Introduction: As an emperor, Emperor Huizong of Song zhao yao was undoubtedly a failure, but he was not a vulgar person, let alone a vulgar disciple, and he also fantasized about rectifying the devastated Great Song Dynasty. His heart is as sharp as his words, although he is on the verge of danger, but he also shows his unique personality. The emperor should be more domineering, and it is this sharpness that makes the thin gold body more attractive.
The world is full of flowers
"One Man in the World", the personality signature of Emperor Huizong of Song. The ancients called it Hua Shi, which was used for the inscription of calligraphy and painting works.
No one knows why he wrote such a flower bet, idle a few strokes, but the two horizontal but far apart, one stroke after another, as if falling at random.
But the four words "one person in the world" may only be borne by him.
Only he, the Great Song Dynasty, was ruined, and he himself became a prisoner of the order, and died in a foreign country. He is the only one who has pushed his own aesthetics to the whole of China, and even influenced the millennium.
For many years, people had mixed reputations for him, hated him for his death, but could not ignore his peak aesthetic achievements.
Emperor Huizong of Song was a fatefully misplaced emperor, and historical misunderstandings pushed this person who should not have been an emperor according to the feudal imperial succession system to the throne of the emperor, he seemed to be the lucky one of history, but history abandoned this lucky person, making him bear the indissoluble crime, becoming a prisoner of subjugation, and finally dying in a foreign country and becoming an outcast of history.
It seems inappropriate to use the word "faint" to describe Song Huizong, who estimated that he was not a vulgar person, let alone a vulgar disciple, and had also fantasized about rectifying the devastated Great Song Dynasty. As for Emperor Huizong of Song eventually becoming a subjugated monarch who did not sympathize with political affairs, and was criticized by future generations, it should be a different matter.
As we all know, the Northern Song Dynasty at that time had been weak for a long time, and not only did it no longer have the courage of the Han people to expand the territory and loosen the stone Yanran, but also lost the courage of the Tang people to 'make the dragon city fly and not teach Humadu YinShan'. Under such circumstances, it is unrealistic to expect Emperor Huizong of Song to rejuvenate his magic hand and turn the tide against the tide. However, Emperor Huizong of Song later squandered and profligated, expelled the sages, built a large number of civil engineering projects, and indulged in Taoism, which made a country that was already weak and poor even more mournful and boiling with people's resentment, and intensified the pace of the fall of the Northern Song Dynasty.
If he could do as he did when he first ascended the throne, he would have worked hard and diligently; if he could have been able to raise the ranks of the elite and not be surrounded by the xiaoxiao; if he could learn the lessons of the kings of the fallen countries in history, the Northern Song Dynasty might have been able to prosper, at least not be destroyed by the Jin Dynasty. Unfortunately, this period of Qingming politics was only a flash in the pan and left little trace in history.
Although Emperor Huizong of Song was absurd, he did not write something like the former Shu Wang Yan's "This side goes, that side goes, just looking for flowers and willows." Go over there, go over here, don't be tired of the golden cup of wine" such low-style words; there has never been such an explicit feeling as Li Hou's lord "it is difficult for slaves to come out, and teach Lang to be merciful." His pathetic "Yanshan Pavilion" is comparable to Li Hou lord's "Broken Array".
Emperor Huizong of Song and Lord Li Houzong have striking similarities in talent, temperament, and even ending. However, in addition to poetry and calligraphy, Li Hou lord had no power to govern the country, and the fall of the Southern Tang Dynasty was expected by people.
Unlike Song Huizong, with his talents, he could have governed the country with ease, but in the end he staged a tragedy of leading the sheep by the neck and descending, at the age of 46, he was escorted north by the Jin people, and wandered to Beijing, Inner Mongolia, Liaoning, heilongjiang, miserable wind and rain, not to mention Ningju, at the age of 54, he quietly gave up and was buried in a foreign land.
Emperor Huizong of Song was undoubtedly a failed emperor, but a successful calligrapher and painter. He made a very important blend of calligraphy and painting, creating a thin gold body with a unique style.
Paintings are written, words are drawn... Since ancient times, the pen and ink of calligraphy masters have been appropriately described as abundant. And Zhao Tuo's "thin gold body" is an original creation in the history of calligraphy, although many people imitate eight or nine percent of the shape, but there is no one percent of the god-like, because his thin gold body is separated from flesh and blood, and the bones and muscles exist alone.
Emperor Huizong of Song was fond of cranes, and not only painted cranes as the subject matter, but even the creation of calligraphy was also rich in crane rhyme. In the process of writing, he all reflected the limbs of the crane and the posture of the crane, and even exaggerated the penmanship of the calligraphers such as bamboo knots and crane knees at the turning point to convert the sick pen into another style.
For example, the inscription of "Ruihe Tu", its calligraphy uses a long horizontal closing pen in the pen, a vertical dun pen and its turning points, which seem to have "falling tail" and "crane knee", and the strokes show the fine tendons of the crane neck and the crane's feet everywhere. This is the original "thin gold body" created by Emperor Huizong of Song.
However, his thin gold body is incomprehensible to the world, and some people regard it as vulgar and full of craftsmanship, as if it were an art word. However, if you taste it carefully, you can find that the brush strokes of the thin gold body are sharp and deep, the pen is slender and powerful, the speed is also rapid and fast, the pen has the style of writing, and the flow of momentum is quite imposing, comfortable and gorgeous, highlighting the beauty of the rhythm of life. All kinds of strokes are brilliant and beautiful.
Both horizontal and vertical strokes seem to be cut with a fast blade, and the high tension and urgency of sending the pen makes the strokes become slender and urgent lines, and the strokes are often frustrated when the pen is closed. Horizontal painting is light and then heavy, and although the stroke is thin, it is inevitable to do the best of the thickness change, which is delicate but steady. The vertical painting is like a long sword, the ears are thin, and the spirit of the wind and bone is not lost in the slightest.
Skimming the painting is like a graceful green tree, sometimes leaning out, sometimes following the trend, but the side is good or not, it is beautiful just right; the painting adheres to the appearance of Huang Tingjian's cursive writing, the shape is flowing and flowing, like the trend of the clouds and the sun, worthy of the spirit of the calm stroke of the gods.
Qi Yun has the characteristics of natural nature, it focuses on the natural and authentic state of life, emphasizing the free and free expression of the true color of life. In order to master the charm at a higher level, it is necessary to be seemingly free to do what you want, free to wield, and in fact to conform to the laws of beautiful creation.
The knot body is mostly long-shaped, the tail hook appears particularly sharp and sharp, its strokes are slightly concentrated in the upper half, pay more attention to the layout of gathering and dispersion, and adopt an open structure, which is complete and beautiful, and the whole text is strict, meticulous, and integrated.
In short, this asana shows the steps of the pen without any disguise, so if it is not a fast pen and skilled, it will lose the refreshing wind god. Through the combination of dot paintings, the Thin Golden Book makes the works transcend the limited form and rise to a realm of immortal wind Dao bone, imperial crane wind, and flowing clothes.
epilogue:
The thin gold calligraphy created by Emperor Huizong of Song is a miracle, in the history of the splendid gathering of famous artists, he is so abrupt that people will never forget, and in an instant, his brain is wide open, and he is not convinced of the high standard of the wind god of his thin gold book body and recognizes him as a person in the world.
Especially when he was only 22 years old, he created a thin gold body in the thousand-character text he wrote, and easily established the status of Qianqiu.
This phenomenon has never existed in ancient times, and it will be difficult to repeat it in the future. Although he is a failed emperor, in art he is an eternal star, traveling through time and space, making people marvel and think.
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