成都·邛崃市藝術館
REL建築事務所
邛崃市是成都市的一部分，是巴蜀四大古城之一。在2300多年的發展中，城市遺址沒有改變，文化一直傳承下來，是永無止境的。近年來，邛崃市采取片區發展模式，以文邁巷複興項目為示範，大力實施城市更新項目。對藝術的更高追求。我們有幸建成了邛崃市的第一家美術館——邛崃市美術館。
由于其獨特的屋頂形狀，“崇鸾院”成為我們給瓊來美術館的“昵稱”。建築可以通過沉重的山脈“看到”，當遊客接近建築時，可以感受到建築的悠久曆史。進入空間後，人們不僅能感受到休閑，還能加強文化語境的感受。
Qionglai is part of Chengdu City, one of the four ancient cities of Bashu. In the development of more than 2,300 years, the city site has not changed, the culture has been passed down, and it is endless. In recent years, Qionglai City has adopted a district development model, taking the Wenmai Lane revival project as a demonstration, and vigorously implementing the urban renewal project. The higher pursuit of art. We are fortunate to build Qionglai's first art museum, Qionglai Art Museum in the city. Because of the unique roof shape, "Chongluan Courtyard" has become the "nickname" we gave to Qionglai Art Museum. The building can be "seen" through the heavy mountain range, and when approaching the building, one can feel the long history when visitors approach the building. After entering the space, people could feel leisure, in addition, to strengthening the feeling of the context of culture.
我們從當地的居住區抽象出兩個傾斜的屋頂，利用重疊和連接配接的關系，并利用周圍的“山”進行對稱折疊，使各種屋頂直接重疊和連接配接在一起，形成一個“山”屋頂，形狀與居民的肌理一緻。由于建築體量小，屋頂之間的體量是相等的，沒有一塊是絕對占主導地位的，使得建築更加緊湊。
We abstracted two-sloping roofs from the local residential settlements, using overlapping and connecting relationships, and using the surrounding "mountains" for symmetrical folding, so that the various roofs directly overlap and connect together, forming a " mountains" roof, the shape is consistent with the texture of the residents. Because the building volume is small, the volume between the roofs is equal, and no piece is absolutely dominant, making the building more compact.
我們繼續以“延續街巷肌理，重建建築風格，再現繁華林瓊景”的路徑進行設計。
首先，以傳統的圍合院落為建築原型，将砌塊擡高，獲得一層的高架空間，并對院落進行擴大，以解決空間狹小、院落尺度難以舒适的問題。
同時，引入傳統民居木門的立面形式，形成可開可閉的界面，實作了街道宣傳與庭院私密性的過渡，豐富了空間層次。最後，結合“崇鸾屋頂”進行覆寫，希望創造一種城市山地住宅的藝術和文化氛圍。
We continue to design with the path of "continuation of the texture of streets and lanes, reconstruction of architectural style, and reappearance of the prosperous Linqiong scene". First, using the traditional enclosed courtyard as the architectural prototype, the building block is raised to obtain an overhead space on the first floor, and the courtyard is enlarged to solve the problem of small space and the difficulty of having a comfortable courtyard scale. In the meantime, the facade form of traditional wooden doors of residential houses was introduced to form an openable and closable interface, which served as a transition between street publicity and courtyard privacy and enriched the spatial hierarchy. Finally, the combined "Chongluan Roof" was covered, hoping to create an artistic and cultural atmosphere of urban mountain dwellings.
然而，施工技術是有限的。為了保持完整性的建築形式,立面采用雙層壁結構,屋頂采用折疊梁的形式,實作了沉重的牆壁和屋頂的疊加和波動,而贊頌古代建築結構的傳統美學。
However, the construction technology is limited. In order to maintain the integrity of the building form, the facade adopts a double-layer wall structure and the roof adopts the form of folded beams, which realizes the heaviness of the wall and the stacking and undulation of the roof, while paying tribute to the tradition Aesthetics of ancient building structure.
