"The Biography of the Painter" ~ 266th article
<h1 class="pgc-h-arrow-right" data-track="78" >Jin Junming Bu Gua "is not a prince, nobility." "Since then, hidden in Lu Alley, poetry and painting have entertained themselves!" </h1>
Text/Lu Xiuhui
Jin Junming (1602-1675), originally known as Gun (衮), was a native of Wu County (now Suzhou, Jiangsu).
Jin Junming's father, Kim Yoon-won, lost his father at the age of seven, his mother could not survive because of poverty, she had a sister married to the Zhu family, she could not bear her sister like this, but raised Kim Yoon-won's family by his side, assumed the surname of Zhu, and changed his name to Yongchang. Jin Junming began to follow his father's surname Zhu Minggun, and did not return to his original surname. Before and after the death of the Ming Dynasty, it was changed to the original surname Jin, the name Junming, and the character Filial Piety. In the fifth year of the Apocalypse (1625), Kim Joon-myung's father, Kim Yoon-won, joined the army and suddenly died.
When his father was a staff member in Ningxia, he went with his father, learned to "prancing horses and arrows, galloping and stopping", traveled all over Yanzhao Qilu, and traveled all over the north of Huaihuai, feasting on rivers and mountains, and hanging across the former sages. He was a lifelong lover of books, a gentleman, and a master of ancient and modern affairs. So, my friends liked him. Jin Junming is the eldest son in the family, there are two brothers in the family, after the death of his father, he is also 24 years old, and he is very protective of the two brothers, and the family is harmonious. In the year of his father's death, he returned to his hometown and began the life of a scholar who studied and studied, taking on the responsibility of supporting the family and serving his mother. His mother, Xu Shi, was gentle and gentle, virtuous, benevolent, and wise. Jin Junming's wife Pu Shi died early, leaving behind two daughters and four sons, and he also had the responsibility of maintaining his children. Jin Junming's "Harmony and ZhiYi Rhyme", a poem cloud:
If Mu Ning forgets to blow, Xi He is easy to tilt.
A hundred years such a day, lonely and who wants to know.
Nogure Noshiro,Lake Cold Wild Goose Voice.
Can be a good friend, aging comforts me.
After Kim Joon-myung returned to his hometown, he was trained by Mr. Zhu His Majesty, who was introduced by Xiao Jie. It was the Chongzhen period. After Jin Junming was added as a county student, the subsequent township examinations were all named Luosun Mountain, and should not be lifted. In the autumn of the fifteenth year of Chongzhen (1642), Jin Junming went to the test again, and by chance, he got the "Upper Nine" of the Qiao And the Sixty-Four Gua of the I Ching, "The End of the Heavenly Position is Easy to Know; the Transformation of the Kun is intricately Clean and Comprehensive." Part 9: Do not do the prince, but do your own thing. Xiang Yue: Not a prince, Zhi Ke is also. This noble ambition is worth emulating without seeking the cause of the prince. Speaking of Jin Junming's heart, he could not help but sigh: "Heaven forbid I to be noble?" I will pass away from here! ”
After the three examinations, Jin Junmingren did not leave the examination room, and once again remembered the guaci, and suddenly sighed: "When is this Bo Yi first?" So, he scribbled out with an ink pen and made a secret determination to live in seclusion from then on, return to the city well, and provide for himself with a servant book. Ming and Qing Ding Revolution, he could not do anything, in this chaotic world, only the world, may as well be a feasible way of life, although frustrated and helpless, but also a last resort. Although his way of life is still the same, he still attaches great importance to the integrity of intellectuals, and he is in the midst of gain and loss.
