Dong Qichang's "Records of the Official Wall of Linzhang Xulang", collection of the National Palace Museum in Taipei. The scroll "Great Emperor's Seal" was used after the fifth year of Chongzhen (1632) at the request of Emperor Zhan. Dong Qichang came to the homes of the family, created mysteries alone, and asked his gods to be similar.
This section is approaching, slightly with the meaning of Zhang Shu's rigorous penmanship, the knot is calm, the pen is vivid, and it shows the original style of writing in his later years. This work is called Linzhi, in fact, there is no similarity with the "Langguan Biji", which is completely Dong Qichang's own style.
Dong Qichang's calligraphy imitates the concept of creation, advocating that the book is "intended to be", pursuing the writing effect of "dangerous and strange", and emphasizing the "turning beam" of the pen. Running through these three is the idea of active change, and when taking the change of the atmosphere as his own responsibility, Dong Qichang runs at both ends of the "division" and "creation", and tries to achieve the separation and unification of the two with idealized efforts. In fact, because Dong Qichang did not really understand the Jin and Tang Dynasties in internal theory and comprehend the inner spirit of Wei and Jin calligraphy, he could only grasp the writing from the external form, and "dangerous and strange" and "turning the bundle" became the main pursuit of his knot and pen. In this process, personal habits will undoubtedly be formed, and it is impossible to further improve oneself. Fortunately, Dong Qichang's inner temperament guaranteed his image and style as a literati and scholar.
Dong Qichang Pro
"Zhang Xulang Guanbi" axis
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Zhang Xu
"Langguan Stone Pillar"
"Langguan Shizhu Record" also known as "Langguan Hall Wall Record", written by Tang Chen Jiuyan, Zhang Xushu. Tang Kaiyuan was founded in the 29th year (741 AD) in Xi'an, Shaanxi. This stone has been engraved at the time of the Song Dynasty. The font takes Ouyang Inquiry and Yu Shinan's penmanship, dignified and rigorous, not losing the rules, showing the subtlety of the calligraphy, "Langguan Stone Pillar Record" is the most reliable Zhang Xu authentic handiwork, the original stone Jiuyi, handed down only Wang Shizhen's old collection "Song Tuo's orphan book", is extremely precious. This stone has been engraved at the time of the Song Dynasty. Ming Dong Qichang was once engraved in the "Drama Hongtang Post".