建築外觀采用現代材料和傳統元素，形成新舊對比，希望創造一種重疊時間的體驗。在一層，可打開的竹木窗和門與住宅住宅相比較，形成統一立面。兩層建築的外牆主要采用再生青磚，合理利用現有資源，延續傳統元素。三面建築玻璃幕牆面向文邁巷和東西廣場，結合嵌壁式水刷石牆，聚焦視線，提升商業價值。鄰近的建築向北且相對靠近，用混凝土格窗設定，虛實結合，點綴外觀形式。
The appearance of building uses modern materials and traditional elements to form a contrast between the old and new, hoping to create an experience of overlapping time. On the first floor, openable wooden bamboo windows and doors compared to the residential houses, forming a unified façade. The exterior walls of the two-story building are mainly mixed with recycled blue bricks, rational use of existing resources, and continuation of traditional elements. The three-sided architectural glass curtain wall faces Wenmai Lane and East-West Plaza, combined with the recessed water-brushed stone wall, focuses the line of sight and enhances commercial value. The neighboring buildings to the north and relatively close, with concrete lattice windows set up to combine virtual and solid to embellish the appearance form.
在内部空間中，庭院是組織功能單元的核心。一層的内側是後勤輔助用房，其他關鍵部分和二層可以作為藝術博物館的展覽空間，為藝術分流提供了充足的空間。
In the internal space, the courtyard is the core to organize functional units. The inner side of the first floor is for logistics auxiliary rooms, and the other critical parts and the second floor can be used as exhibition spaces for art museums, giving plenty of space for art to diverge.
室内工作室以“山形水”為整體設計理念，呼應建築平面圖，内部空間與外部空間在一定程度上統一。與此同時，室内使用了更加現代的材料，曆史文明和文化印記在空間中交換，産生新的化學反應。
The interior studio takes "mountain-shaped water" as the overall design concept, which echoes the architectural plan, and the internal space and exterior are unified to a certain extent. At the same time, more modern materials are used indoors, and historical civilization and cultural imprints are exchanged in the space, generating new chemical reactions.
邛崃市美術館的建成，為邛崃市注入了新的城市功能，作為曆史記憶的載體和藝術文化傳播的空間。我們希望文邁巷能在一定程度上繼承和發展傳統街巷的美，同時也能在未來引導和承載當地人更好的生活，進而值得拆除曆史文化街區。吸收外界的精神營養，激發内在的文化底蘊，慢慢積累起古今交融的自己的文化。
The completion of the Qionglai Art Museum has implanted new urban functions in Qionglai, serving as a carrier of historical memory and a space for the spread of art and culture. We hope Wenmai Lane can inherit and develop the beauty of traditional streets and lanes to some extent, and at the same time, it could guide and carry a better life for locals in the future, so that it is worthwhile to demolish the historical and cultural blocks. Absorb the spiritual nutrition from the outside world, stimulate the inner cultural heritage, and slowly accumulate one\s own culture that blends ancient and modern.
▲ 建築恰如其分地融入城市肌理之中
▲ 一層平面圖
▲ 二層平面圖
▲ 剖面
▲ 雙層牆身大樣圖
▲ 圖紙要求
▲ 概念生成
▲ 空間交融
▲ 組合屋面
建築師：REL建築事務所
面積：776 m²
年份：2021年
制造商：宣城宏宇竹業有限公司
室内設計: 嚴琦 北京室内建築有限公司
景觀：成都川成景觀規劃設計有限公司
顧問公司：中國第十九冶金集團有限責任公司（建築工程） 四川新瓊建設有限公司（建築工程） (建築工程）/四川新瓊建設有限公司（室内工程）
設計團隊：金洪铎、樓洪、何松、張愛新、王婷婷
工程師：陳兵
客戶:成都文邁旅遊發展有限公司
國家:中國 成都