As a remnant of the Ming Dynasty, Jin Junming lived a lifelong high and did not prevent him from interacting with the people who had already surrendered to the Qing Dynasty. He and Qian Qianyi had close contacts, both of them had a mature poetic view, and both had their own styles, poetic ideas coincided, poetic concepts influenced each other, and each other was introduced as confidants. Jin Junpeng's inscription for the "Muzhai Poetry Banknote" said: "The purpose is far away, and the shelter is rich." True and gentle, force and thought, elegant and harmonious, strong and beautiful. It is not in the hundred houses of the past generations, but can and has its victory, Sgudu Old Yun Bei cut the pseudo-body, turn to the multi-master, close to the wind and elegant and climb the Song, and the late Zen Yue Jianqi, the heart is empty, the wonderful incense is stained, the Yizhen Xinhui, the meditation Spirit Chong, there are non-dust steps can chase the those who can. ”
Jin Junming advocated that poetry should take nature as the sect and be in a mood, but it must be based on the Tang style rhyme, and it should not be lost because of emotion, nor can it be lost because of rhyme, and rhyme should be taken into account, which is the most important thing for learning poetry. He advocated that on the basis of inheriting the Tang Yin, he should be far from the same time and create his own poetic style and poetic view. Judging from Jin Junming's poetic style, he was able to absorb the strengths of each family and carry out strengthening and transformation in the former sages of the teacher's law, so as to form a more distinctive characteristic, inheriting the Zhuang Ya of the "Book of Poetry", which has both du Fu's tragic and majestic depression and Tao Yuanming's freshness and lightness. Jin Junming said in the poem "Sun Ming Tastes the Song of Molan":
The ghostly man is old and pines in Berlin, and the clouds of sorrow are dim and cold.
If the cangwu bamboo is in the eye, the Yuanpu Qiong branch has no spring.
Wang Xiangyin Valley was lonely for a long time, and the crowd was hurtful.
Yuanqin sighed three times, and Xiangshui Haohao was empty.
There is a beautiful Sun Qingfang actually body, reading "Sao" to look forward to the ancient Sun Liangchen.
Travel to the end of the aiqishi, always embrace the high and deep.
Gu Lai Xianhao has many Taoist arts, and the game of Wu Yu is superb.
The ink wave flowed and the pen area was full of flowers.
The finger tip dances out of the true appearance, whipping the wind and rain ho spirit.
Mercy Jun holds the gift full of ice cocoons, and zhen over the end of the qi double nan gold.
Forgetting to know the will of the king, Fang Fei attacked his eyes and was sad.
Wen Jun's swordplay Yu Mobi, the ambition to bow to the wind and dust.
Leaving alone is yu yu han, and the vulgar appreciation is exciting.
I also meditated on the old Gao Yu, three years old wilted about Tong JiangXun.
He Dang complained to the day, and admired the sheep and expressed his affection.
In vain, the frost and the thunder are thick, and the heavens and the earth should not be merciful in the end.
Yi Weng is lonely and open, and the empty roots of this cave are still sad.
Jin Junming has a special love for Du Fu's poetry, which reflects the obvious tendency to learn Du. The atmosphere of learning Du was popular in the Ming and Qing Dynasties. The context of Du Shi is turmoil, worrying about the country and the people, full of sorrow, sympathy for the people and self-blame for his own powerlessness, Du Shi has been widely recognized among the remnants, which has aroused emotional resonance, and the emotions of hurting the country and hurting the country collide with it, showing the helplessness and frustration of intellectuals at a glance. Du Fu's grand ambition of "to the emperor Yao Shun, and then to make the customs pure" hit the heart of the fallen literati. Moreover, Du Fu's poetic character is gentle and generous, which is more suitable for the remnants to chant, learn and simulate, which is the realm that Jin Junming diligently pursues in poetic theory and poetry creation. Learning from Du Fu will help Jin Junming pour out his personal feelings and express his sense of self. In the golden poems, there are poems that are sung with friends with Du Rhyme, such as "Spring Love Suddenly, Cangshu Jian Du Sentence Fu Poem, Genus and Two Poems":
Late in giving spring flowers:
Lin Hui was still cold and wanted to blow the stage.
The clouds of affection are knotted, and the birds of love are peeping.
Pan-reduced blue color, including drowning Tho tire.
The guest is worried, so as to urge the beating.
Endowed with the depth of the city's spring grass and trees:
Spring is really rogue, and the deserted city has become self-sufficient.
Warblers cry high trees, butterflies dance wildly.
Feeling the beauty of heaven, the suspicion of things is not harmonious.
Sideways in the gap, what does it mean?
Jin Junming lurked in the city well of Wuzhong region, "escaped" but did not flee, and "escaped" as a resistance, together with Guizhuang, Xu Fang, Xu Shubu, Zhang Jun, Yang Supplement, etc., constituted a unique cultural landscape of the remnants. He and Guizhuang and Fang Xia were the sons and daughters of life and death; he was a like-minded society friend with Yang Shu, Gu Youzhi, and so on; and Zheng Shijiao and Peng Xingxian, who were in the Fu Society, were known as "Wuzhong Sanlao" and "Hou Sangao".
