History is not only a volume of curly yellow pages, but also a folk oral story, but also the condensation of the spirit of precious cultural relics, ancient art on the cultural relics to shine a new brilliance, as if the spirit of the nation is also integrated into it, into the museum, the oncoming ancient style is fascinating.
From the prehistoric era to the Chinese civilization took root and sprouted, and gradually grew into a tree that has stood firm through the wind and rain for a long time, too many magnificent or sad historical stories have been witnessed by cultural relics, which is why we can find our own spiritual sustenance from an artifact.
It is said that China's "land is big and rich", this "bo" naturally includes cultural relics, many cultural relics have been unearthed because of accidents, or construction, or inadvertently discovered, such as the Four Sheep Fangzun was dug out of the soil by several farmers in 1938, and was included in the National Museum after several turns. But have you ever heard of digging up an entire museum collection at once?
In the autumn of 1991, Wen Bizhen, a villager in Jinyu Village, Nanqiang Town, Suining City, Sichuan Province, lost her husband, and the couple had a deep relationship with each other for many years, and she finally wiped away her tears after crying several times, planning to find a good place for her husband to bury. Many rural areas have the custom of asking Mr. Feng Shui to see the tomb, and this time, the tomb site selected by Mr. Wen Bizhen is located in his own vegetable garden.
Originally, wen Bizhen did not need to do the digging of the grave, and her husband's brother Wang Shilun had already found a few people to help, but she insisted on doing something for her husband, and Wang Shilun did not continue to block her younger sister. Several people worked together, and the grave was soon almost dug, but Wen Bizhen was still a little dissatisfied, she thought it was too small, and insisted on digging some more to the north.
Who knew that under this digging, it seemed to have encountered something hard, Wen Bizhen pulled the soil away a little and looked carefully, it seemed to be a bronze ware, some old, looking at it had been old. Everyone looked at each other, and they didn't know what it was, but when they dug to the side, they found similar artifacts, and everyone understood that there should be a lot of old things hidden in the ground, which may be cultural relics!
Wen Bizhen and Wang Shilun discussed it, thinking that these things appearing in their own vegetable garden may not be a good thing, in case it is not good to recruit people with hearts, it is better to call the police to turn in, and ask experts to see what is it. Before the arrival of the archaeologists, Wen Bizhen continued to search in the soil, and found that the number of artifacts underground seemed to be really quite large, one in the east and one in the west, and she did not dare to leave at will but to guard.
Soon the archaeological team came to the Wangjia vegetable field, according to their analysis, this may be the treasure buried by the landlord's family in the past, the porcelain that has been dug out by Wen Bizhen is old, it should be an object of the Song Dynasty, but how much is there underground? They quickly sealed off the site to carry out excavation work, this comprehensive excavation does not matter, it turns out that this place is really a treasure trove, and the number of Song porcelain unearthed has reached 985 pieces!
In addition to Song porcelain, there are also bronzes and stone carvings, a total of more than a thousand pieces, this archaeological discovery caused a great shock in that year, who could have imagined that the inconspicuous vegetable underground was actually "Song Porcelain Cellar"! This is the origin of the large collection of the Sichuan Song Porcelain Museum (originally the Suining Museum), and the Sichuan Song Porcelain Museum, as the thematic Chinese Song Porcelain Museum, has a stunning collection of exquisite porcelain.
The hometown of porcelain was originally in China, the original porcelain has appeared more than 3,000 years ago, and the artistic value of Porcelain in the Song Dynasty has always been at the forefront of all generations of porcelain, the development of culture and art in the Song Dynasty is very prosperous, and the development of famous kiln porcelain is also more mature.
The Sichuan Song Porcelain Museum's "Treasure of the Town Hall" blue-glazed lotus-shaped lid jar was excavated from this unexpected discovery. Even if you have no understanding of porcelain, you can see from the appearance that the emerald color is full of color, the glaze color is warm as ice as jade, the shape is beautiful, the style is elegant, the cover edge is like a lotus leaf field, its height is 31.3 cm, the width is 23.8 cm, you can imagine how beautiful the Song Dynasty literati would have placed it in their homes.
This is the southern Song Dynasty Zhejiang Longquan celadon in the upper finest, not only the largest pot shape, but also the only one in the Song porcelain that has been excavated so far, this lotus leaf lid shaped jar, looking for no second piece in the world, it can be seen that its preciousness! Usually it is called the three national treasures of Chinese porcelain together with the Yuanjingdezhen kiln blue and white phoenix head flat pot and the Qianlong imperial enamel color pounding bottle.
Southern Song Dynasty Ding kiln and Sichuan Pengzhou, Jiangxi Jingdezhen and other famous kiln fine works also appeared in the excavated cultural relics, in addition to the blue glaze lotus leaf shaped lid jar there are 37 first-class cultural relics, second-level cultural relics and third-level cultural relics more than 700 pieces, only the green and white glaze fine products have lotus petal pattern lid bowl, three-legged toad foot cup, tangle flower pattern plum bottle and other styles, which shows how the song dynasty porcelain innovation and aesthetics reached the pinnacle.
The Suining Song porcelain age spanned the 100 years from the Northern Song Dynasty to the Southern Song Dynasty, and was worth a lot, but Wen Bizhen and her family did not choose to hide them privately, but decisively handed them over, for which they received a reward of 500 yuan that year. After learning the preciousness of this batch of cultural relics, Wen Bizhen did not have any regrets, but was glad that she had reported it in time and inadvertently became the guardian of the national treasure.
Not only was she praised, but her husband was given a special burial ground. To this day, the Song porcelain cellars of Goldfish Village are still quietly displayed in the museum, and after nearly a thousand years, the accumulation of Chinese civilization history and art displayed on them has amazed countless tourists.