest. "It should be Tianxian who is drunk and crushes the white clouds", bold and novel, novel and unique, shocking and vulgar and extremely reasonable, which is the romanticism that embodies Li Bai's style.
"Eighty-Six Sons , Cave House Deep"
Don Du Mu
The cave is deep, the picture screen is illuminated, and the mountain color is condensed and heavy.
Listen to the cold drops of the night rain plantains, break the red window good dreams,
Dragon smoke fine flutter embroidery. Resignation long return to the long letter,
The phoenix tent is sparse, and the pepper hall is idle.
Infested with moss. The embroidery curtain hangs, and the dan ban is delayed.
Shunhua stole, Cui Was ashamed,
Sitting sadly, The Golden Opinion gradually drifted away.
When will the battle return?
As the soul was being dissipated, the sycamore moved to the green yin.
Although the whole word is written to depict the situation of the palace concubine's loss of favor and happiness, the delicate depiction brushstrokes of its image show the author's artistic ability to imitate the feelings of the object, and the whole text is tactful and lingering, with twists and turns.
"Bodhisattva Man Climbing the Tower and Looking at the Qin Palace"
Don Lee Ye
Climbing the tower and looking at the Qin Palace, I only saw the double flying swallows in the vast expanse.
A stream of Weishui, a thousand mountains and ten thousand hills.
Wild smoke cages green trees, strangers go up and down.
Ander has a hero and returns to Ouchichu.
This poem is not adorned, with the method of turning fiction into reality, truly revealing his sadness when he was expelled from the palace and stopping Huazhou, reflecting the turbulent political situation at the end of the Tang Dynasty from one side.
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