Jin Junming's calligraphy and paintings, especially calligraphy: "The Three Wu Tablets, next to the monk's liquor store, led a lot of Mr. Pen, and those who obtained it rushed to boast, thinking that they were lucky." "His life is unstable, sometimes abundant, sometimes poor, living a self-sufficient life, which is slightly unfair to Kim Jun-ming, who is well-educated and talented." So he gave his disciples a living. He hid the bitterness of his lost heart in calligraphy and painting poetry, and walked in the noise of the city, maintaining his personality and dignity with a unique way of interacting with the survival strategies copied by the servant book, showing the personality, integrity and personality of a widow, and what he did was the epitome of many reclusive and reclusive remnants. Jin Junming said in the inscription poem "Another Fantou Tiger Hill Small Scene for the Weekly Year":
What's so colorful about the flower market? The mountain mood is vibrant.
On the embankment, ye youlang, the silk side is not over.
The stone is spring and autumn, and the desolation is only like that.
In the ink light of photography, the Taoist people sit up.
Throughout his life, Jin Junming loved chanting, liked to collect books, dabbled in wealth, and entered all his life, except for supporting his family, he was used for collecting books. He has a wide range of hobbies, "the classics, histories, sub-books, and even astronomical water conservancy books, which are not exquisite", and he is knowledgeable and knowledgeable. After Jin Junming's death, the second son Jin Kan compiled and engraved the poems he wrote in his lifetime, known as "Chuncao Idle Room Poetry Collection", and You Dong and Zhu Yongchun wrote the preface, which are found in the "Xitang Miscellaneous Group" Miscellaneous Group Three Episodes Volume IV and the "Shame Ne Collection" Volume III, respectively. This episode has been attacked several times by fire, and its whereabouts are unknown. Jin Junming has a poem "Re-answering the Court", shiyun:
To the rain people only sing, the song is remnants and dances alone.
Yellow flowers are not always present on this day, and there should be more white hair this autumn.
The old fortress is not extremely smokey, how about the cold plains and grass?
Fluttering Zero Wang Yue finally settled down, ashamed of Jiang Tianyuan Lotus.
Jin Junming's Spring Grass Idle House was purchased by Wu Dazheng's grandfather Wu Jingkun, whose family had gone around collecting Jin Junming's manuscripts, but had not been obtained for 30 years. Wu Dayang's father, Wu Ligang, accidentally obtained the engraved collection of the "Chuncao Idle Room Poetry Collection" in the bookstore, and "shadow copied" the manuscript of Jin Junming's handwritten poems collected by his maternal grandfather Han Chong, and the Wu family made this wish. Culture is not private, and only with the infiltration of Jin Junming and Wu Daying, who have been painstakingly immersed for generations of the Wu family, can culture be achieved. In 1860, the Western powers burned down the Yuanmingyuan and plundered China, and Chinese culture suffered a heavy disaster. The Wu family's collection of poems, "All Were Burned by Soldiers", has no trace.
Jin Junminggong poetry and good calligraphy and painting, especially longer than MoMei. Try to write pottery poems and paint plums to send Wang Shizhen brothers, Shizhen Is very treasured, known as the "three absolutes." "Jin Junming can also landscape, his landscape, follow the inner feelings, with real ideas, do not make false pen and ink, although the composition is not rich, but also can attract attention." With feelings and emotions, Kim Joon-myung has done this.
Lu Xiuhui has a song "For Jin Junming's Filial Piety", a poem cloud:
The young man groaned and fished,
Idle and idle.
Poor reading Du Fu's travel day,
Poor minds are self-financing.
Remembering the wolf smoke and autumn wind violation,
Alone and returning home to rest.
Pitching up to the morning twilight ploughing broken stone,
The cooking smoke is still sad.
The old sick wandered into a daze,
Qingjiang Huan gathers the bream.
Spring grass idle room in front of the lamp silent,
Shi Chengbing burned a throw.
Tears at the stern of each phase,
Hate for a thousand years to chase the ancients.
Frustrated in the world,
The number of broken books turned around.
The astrological work has been exhausted,
The pot pulp remnants are not dead gulls.
What is the secret of Chen Zhi,
The old song invites you to travel together.