"Blue, White and Red Trilogy" is the work of Polish director Kieslowski, composed of "Blue", "White" and "Red", which is considered by many film critics to be the pinnacle of the film industry. The blue, white and red colors are taken from the French flag, symbolizing freedom, equality and fraternity, respectively, and are also the themes of the films named after the corresponding colors. "Red", as the last part of the trilogy, is Kee's shadow work, so it can also be said that "Blue,White and Red Trilogy" is Ki's shadow work.
Among the trilogies, "Red" is the most profound, "White" is the most dramatic, and "Blue" is the most "stuffy", but I like "Blue" the most. However, the most award-winning is indeed "Blue".
Trois couleurs movie poster
The film of the Blue,White and Red Trilogy is breathtakingly beautiful. Under Kie's lens, human skin, hair, light and shadow, and color blocks can be so beautiful. Taking the trilogy as the theme of the first official push of the public account can also be regarded as a pursuit of beauty. The reason for the trilogy is that it discusses far from what it seems, and it discusses more "ineffable things" - it is not clear at all, it does not mean that, it has to be presented as it is, as Wittgenstein said, "remain silent". However, most of the films of the same genre have failed in the excessive "didactic meaning" and the author's use of a large number of literary dramas of film characters to sell views, which is annoying. The trilogy fully reflects the superiority and unique beauty of the film with the medium of picture rather than the medium of words.
The trilogy also uses a corresponding color filter according to the name, "Blue" will be blue, blue to melancholy and calm; "White" is not dazzling, but calm and restrained; "Red" is not too dazzling, but the heroine's red clothes are reflected on the red billboard. The filters are added naturally and decently, unlike the deliberate abruptness of some movies/TV series. In addition, the trilogy also echoes darkly, such as a cardboard box with "white" written on it in "Blue", the red car in which the male protagonist rides and the red suitcase used in "White"... The trilogy's lens language is concise and unadorned, and the editing is amazing, which is worth pulling the film to watch. Of course, The status of the Kishi is there, and everything seems natural.
Spoiler Alert: The following is a breakdown of the three films, and the plot of the movie will not be repeated due to length. However, the following inevitably contains some plots, if you mind, it is recommended to read the following after watching the movie.
Here's just my favorite Blue, which I think is the most beautiful in the trilogy. "Blue" has the least dialogue and the slowest rhythm in the trilogy, so some people will feel "stuffy". Of course, the other two films are not fast-paced, that is, the general rhythm of literary and art films. It can be said that the lead actor Juliet Binoche supported the entire "Blue": in the case of very little dialogue, the camera is more often a large close-up of her face, and the sorrow and sorrow are all out. In recent years, there has been a popular kind of immersive theatre, that is, the audience is also a person in the play, and there is a similar feeling when watching "Blue". You're watching Blue, but you're not you anymore, you're the protagonist Julie, you're watching yourself, you're struggling with freedom. "Blue" also has the plot arrangement of Julie swimming many times, which also hints at that kind of "struggle". For the account of the car accident, "Blue" uses a quiet scene, and there is a similar treatment in "Ghost Floating Life", I don't know if the director is paying tribute to "Blue"? In addition, the score of "Blue" by the Royal Composer Officiation of The King of Kie is also amazing, and the cut-in and out of the soundtrack is also quite good.
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