這是一場關于人文力量與自然相衡的主題展覽。穿透時空的黑色迷霧，變與不變乃宇宙實相，冷熱、明暗皆為我們的同分妄見。空間從内在的兩岐性循迹出發，将個體心智的滋養曆程與自然環保的悖論之殇相結合，以點燈者的姿态在首屆大灣區時尚家居展上照亮這世間踽踽獨行的思想者。
This is a thematic exhibition about the balance between human power and nature. Through the black mists of space and time, change and constancy are universal realities, cold and hot, light and dark are all part of our identity. Space combines the nurturing process of the individual mind with the paradox of nature and the environment, starting from the inherent cycle of bipolarity, a lone thinker lights up the world at the First Bay Area Fashion & Home Show as a lamplighter.
——宇合光年·張耀天
UNEASINESS & PARADOX展覽序言
——Fun Connection Design Zhang Yaotian
UNEASINESS & PARADOX Exhibition introduction
明暗交織·兩岐空間
UNEASINESS & PARADOX
首屆大灣區時尚家居展
The space of dichotomy between light and dark
The First Bay Area Fashion Home Show
UNEASINESS & PARADOX主題展以“個體篇”與“自然篇”兩大空間脈絡隐喻人文精神與公共領域的聯結關系，并采用燈光裝置的表現方式建構獨特視覺矩陣，局部以橙色亞克力凸顯“能量”形象，以此映射斑斓的精神底色，為訪者呈現一個神秘而又震撼的感覺世界。
The UNEASINESS & PARADOX Exhibition is a metaphor of the connection between the human spirit and the public sphere through two spatial threads: “The individual”and “The natural”, part of the orange acrylic highlights the “Energy”image, so as to reflect the colorful spiritual background, for visitors to present a mysterious and shocking perception of the world.
CHAPTER Ⅰ個體篇
思想在迷宮中冒險潛行，發現社會背後的自我
The Mind Ventures through the maze to discover the self behind society
，時長00:56
美，不存在于物體之中，而存在于物與物産生的陰翳的波紋和明暗之中。沉潛于黑暗的回廊與流線中，發現内心深處的自我之美，當我們穿梭其中遡迴徘徊，宿命又将我們指向何處？
Beauty is not found in things, but in the ripples and shadows of things and their shadows. Dive into the dark corridors and streamline, find the inner beauty of the self, as we shuttle back and forth among them, where will fate take us?
伫立于镌刻着文字的黑色“精神支柱”前，泛泛白光如魚肚般在思想海邊吐納不息。詞語的淬煉、心靈的淘洗、内心的不安，巨大的想象空地之間形成了一種複雜的張力将我們包裹。
Standing in the engraved text of the black “Spiritual pillar,”the pan-white light like a fish stomach in the thought of the sea breathing. The hardening of words, the washing of the soul, the inner restlessness, the huge imagination space between the formation of a complex tension will wrap us.
諾瓦爾大街沒有卑下的姿态，不像資産階級的大街那樣向行人獻媚，正如薩特所言，生活越來越奇幻，人幾乎無所适從，屈服内心不安的我們何嘗不是在向這些文字、生活低頭谄媚？
There was no humbleness to the street, no bourgeois street fawning over the passers by, and, as Sutter put it, life became more and more fantastic, and one was almost at a loss what to do, give in to our inner unrest is not to these words, life bow to flattery?
存在主義思潮之下，被機器、被欲望裹挾着向前奔湧的我們不妨傾聽内心真正的聲音：直面不安，做你自己。接受自我思想與力量洗禮，在塵世洪流中真正找到自己的存在與歸屬。
In the midst of existentialism, we might as well listen to our true inner voice: face our insecurities and be yourself, carried forward by machines and desires. To accept the baptism of self-thought and power, to find their own existence and belonging in the flood of the world.
CHAPTER Ⅱ自然篇
光明在場域中驅散陰霾，點亮精神世界的底色
The light disperses the haze in the field, lightens the spiritual world the background color
我們連同肉、血和腦都是屬于自然界并存在于其中的。
——恩格斯
We belong and exist in nature together with our flesh, blood and brain.
——Friedrich Engels
，時長00:33
黑色讓我們直擊内心，光源卻從另一次元展現了個人與自然主義的悖論性：一方面空間環境的過渡與割裂，在明暗交替處給予重新“上路”的勇氣；同時，亦是自然給我們的信号與警示。
Black lets us hit the heart, but the light source from another dimension reflects the paradox of the individual and naturalism: on the one hand, the transition and separation of the space environment, in the light and dark alternating place to give the courage to “Start”again; at the same time, it’s also a sign and a warning from nature.
材料軟性燈管以形寫意，黑色鏡面與白色強光折疊的逾時空場域下，橙色亞克力裝置凸顯“能源”形象為空間注入一絲活力。明暗交界的當代語境中，人與自然的脈絡故事由此展開。
Material soft lamp to shape freehand, black mirror and white light folding space-time field, orange acrylic device highlights the “Energy”image of space into a ray of vitality. In the contemporary context of the junction of light and dark, the story of Man and nature unfolds from this point.
思想的觸角或伸向天空，或紮根地下，地面落葉與虛拟虬枝形成現實與曆史、自然與人文的二次對立。同自然對話，在萬物之中，喚醒對内心場地的聯結記憶及環保初心的原始渴望。
The tentacles of thought either extend to the sky, or take root in the ground, the ground leaves and virtual qiu Zhi Formation of reality and history, nature and humanity of the secondary opposition. Talk with nature, among all things, to awaken the connection memory of the inner field and the original desire for environmental protection.
自然如同一面照見自己的鏡子，可以窺見我們的精神世界：内心的不安、生命的奔流、環保的悖論。當我們駐足思考時，不妨想想“來時”的路（革故），“要走”的路（鼎新），如何走好路（真正思考人與環境的關系）……
Nature is like a mirror to see ourselves, we can see our spiritual world: inner unrest, the flow of life, environmental paradox. When we stop to think, might as well think “When”the road (reform) , “To go”the road (Dingxin) , how to take a good road (really think about the relationship between people and the environment) ...
當人文力量與自然相衡
究竟會産生怎樣的火花
……
一千個讀者就有一千個哈姆雷特
而生命的作者，隻有你自己
FIND YOURSELF
UNEASINESS&PARADOX
When the forces of humanity and nature balance
What kind of sparks are gonna be generated
1,000 readers, 1,000 Hamlett
And the author of Life Is You
項目資訊
ABOUT THE PROJECT
Project Information
項目名稱：UNEASINESS&PARADOX燈博展
Project Name:UNEASINESS&PARADOX Lighting Exhibition
項目地點：中國·古鎮 利和燈博中心
Project Location: LIHE LIGHTING EXPO CENTER.
GUZHEN,ZHONGSHAN CHINA
設計範圍：約174㎡
Design Scope: About 350㎡
設計機構：宇合光年
Design Institute: Fun Connection Design
策展人：張耀天
Curator: Zhang Yaotian
設計團隊：金張瑩、張淼、陶安娜
Design Team: Jin Zhangying，Zhang Miao，Tao Anna
深化設計：張棒、趙戈森
Deepening Design: Zhang Bang，Zhao Gesen
平面設計：邰淑婷
Graphic Design:Tai Shuting
攝影師：歐宗保
Photographer：Turbo
撰稿文案：設計紀元
Script Edition: Design Epoch
關于設計師
ABOUT DESIGNERS
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