The charm of Oriental painting lies in the "inexhaustible words" in the hidden and unpredictable, and the "Tao difference" in the cultivation of the heart. Being outside the painting, deliberately painting, splashing ink and color, all become natural fun. Wang Fanfei's works are intended to travel to the celestial realm, the Taoist realm, and the human realm, and are simple and full of contemporary stylistic meaning, thanks to his extra-painting skills. Breaking through boundaries, returning to authenticity, not blindly pursuing its shape, but focusing on the expression of ink meteorology, abstraction is full of poetic associations. Heaven, earth, and human beings are one, converging into an elephant in the apparent consciousness and subconscious, and the so-called elephant is invisible.
Wang Fanfei's works: "From Ancient Times"
The pen and ink are mysterious, meaning heavenly, and it is the realm of Wang Fanfei's temple. Chinese painting attaches equal importance to brush and ink from ancient times, and cannot be biased. Each painting is contemplative, planning the layout, intending to write first, but once it is put into the paper, it flows naturally and is free, like a thousand miles of clouds. Therefore, make good use of the author, retract and put freely, turn and turn, one piece and one relaxation, and the meaning is interesting. Therefore, those who make good use of ink, thick and light, one splash and one sprinkle, one punch and one bump, full of vitality.
Wang Fanfei's work: "Above the Clouds, Mountains and Rivers Relying on Each Other" 145x247cm 2019 Shengxuan
Song Han humble 'The Complete Collection of Pure Landscapes and Waters • On the Disease of Qi Rhyme with Pen and Ink Grid Methods" said: "If you use too much ink, you will lose its true body, damage its body and be turbid; Use ink too slightly, that is, timid and weak also. "Wang Fanfei uses ink, fresh and solid, thin but not light, stacked but not muddy, thick and light, dry and wet, and clearly distinguished. His flexible temperament on the paper and the pride and elegance in the painting are the artistic characteristics of Wang Fanfei. Because of this, his paintings jump out of the Three Realms, are not in the Five Elements, and have strong and rich signs of order, this eternal change and invariance, and every moment coexists with you and me.
Wang Fanfei's works: "Heavenly Dao• Tunnel • Human Tao Series" 370x145cm
Ingenious and fickle is Wang Fanfei's extraordinary feature. Bu Bai is the Tao, "The magic is nowhere", in line with Lao Tzu's saying: There is no mutual birth. It is also known that all things in heaven and earth are born of being, and there is birth in nothing. And "nothingness" is the source of all things, the source of all things.
Wang Fanfei's works: "Heavenly Dao• Tunnel • Human Tao Series" 370x89cm
Therefore, cultivated painters are good at creating something with nothing, with virtual luck and reality, between virtual reality, yin and yang, and Wang Fanfei is the same. His cloth white, seemingly unremarkable, but carefully pondered, the width is skillfully managed, in line with the way of heaven and earth. This kind of poetic, with less to more, with a simple and complex layout, the magic is nowhere.
Ink change channels and infinite scale are wang Fanfei's contemporary changes. Chinese contemporary art is constructed on the basis of human nature, humanism and humanities, and Wang Fanfei is committed to the diversified development possibilities of ink art in contemporary times, and actively explores the multiple meta-expressions of ink art in contemporary contexts. That is, it pays attention to the inherent existence of ink art, expands the new visual pattern of the transformation and transformation of ink art to the contemporary, and finally pursues the unique philosophical thinking of oriental art.
It is true that Wang Fanfei, with his idle disposition, intelligent intellect, and rich experience, has built his own artistic language system with distinct personality to conquer the viewer.