When playing the super soldier (Miyamoto Musashi) in Glory of Kings, there is always a question: what is this big move "second-class"?
Of course, the stereotype of a large part of the "second-day first-class" is to watch the king's Miyamoto release the big move, and the long knife in both hands becomes a long and a short two.
So, I had a bold guess -- Sauron's two-bladed stream was probably learned from Miyamoto.
Later, I asked the next lady. Oh, it turns out that Sauron's prototype is not Miyamoto.
That boosted my curiosity even more.
What is this first-class thing these two days?
The so-called "two days" in the second-class class refers to the meaning of "two days of sunbathing" ("sunshine" and "sunshine", "Five Squares of the Tai Dao Sequence"), referring to the sun and the moon: that is, yin and yang, that is, symbolic opposites. Everything in the world is made up of relative things, and these relative things are infiltrated with each other so that all things develop and unify, and new things are produced. The technique of the second knife is simply to unify the movements of the two knives on the left and right hands, thus achieving the purpose of defeating the opponent. The fact that this dual pole of opposites was developed by the sublimation and unification of not only swordsmanship, but even the "Principle of the World" (Musashi Shushu), hence the name "The Art of War Second Day First-Class".
Before writing this, I saw on a video website that there were two swordsmen in a martial arts gymnasium practicing martial arts with each other. A long, tall man in a black suit holds a double knife in his hand. A man dressed in white had only one knife in his hand.
After that, the two samurai began to enter their own areas of expertise, after a series of preludes. The two began to attack each other.
Although after I was here, I learned that the real identities of these two people were samurai of a Japanese martial arts museum. And they just made this video to publicize how their martial arts center is.
But the remarkable figure of the black samurai has already caught my mind and I can't help myself.
I had to exhale from my heart: this real life is much more handsome than in the game.
Although you can't put yourself in the shoes of a second-day first-class power. However, we may be able to understand the state of mind when the master created the second-class creator Miyamoto Musashi by understanding the life of miyamoto Musashi, the creator of the second day.
Miyamoto Musashi was born in 1584 in Ōhara-cho, Hideta-gun, Okayama Prefecture, Japan, when Miyamoto was a child, following his father Shin-no-Nosuke Ichigomi to learn the art of ryūjō. In the Book of Five Wheels, Miyamoto Musashi recounts that he defeated arima Yoshibei of the "Shindō-ryū" in his first duel at the age of thirteen, defeated the samurai Akiyama of the Kingdom of Tatsuma at the age of sixteen, and went to Kyoto at the age of twenty-one to fight swordsmen from various countries, from the age of thirteen to twenty-nine, and fought more than sixty duels without a single defeat.
In addition to martial arts, Miyamoto Musashi was also a master of martial arts such as shuriken and unarmed martial arts, and in his twenties he had already created a school known as The Yuanmingliu, writing the swordsmanship book "Bing Dao Mirror" in 1605. From 1624 to 1644, he completed the art of war with two swords, known as "two days first-class".
What really made Miyamoto Musashi famous was his duel with the famous swordsman Kojiro Sasaki on Iwakushi Island at the age of twenty-nine.
At that time, Sasaki Kojiro was already a swordsman all over the world. Although Miyamoto is somewhat famous, he is still in a state of semi-red and not red.
In this battle, both men need victory to prove themselves. Miyamoto needed to defeat Sasaki to prove his reputation as the world's first swordsman. Sasaki also needs to defeat Miyamoto to maintain his position.
At noon, the sun on Iwakushi Island shines on Sasaki's face, who is already in his sixties.
Sasaki waited impatiently for Miyamoto Musashi's arrival.
The two had already decided on a noon duel. But this is already three rods a day, not to mention seeing Miyamoto's face, not even a hair.
Seeing that the sun had turned to the west, Musashi appeared leisurely in a small boat. Kojiro, who had been impatiently waiting, could not blame Musashi for his untrustworthiness, pulled out his sword, threw away the sheath of the sword, and rushed to the shore on foot. Miyamoto Musashi stood up unhurriedly and said, "Kojiro will be defeated!" He also jumped ashore, and the result can be imagined, Musashi waited for work and won the game. It is said that before the duel Musashi said: "The sword and the sheath are one, but you threw away the sheath, indicating that you are far from reaching the highest realm!" Kojiro was speechless for a moment.
This seems to be a bit difficult for strong people, because in fact, most Japanese swordsmen do not wear a sword sheath during the competition, and the sheath of the sword is a hindrance, and Musashi is the creator of the second day. After the duel, Kojiro was seriously injured, and he struggled and said, "My unfinished business will be completed by you." "After saying that, I'm dead." The unfinished business, of course, was to promote kendo, and later Musashi traveled to Japan, competed in martial arts, and created the "Book of Five Wheels", which can be regarded as "living up to the trust".
And whenever a master succeeds, he naturally has his own unique feelings. This realization was passed on to future generations with the writings of the masters.
Since Miyamoto Musashi was practicing swords, he naturally had his own unique perception of kendo. This realization I summed up in one sentence: "Bitan Shenbao Mirror". (Wrong, this sentence is the result of Master Miyamoto Musashi summing up his life's experience.) Not what I'm summarizing)
This sentence is almost similar to Liu Zongyuan's "fishing alone in the snow of the Cold River". It's all about emphasizing one thing, and that's what "emptiness" means.
But if you look at it, ask me what this "emptiness" really means.
Unfortunately, the author also knows nothing about this stuff. Helplessly, I can only quote Baidu above:
Miyamoto Musashi's path of emptiness is not the way of Gong kong, but the way of emptiness. This emptiness is to go through a certain heart, practice diligently day and night, constantly polish the heart and mind, and constantly carry and polish the induction and gaze. When your spirit is spotless, when the cloud of confusion is swept away, it is truly empty. The emptiness of kendo is a state of mind that is free and unhindered, clear and clear; when facing the enemy, it is not covered by the environment, not covered by the actions of the other party, not hidden by its own feelings, not hidden by its own thinking, and the reaction that can face everything as it is the meaning of emptiness. In life, every situation where more white blades are added, I am most afraid of self-knowledge.
It can only be half-understood, but we don't have to dwell on this issue. Just figure out that Miyamoto Musashi was a young swordsman when he was young, and Twilight Wrote Shuri. A hundred years later, it is enough that this master is still admired by the Japanese.