A generation of movie star Yang Huishan old photo appreciation. Yang Huishan, film actress, originally from Xiangtan, Hunan, was born in 1952 and studied at the Jingyi Women's College of Arts and Sciences in Taichung. Her and Zhang Yi's love and idealized life and career make them more like a pair of fairy lovers. Together, they create a cinematic classic and a new novelty of contemporary Chinese arts and crafts that is impressive.
In 1975, Yang Huishan joined China Television station to host programs, and then joined the tv station as an actress. From 1976 to 1986, he starred in more than 50 films. In the film, the love is earth-shaking, the love in life is heavy and thick, the love in the career is obsessive and obsessive, and the love that is selflessly invested has made her colorful life.
Her first film was "Five Petite Babies", and after 1978, she became famous for starring in "The Wrong First Step", and gradually became a household star in the movie, and once took the sexy route with a devil's figure and became extremely popular.
Yang Huishan won the Best Drama Film Award, the Best Director Award, the Best Adapted Screenplay Award, the Best Actress Golden Horse Award, and the Best Actress Golden Horse Award for Best Actress at the 22nd Golden Horse Awards in Taiwan in 1985.
Her collaboration with Zhang Yi on "Yu Qing Sister-in-law" became one of the most important film classics at that time, winning the Best Director Award and the Best Actress Award at the 1986 Asia Pacific Film Festival. She was named one of the "Top 100 Stars of Chinese Cinema in a Hundred Years".
In 1986, she starred in her last film, My Love. In 1987, Yang Huishan left the film in the peak state, and Zhang Yi devoted herself to modern Chinese glass art, founded the Glass Workshop, and painstakingly studied the special glass de-wax casting method.
Over the years, from groping, experimenting, to real works, Liuli Workshop has been deeply anticipated by the world's first modern Chinese style glass art creation group, and Yang Huishan is also one of the few promoters of modern Chinese glass art.
In the process of growing up, Yang Huishan, with her unique artistic talent and keen observation, created sculptures rich in traditional Chinese and humanistic ideas, so that Liuli Workshop could enter the international art stage in a very short period of time.
Since 1990, Yang Huishan has begun to exhibit internationally with the liuli delament casting works researched and developed by Liuli Workshop under her leadership. Her Chinese style works, mature thinking, highly potential sculptural talent, and incredible completion of de-waxing glass have caused a sensation in the international art world.
In 1992, Yang Huishan's work sparked a discussion of glass art from all over the world. Among them, the "Golden Buddha's Hand" Buddhist thought and creation, under the precise interpretation of techniques, a unique new style, which impressed the top international masters. Her works are rich in traditional Chinese and humanistic ideas, and Zhang Yi's inscription poems for each work are more like Zen poems.
In 2013, Yang Huishan and Zhang Yi held a joint exhibition at the National Art Museum of China, and Yang Huishan's work "A Chinese Glass Flower, and the Dance Spring Breeze Is More Calm" was collected, which was also the first time that the National Art Museum of China collected Liu Li works.