Pie face" is not a good word.
It refers to the appearance of a wide and flat feature, and the facial features lack bright spots, but when it is associated with "beauty", it becomes a unique beauty. Even the entertainment industry that respects the slap face has never lacked the "big cake face beauty" with a silver basin. Especially in the old movies of the early years, actresses with rounded faces and bright eyebrows abounded.
For example, Jiang Lili in "Red Peony" has a beautiful face that is rich and bright. The eyebrows are dark and verdant, the eyes are bright and pure, the smile is bright and brilliant, and the grace and magnificence are both gorgeous and cool, and the real is as bright and feminine and full of vitality as the theme song is sung.
The costume shape of the bun and cloud sideburns is like a dignified and noble famous boudoir, smiling and flowering, graceful and picturesque.
A cry of "Imperial Brother" aroused the daughter of Tang Monk, King Zhu Lin, who was also a long eyebrow and watery eyes, and her face was like a full moon. Only such a face can not only support the queen identity of the character, but also deserve the unique style of the role setting.
There is also Zhang Li, who played Xue Baochao in the old version of "Dream of the Red Chamber", who has a bright and round appearance, and after fusing with the character modeling, she is the Bao sister who came out of the original work with "her face is like a silver basin and her eyes are like water apricots".
Because of the original actor's resignation, Deng Jie, who was able to become Wang Xifeng, played the character's spicy astute, astute, luxurious and beautiful. The makeup artist restored the hanging eyebrows according to the original setting, diluted the soft roundness of Deng Jie's appearance, and increased the sense of "pink face with might" belonging to Wang Xifeng.
Later, YiFei, played by Deng Jie, returned to her true colors, with curved eyebrows, bright eyes, apricot face and peach cheeks, and occasionally showed a little petite anger in modesty.
Lin Fangbing, who let Yang Guifei walk out of the historical picture scroll, although he had worked hard to gain weight for the role, he also needed to have a foundation similar to the role. Although she is slender and thin, her face is plump and full, soft and beautiful. Therefore, after changing the weight, it can fit perfectly with the character image and achieve the effect of being gorgeous and luxurious, plump and not fat.
Zhong Chuhong in "Xia Yu Fang Hong" is a sexy goddess in the hearts of countless people.
Round face, round eyes, curly hair and red lips, and endless charm between smiles. It is no wonder that dancing in "Across the Sea" can make the audience under the screen "shy" and indulge in the charm of red beans.
With a unique singing style, Teresa Teng, who has poured thousands of listeners with a clear and rounded and resilient singing voice, has a really round and plump face, but it is also really beautiful. Gentle with gorgeous, sweet and delicate, this kind of appearance without any offensive power, it is really easy to win favor.
Yang Lijing, who debuted in the image of "beating women", has nothing to do with her appearance and delicacy and softness. Especially in the shot, the already large cheekbones and jaws are magnified. But even so, Yang Lijing is still a well-known beauty who has stunned the big and small screens. He is heroic, his eyes are clear and determined, and his beauty is particularly distinctive.
Like Yang Lijing, she needs to use her style to cover up the lack of face shape, but it is still beautiful into the highlights of many people's memories.
Tao Hong's appearance and temperament are very atmospheric, but the large face shape has become a short board when starring in costume dramas, and it needs to be covered up with the help of modeling. For example, the bright moon heart in "The West Wind of The Horse Roaring" is the princess Che Jia forehead ornament, which is very in line with the character's petulant and spontaneous nature. And Chu Chu in "Wind and Cloud" is a long bangs and floral hair ornaments, which looks delicate and innocent.
Chen Huilin, who has high cheekbones and a wide jaw, is not a "standard beauty". Even if you are starring in a fashion drama, your face plate looks bigger than others, and it has nothing to do with Gu Yunmei. But the posture is straight, the temperament is fashionable, and it is full of famous big misses.
Chen Hong, who has always been known as a model of the ceiling of the mainland film and television circle, is also a beautiful woman with wide cheeks and bright eyebrows.
The actors are beautiful and bright-eyed, bright as the autumn moon; playing a foreign girl is beautiful and clear, and the beauty is natural. The originally rich facial features, in the smooth and smooth curves of the face, have become a "beautiful and beautiful Ruo Guizhang" that is not charming, beautiful and vulgar.
Ye Xuan, who won the Most Classical Beauty Award in the beauty pageant, broadened the drama path because of her large face, so that she appeared in men's clothing with her own heroic sharpness, which was a little more convincing than the slap-faced actress.
Therefore, the former can be famous because of Meng Lijun, and later can be remembered because of the begonia, even if the image is not as good as before, with the blessing of these classic character filters, it is unbearable to hate.
Yu Feihong, who played his aunt in "The First Incense", rarely charmed him on the screen. When she starred in her first film at the age of 8, she was never a small-faced beauty.
Yu Feihong's beauty is dignified and atmospheric, calm and calm, or intellectual elegance. After blending with the role, she can be both noble and beautiful, but also spicy and strong, no matter what identity is set, she can always be remembered by the audience.
Chen Yanxi, who caused ridicule from netizens because of playing Xiaolongnü, actually just picked the wrong role. As long as you don't hard paste a cold and fairy-like character, it is still an elegant and fresh, natural and affinity beauty.
Thick eyebrows and clean cat eyes, with the two-point pear swirl that looms around the mouth when laughing, in the warmth and peace of the neighbor's big sister, there is a little bit of the petite shyness of a little woman.
Jeon Ji-hyun, who was once accused of being "cheating" without long hair, also had the problem with her face, which was not so clear and clean. But the plump apple muscle and fleshy nose make her sense of age lighter than many of her peers, and there is no sense of violation of the "two thousand" at the age of 32.
Not to mention the girlish feeling that almost overflowed the screen when she was in her 20s.
Xin Zhilei, who played huang yanyan in the newly released "Antiques Bureau Central Bureau", also has an impressive big face plate. Coupled with the resolute eyes and rich red lips, among the awl-faced actresses produced by today's assembly line, it is really beautiful to become a feature and beautiful to become a clear stream.
Acting in "Yangtze River Map" was praised by the director as "Buddha", the bright heroism of the red girl is unforgettable, and the Ding Baiyi she played in "Embroidered Spring Knife 2", the tough and sharp and proud knife, but also broke the martial arts dream of many actresses.
Looking back at the past and looking at the present, the standard of beauty has never changed.
Compared with the seemingly perfect combination of melon face, big eyes, and smiling lips, the audience's favorite is always the natural style of unadulterated. Bright or graceful, beautiful or beautiful, heroic or gentle, any kind of scenery can be its own scenery, touching people's hearts.
The premise is that there must be recognition, otherwise it is just copy and paste. Just like a painting, the hand-painted version is still unique with flaws, and no matter how exquisite the batch printing is, there is no soul.