Han Yu "Title Wood Jushi Second Song" (choose one)
One
The fire penetrates through the waves without counting spring, and the roots are as dry as the head and the body.
Occasionally inscribed as a wooden dweller, there are endless people who seek blessings.
Brief Note:
Fire pierced, thunderstruck. Waves pierced, rain flooded. Wood dweller, the maple tree is old and paralyzed, in the form of a human, and is used as an idol by wizards to perform tricks.
Scattering:
Deep mountain wild ridge old maple tree, long humanoid large tree tumor.
And it was struck by thunder and rain, and it was as dry as the roots of a human being.
The shaman is used as a wooden dweller and offered to the shrine as a puppet.
How many officials and people came to bow down and pray, and offered incense to pray for blessings.
Reading:
In the Tang Dynasty, there was a temple of "Mujushi" in Leiyang (now part of Hunan), and when Han Yu passed by the temple in the first year of Yongzhen (805), he left two absolute sentences, which is one. The author's use of allegorical forms to achieve similarities between people and objects in alluded to obtain rich comedic effects is a significant feature of this poem.
The first two sentences of the poem explain the embarrassing situation of the "wooden resident" in the first place, revealing its old bottom. The last two sentences write about its unexpected origins, which are in stark contrast.
The nodule of an old maple tree was "penetrated by fire waves", that is, thunder and rain flooding, and was twisted into a very unnatural state, resembling a human form. However, it was mythologized by superstitious people and offered to the shrine as an idol of the gods. Yesterday, it was still a rotten piece of wood that was lost in prison, decayed and useless, and today it has become a magnificent and boundless "wooden resident" with boundless divine power. How disharmonious it is, the situation of honor and the essence of decay! This is what Lu Xun called "tearing up the worthless to show people." Therefore, the image of the wooden resident gives people a funny and ridiculous feeling, and receives an excellent ironic effect.
However, the beauty of the poem is still in its last sentence. It paints a picture of a remnant of decaying wood standing above the throne of God, a smoking cigarette under the throne, and a group of good men and women wearing gold and silver and pearlescent, who are praying for its protection. This solemn, solemn scene, and the comical content, once again constitute incongruity, constitute a comedic conflict, and people can't help but be funny.
The sarcasm here is not only aimed at wooden dwellers. Wooden dwellers are ridiculous. And the "blessing seeker" is even more ridiculous and pathetic.
The poet uses two pairs of pen and ink to portray two images. To the wooden resident, it is the front of the ink, laughing and scolding, vitriol and meanness. For the person seeking blessings, there is not much ink, but there is a bit of an eye effect: how anxious he is to ask for blessings, to make Zhi faint, and to cling to the feet of the "Buddha". The wooden dwellers did not rely on their ignorance, and they were still unable to protect themselves, so how could they bless them?! Isn't that ridiculous?
The harshness of the wooden resident in the poem makes people feel that they are sarcastic to the seekers. Hit the wooden monk, shame on the face of the person who asked for blessings.
Zi Yue: "Sacrifice it not to his ghost, but to him" (Analects for Government). From the ugly customs of "deaf and ignorant, and worshiping non-ghosts" (Southern Song Dynasty Huang Che's "Tashi Xi Poetry"), we can further think of the bureaucrats in the feudal officialdom who are eager to meet the horse and attach themselves to the powerful. In fact, this poem borrows the metaphor of Rito and satirizes some bureaucrats at that time in the form of allegories, which is also the original meaning of Han Yu. Previous generations have long pointed out. King Yuan Qiyue: Playing the phrase "infinite blessings", gai ridiculed the disciples who wanted to hurry up at that time, then this poem was also written for Shuwen.
Contemporary scholar Zhou Xiaotian pointed out that this poem may have alluded to the intentions of Wang Ling, Wang Shuwen and their followers who "rioted as consuls" at the end of the Zhenyuan Dynasty. Opposing the Erwang and Yongzhen reforms is certainly a manifestation of conservatism. But in the case of this poem, it is written before the revolution and does not involve the innovation. At that time, there were indeed many speculators among the followers of the second king. Therefore, the objective meaning of the satirical image of this poem cannot be simply erased by Han Yu's political attitude.
attach:
Han Yu "Title Wood Jushi Ii"
Second
For the fukumi ditch interruption? The reward is also the same as the rest.
The decaying beetle is invincible to the power of the sword and saw, although the craftsman is clever?
Note: Oh, yeah, yeah. The sound is huge. Ditch interruption, "Zhuangzi Heaven and Earth": the wood of a hundred years, broken into a solemn zun, its broken in the ditch. Broken, refers to discarded waste wood. The Later Han Dynasty Book of Cai Yong (蔡邕傳) records that Cai Yong made a Jiaowei qin from the wood of the Burning Yu under the Skull. Decaying Beetle Sentence, "Analects of Gongyechang": Decaying wood cannot be carved.
unravel:
To make the remaining material of the sacrificial vessel, discard the ditch is called a break.
The wood dweller is a rotten tree tumor, and it is far worse than a broken wood.
The stove burns the remaining sycamore wood and makes the famous qin number jiaowei.
It is also ten million times stronger than the wooden dweller.
It decayed and rotted, and it was crushed before it could be carved.
Skilled craftsmanship, although you want to perform skills can not do!
Comment: Qing Chen Jingyun Yue, the last two sentences of the words, Shu Wen Han is slightly violent, out of the dung and suddenly rose to the clouds. When the two were strong, their party pushed each other's awards, including Yi, Fu, Guan, and Ge Zhimu. Yi, Fu Yan refers to Ling, Shuwen, and Guan, Ge Zeliu, Liu Generation flaunted words also. More than thirty years later, Mengde (Liu Yuxi) Yusheng called his talent, which was directly taken from the embers of the wood, and the re-carving painting was also.
Eight pictures: Wooden Priest Idol, Hanyu Temple
